Bands
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Bands
Grateful Dead
Today In History
June 15th
Years
1995
29.8k
PlaybackListensHours
48h1.4k175
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k250
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k243
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.8k371
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k359
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k728
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k134
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.3k531
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85198
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.6k752
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.3k290
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h962123
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k161
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h2k249
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k451
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k155
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k213
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.7k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43446
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.2k409
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k525
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k318
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k164
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h76694
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13318
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h43126
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1973
Sources
Transferrer: SirMick
3:04:32
SBD
Rating:
10.00 / 7 ratings
Transferrer:
SirMick
SHNID:
gd1973-11-17.sbd.sirmick.79548.sbeok.flac16
Taper Notes:
View Notesnotes: - Sugar Magnolia had a partial dropout between 8:35 - 8:38. I have been able to make this section sound somewhat better - I cleaned up some transitions with crossfades - I cleaned up a few other minor problems - light noise reduction applied SIRMick October 2006
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones. shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G ([email protected]) Enjoy my brothers!
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
10.00 / 22 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.23472.sbefail.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones.
Source 4 of 7
3:52:26
SBD
Rating:
10.00 / 4 ratings
SHNID:
gd1973-11-17.sbd.patched.bec.22799.flac16
Source:
SHNID 19896 and 4762
Taper Notes:
View NotesD2t05 (Uncle John's Band): S:MR > reel > DAT patch from 5:37 to 5:59 D3t02 (Eyes): S:MR > ? > DAT patch from 0:10-0:13 D3t04 (Casey Jones): MSR > ? > DAT patch from 3:48 to 3:53 D4t02 (Uncle John's Band): S:MR > C > DAT patch from 6:44 to 6:54
Source 5 of 7
3:04:07
SBD
Rating:
9.76 / 51 ratings
SHNID:
gd73-11-17.sbd.gardner.4749.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> C> DAT> CDR> EAC> SHN
Taper Notes:
View NotesSBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul Bottiglio's discs; Splice between ROR and Playin' (no music affected)
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166358.aud.Conner.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166357.aud.Conner.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"