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639
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2
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SBD
XX/XX
Wake Of The Flood Sessions
Unknown Location
4
17:18
1
tape
12/19
SBD
Curtis Hixon Convention Hall
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1.5k
3:48:27
7
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12/18
SBD
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Tampa, FL, USA
2.1k
6:07:24
8
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12/12
SBD
The Omni
Atlanta, GA, USA
753
4:00:37
5
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12/10
SBD
Charlotte Coliseum
Charlotte, NC, USA
5
6:49
1
tape
12/08
SBD
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Durham, NC, USA
673
4:26:03
10
tapes
12/06
SBD
Cleveland Public Auditorium
Cleveland, OH, USA
536
3:23:27
10
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Cincinnati, OH, USA
352
2:08:19
4
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Boston Music Hall
Boston, MA, USA
699
3:11:23
6
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SBD
Boston Music Hall
Boston, MA, USA
452
6:49:50
10
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SBD
Boston Music Hall
Boston, MA, USA
1.1k
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4
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Palace of Fine Arts
San Francisco, CA
214
4:32:06
1
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11/25
SBD
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Tempe, AZ, USA
169
3:21:11
4
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11/23
SBD
County Coliseum
El Paso, TX, USA
130
3:22:14
3
tapes
11/21
SBD
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Denver, CO, USA
455
3:07:35
6
tapes
11/20
SBD
Denver Coliseum
Denver, CO, USA
1.9k
3:40:13
8
tapes
11/17
SBD
Pauley Pavilion, UCLA
Los Angeles, CA, USA
2.2k
3:52:26
7
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11/14
SBD
San Diego Sports Arena
San Diego, CA, USA
781
6:08:23
7
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11/11
SBD
Winterland Arena
San Francisco, CA, USA
3.2k
3:11:10
7
tapes
11/10
SBD
Winterland Arena
San Francisco, CA, USA
416
2:31:44
2
tapes
11/09
SBD
Winterland Arena
San Francisco, CA, USA
303
3:03:36
1
tape
11/01
SBD
McGaw Memorial Hall, Northwestern U.
Evanston, IL, USA
99
3:04:25
6
tapes
10/30
SBD
Kiel Auditorium
St. Louis, MO, USA
440
3:17:25
7
tapes
10/29
SBD
Kiel Auditorium
St. Louis, MO, USA
311
5:46:24
8
tapes
10/27
SBD
Indianapolis State Fair Coliseum
Indianapolis, IN, USA
186
3:20:09
3
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10/25
SBD
Dane County Coliseum
Madison, WI, USA
383
2:50:38
8
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10/23
SBD
Metropolitan Sports Center
Bloomington, MN, USA
263
2:33:36
3
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10/21
SBD
Omaha Civic Auditorium
Omaha, NE, USA
99
2:37:01
2
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10/19
SBD
Oklahoma City Fairgrounds Arena
Oklahoma City, OK, USA
379
3:00:08
2
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9/26
SBD
War Memorial Auditorium
Buffalo, NY, USA
270
3:16:10
5
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9/24
SBD
Civic Arena
Pittsburgh, PA, USA
224
2:57:33
9
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9/21
SBD
The Spectrum
Philadelphia, PA, USA
188
3:02:01
8
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9/20
SBD
The Spectrum
Philadelphia, PA, USA
217
2:12:57
2
tapes
9/17
SBD
Onondaga County War Memorial
Syracuse, NY, USA
105
2:59:19
4
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9/15
SBD
Providence Civic Center
Providence, RI, USA
172
3:10:51
4
tapes
9/12
SBD
William and Mary College Hall
Williamsburg, VA, USA
108
2:29:03
5
tapes
9/11
SBD
William and Mary College Hall
Williamsburg, VA, USA
514
3:16:13
8
tapes
9/08
SBD
Nassau Coliseum
Uniondale, NY, USA
513
3:30:35
8
tapes
9/07
SBD
Nassau Coliseum
Uniondale, NY, USA
438
3:30:19
3
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8/04
SBD
Record Plant
Sausalito CA
51
29:59
1
tape
8/01
SBD
Roosevelt Stadium
Jersey City, NJ, USA
535
3:00:16
17
tapes
7/31
Roosevelt Stadium
Jersey City, NJ, USA
263
3:36:17
6
tapes
7/28
SBD
Grand Prix Racecourse
Watkins Glen, NY, USA
836
4:40:58
15
tapes
7/27
SBD
Grand Prix Racecourse
Watkins Glen, NY, USA
499
1:40:38
13
tapes
7/01
SBD
Universal Amphitheatre
Universal City, CA, USA
476
2:53:38
8
tapes
6/30
SBD
Universal Amphitheatre
Universal City, CA, USA
266
2:56:43
11
tapes
6/29
SBD
Universal Amphitheatre
Universal City, CA, USA
101
1:53:28
1
tape
6/26
SBD
Seattle Center Arena
Seattle, WA, USA
330
3:56:23
7
tapes
6/24
SBD
Portland Memorial Coliseum
Portland, OR, USA
384
3:13:19
3
tapes
6/22
SBD
P.N.E. Coliseum
Vancouver, British Columbia, Canada
2k
4:21:20
10
tapes
6/10
SBD
RFK Stadium
Washington, DC, USA
11.1k
4:47:33
14
tapes
6/09
SBD
RFK Stadium
Washington, DC, USA
4.2k
3:28:38
10
tapes
5/26
SBD
Kezar Stadium
San Francisco, CA, USA
14.7k
4:08:28
11
tapes
5/20
SBD
Stadium (UC Santa Barbara)
Santa Barbara, CA, USA
17.5k
3:49:59
7
tapes
5/13
SBD
Des Moines State Fairgrounds
Des Moines, IA, USA
361
4:20:11
5
tapes
4/02
SBD
Boston Garden
Boston, MA, USA
2k
3:35:53
5
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3/31
SBD
War Memorial Auditorium
Buffalo, NY, USA
353
2:45:50
4
tapes
3/30
SBD
Community War Memorial Auditorium
Rochester, NY, USA
120
2:44:04
3
tapes
3/28
SBD
Springfield Civic Center
Springfield, MA, USA
595
3:43:43
9
tapes
3/26
SBD
Baltimore Civic Center
Baltimore, MD, USA
776
3:54:25
5
tapes
3/24
SBD
The Spectrum
Philadelphia, PA, USA
1k
3:50:35
5
tapes
3/22
SBD
Utica Memorial Auditorium
Utica, NY, USA
164
3:39:46
8
tapes
3/21
SBD
Utica Memorial Auditorium
Utica, NY, USA
426
3:51:50
6
tapes
3/19
SBD
Nassau Coliseum
Uniondale, NY, USA
841
3:27:03
6
tapes
3/16
SBD
Nassau Coliseum
Uniondale, NY, USA
902
3:26:39
6
tapes
3/15
SBD
Nassau Coliseum
Uniondale, NY, USA
155
3:19:53
4
tapes
2/28
SBD
Salt Palace
Salt Lake City, UT, USA
119
2:03:39
3
tapes
2/26
SBD
Pershing Municipal Auditorium
Lincoln, NE, USA
329
3:03:19
2
tapes
2/24
SBD
U. of Iowa
Iowa City, IA, USA
20
52:08
3
tapes
2/22
SBD
Assembly Hall, U. of Illinois
Champaign-Urbana, IL, USA
604
2:55:46
4
tapes
2/21
SBD
Assembly Hall, U. of Illinois
Champaign-Urbana, IL, USA
310
2:37:30
2
tapes
2/19
SBD
International Amphitheatre
Chicago, IL, USA
256
1:26:53
3
tapes
2/17
SBD
St. Paul Auditorium
St. Paul, MN, USA
977
3:04:57
5
tapes
2/15
SBD
Dane County Coliseum
Madison, WI, USA
2k
3:27:55
8
tapes
2/09
SBD
Roscoe Maples Pavilion, Stanford U.
Palo Alto, CA, USA
2.1k
3:26:38
8
tapes
12/1/73
Intro / Tune Up
3:50
Promised Land
4:17
Sugaree
9:06
Mexicali Blues
4:24
Tennessee Jed
10:41
Looks Like Rain
9:07
China Cat Sunflower
6:53
I Know You Rider
9:36
Big River
7:56
Brokedown Palace
7:25
Weathe Report Suite Prelude
6:39
Let It Grow
9:30
Casey Jones
10:22
Around and Around
5:38
They Love Each Other
5:48
Clear The Aisles
6:30
Me and My Uncle
3:03
Clear The Aisles
2:37
Don't Ease Me In
7:08
Me and Bobby McGee
5:48
Mississippi Half-Step
7:43
Playing in the Band
13:49
Uncle John's Band
13:25
Playing in the Band
6:33
Row Jimmy
10:08
Greatest Story Ever Told
6:47
Not Fade Away
10:34
Goin' Down the Road Feeling Bad
8:34
Not Fade Away
5:17
Audience
6:48
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:46:09
SBD
Rating:
8.00 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-01.sbd.miller.112205.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC
Taper Notes:
View Notes
Notes: -- All disc changes are seamless -- You can move the disc changes to fit the show onto 3 discs -- Thanks to David Gans for lending me his Dats -- Thanks to Robert Darst for his help with the soundcheck -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by dusborne
3:34:17
SBD
Rating:
9.33 / 4 ratings
Transferrer:
Matrix by dusborne
SHNID:
gd1973-12-01.124132.mtx.dusborne.flac16
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
Taper Notes:
View Notes
Matrix by dusborne 02-18-2013 ------------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 02-18-2013
Transferrer: Scott Clugston
3:24:56
SBD
Rating:
9.75 / 9 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-12-01.sbd.clugston.6648.sbefail.shnf
Source:
Master Soundboard Reels > PCM > DAT> CDR
Taper Notes:
View Notes
by re-assembling the discs, this 4 disc set can fit on 3 discs. However, the noodling/segue betweeen "Mississippi Half-Step" (d4t01) and "Playin' in the Band" (d4t02) would either be lost in a disc change, or, necessitate an overlap of music between disc 2 and disc 3. This segue has been left in place in this 4 disc set. there is a 0:01 burst of static at the 4:01 mark of "Big River" (d2t01) made possible thru the usual group of suspects/mental patients CD Mastering by Scott Clugston 9/16/01
Transferrer: Scott Clugston
1:58:22
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-12-01.sbd.clugston.4972.sbefail.shnf
Source:
Master Soundboard Reel > DAT > CDR
Source 5 of 10
6:49:50
SBD
Rating:
6.00 / 1 rating
SHNID:
gd1973-12-01.sbd.gardner.4337.shnf
Taper: Joe Maloney
3:45:55
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158194.aud.maloney.flac16
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View Notes
JOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Joe Maloney
3:45:56
Taper:
Joe Maloney
Transferrer:
KRW_co
SHNID:
gd1973-12-01.158193.aud.maloney.flac2496
Source:
Sony TC-110A deck with built in microphone
Lineage:
AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Taper Notes:
View Notes
JOE'S MEMORIES: This was the show where I realized that I was a Grateful Dead "fan" and not a true "Deadhead". I had seen the Dead in Bangor, Maine in April 1971 and it was a great show and a nice experience. The people who were at that show were there to see the band and listen to the music, After the release of the "Europe '72" album and reading about the "Wall Of Sound" stage, I was looking forward to a great show. Unfortunately, it turned out to be a whole different experience. As we entered the Music Hall, we were amazed by the size of the "Wall Of Sound" and we were looking forward to a unique and exciting show. The two sets featured a great selection of songs, but the audience proved to be a challenge for those of us who were there to sit in our seats to listen and enjoy the music. As soon as the band took the stage, people stood up, left their seats and flooded the aisles to get closer to the stage. From that moment, it became a continuous battle between the ushers, who tried to keep the aisles clear and get people back to their seats, and the ones who kept going back into the aisles to block the view of those in the closer seats. Besides the people clogging the aisles and blocking everyone's vision, there were the ones who were under the influences of various "substances",shouting and making a general nuisance of themselves. I had looked forward to this show for quite a while and it was very frustrating to not be able to be comfortable and enjoy it. The audiences for certain British and Southern Rock bands were always a little more "boisterous" in Boston, but they usually listened to the music. Unfortunately, this was a whole different scene. Although the band was sounding as good as ever and we got to see Jerry without his beard for the first time in a long while, it just wasn't a good atmosphere to be in. They didn't even have any bright lights to highlight the members of the band as they performed, so I couldn't even get any good photos of them. Needless to say, this was my last live Dead show. I still remain a fan, after all these years, but I had to leave the live show experience for the others, who chose to walk, "twirl" and yell. Eventually, the "tapers" ended up getting the best deal, when special seating areas were set up just for them and they were able to stay apart from the noise and confusion. Many Many Thanks To Joe
Taper: Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
3:17:43
Rating:
6.00 / 1 rating
Taper:
Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend.
Transferrer:
Transfer by Andrew F.
SHNID:
gd1973-12-01.aud.degen.110781.flac1644
Lineage:
Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
Taper Notes:
View Notes
Tim's comment: "It's Bill Degen's tape, I sat about four seats from him. I know we were in front of the board, maybe 12th row or so." Degen's masters have apparently been lost in a fire, so this might be the best surviving copy at this time. The recording does not match either of the Auds currently in the database (18094 & 98049). It's mono, but due to the good orchestra location, the sound is clear and without much distortion or crowd interference. Some tape damage audible in Around & Around. Patches were inserted from ID-98049 as follows: - Tennessee Jed 3:34 > 3:42 - Looks Like Rain 0:00 > 0:09 - Let it Grow 4:37 > 4:44 - "human rattlesnake" 0:00 > 0:17 - "this lame trip" 0:00 > 0:06 - Playin' in the Band 12:40 > 12:56 - Row Jimmy (all of it) 0:00 > 10:11 - Not Fade Away 0:00 > 0:05 Suggested CDR burning: D1 s1t01 > s1t12, D2 s1t13 > s2t12, and D3 s2t13 > s2t17 plus the partial 12-02-1973 s1t01 > s1t07. THANKS to Bill Degen for taping, and Tim Friend for saving tapes!
Source 9 of 10
3:54:13
Rating:
7.00 / 4 ratings
SHNID:
gd1973-12-01.aud.maloney.98049.flac16
Source:
AUDIENCE ANALOG MASTER>CDR
Lineage:
CDR>EAC>FLAC;
Taper Notes:
View Notes
Special thanks to Joe Maloney for making this recording available. Please do not "Remaster" and then re-post this recording.
Taper: Unknown
2:46:22
Rating:
2.67 / 4 ratings
Transferrer:
Matt Vernon and Marc Pujol
SHNID:
gd73-12-01.aud.vernon.18094.sbeok.shnf
Source:
Audience Recording
5 shows
82 tapes