Bands
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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h47864
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k303
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.5k329
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.1k420
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.2k424
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k393
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k358
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k171
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.8k961
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k119
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.1k246
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.4k628
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.4k176
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k204
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k232
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.2k1.1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.7k236
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k251
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h11.8k1.6k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37339
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k488
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.3k695
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.9k379
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k194
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k227
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k220
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h66882
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9214
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25419
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h362
7d1037
30d62737
2 shows
2 tapes
1973
Sources
Transferrer: SirMick
3:04:32
SBD
Rating:
10.00 / 7 ratings
Transferrer:
SirMick
SHNID:
gd1973-11-17.sbd.sirmick.79548.sbeok.flac16
Taper Notes:
View Notesnotes: - Sugar Magnolia had a partial dropout between 8:35 - 8:38. I have been able to make this section sound somewhat better - I cleaned up some transitions with crossfades - I cleaned up a few other minor problems - light noise reduction applied SIRMick October 2006
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones. shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G ([email protected]) Enjoy my brothers!
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
10.00 / 22 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.23472.sbefail.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones.
Source 4 of 7
3:52:26
SBD
Rating:
10.00 / 4 ratings
SHNID:
gd1973-11-17.sbd.patched.bec.22799.flac16
Source:
SHNID 19896 and 4762
Taper Notes:
View NotesD2t05 (Uncle John's Band): S:MR > reel > DAT patch from 5:37 to 5:59 D3t02 (Eyes): S:MR > ? > DAT patch from 0:10-0:13 D3t04 (Casey Jones): MSR > ? > DAT patch from 3:48 to 3:53 D4t02 (Uncle John's Band): S:MR > C > DAT patch from 6:44 to 6:54
Source 5 of 7
3:04:07
SBD
Rating:
9.76 / 51 ratings
SHNID:
gd73-11-17.sbd.gardner.4749.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> C> DAT> CDR> EAC> SHN
Taper Notes:
View NotesSBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul Bottiglio's discs; Splice between ROR and Playin' (no music affected)
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166358.aud.Conner.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166357.aud.Conner.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"