1973
1973
Sources
Transferrer: Matrix by dusborne
3:34:17
SBD
Rating:
9.33 / 4 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1973-12-01.124132.mtx.dusborne.flac16
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
Taper Notes:
View NotesMatrix by dusborne 02-18-2013 ------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-18-2013
Taper: Joe Maloney
3:45:55
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158194.aud.maloney.flac16
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View NotesJOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Joe Maloney
3:45:56
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158193.aud.maloney.flac2496
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View NotesJOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
3:17:43
Rating:
6.00 / 1 rating
Taper:
Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
Transferrer:
Transfer by Andrew F.
SHNID:
gd1973-12-01.aud.degen.110781.flac1644
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View NotesTim's comment: "It's Bill Degen's tape, I sat about four seats from him. I know we were in front of the board, maybe 12th row or so." Degen's masters have apparently been lost in a fire, so this might be the best surviving copy at this time. The recording does not match either of the Auds currently in the database (18094 & 98049). It's mono, but due to the good orchestra location, the sound is clear and without much distortion or crowd interference. Some tape damage audible in Around & Around. Patches were inserted from ID-98049 as follows: - Tennessee Jed 3:34 > 3:42 - Looks Like Rain 0:00 > 0:09 - Let it Grow 4:37 > 4:44 - "human rattlesnake" 0:00 > 0:17 - "this lame trip" 0:00 > 0:06 - Playin' in the Band 12:40 > 12:56 - Row Jimmy (all of it) 0:00 > 10:11 - Not Fade Away 0:00 > 0:05 Suggested CDR burning: D1 s1t01 > s1t12, D2 s1t13 > s2t12, and D3 s2t13 > s2t17 plus the partial 12-02-1973 s1t01 > s1t07. THANKS to Bill Degen for taping, and Tim Friend for saving tapes!