Brown Eyed Women | 1973-11-17 | Grateful Dead

View Notesnotes:

- Sugar Magnolia had a partial dropout between 8:35 - 8:38.  I have been
  able to make this section sound somewhat better
- I cleaned up  some transitions with crossfades
- I cleaned up a few other minor problems 
- light noise reduction applied


 

SIRMick
October 2006

Transferrer: Jay Ashley

3:03:43

SBD

gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf

Source:

SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool

Taper Notes:

View NotesNotes:

Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004.

There is some distortion in the source used.  Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven.  But, the distortion is in the original source and was caused prior to Bertha remastering.

-3db noise reduction was used prior to processing.  A 100% pure sample was used, resulting in Zero artifacts.

Cleaned up some rough track to track transitions.

Two drop-outs in Casey Jones.

shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G ([email protected])

Enjoy my brothers!

Transferrer: Jay Ashley

gd1973-11-17.sbd.ashley.23472.sbefail.shnf

Source:

SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN

Taper Notes:

View NotesNotes:

Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004.

There is some distortion in the source used.  Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven.  But, the distortion is in the original source and was caused prior to Bertha remastering.

-3db noise reduction was used prior to processing.  A 100% pure sample was used, resulting in Zero artifacts.

Cleaned up some rough track to track transitions.

Two drop-outs in Casey Jones.

Source 4 of 7

gd1973-11-17.sbd.patched.bec.22799.flac16

Source:

SHNID 19896 and 4762

Taper Notes:

View NotesD2t05 (Uncle John's Band): S:MR > reel > DAT patch from 5:37 to 5:59
D3t02 (Eyes): S:MR > ? > DAT patch from 0:10-0:13
D3t04 (Casey Jones): MSR > ? > DAT patch from 3:48 to 3:53
D4t02 (Uncle John's Band): S:MR > C > DAT patch from 6:44 to 6:54

Source 5 of 7

gd73-11-17.sbd.gardner.4749.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> MR> C> DAT> CDR> EAC> SHN

Taper Notes:

View NotesSBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul Bottiglio's discs; Splice between ROR and Playin' (no music affected)

Taper: Recorded by Charles Conner from floor level seats on the right side

3:16:46

Taper:

Recorded by Charles Conner from floor level seats on the right side

Transferrer:

Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain

SHNID:

gd1973-11-17.166358.aud.Conner.gems.flac1648

Source:

Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes

Taper Notes:

View NotesNotes:
- First audience recording of this show to circulate.
- Shared to www.shnflac.net on the 50th anniversary of this historic evening.
- No patch work was performed to cover tape flips. This is as Charles captured it.

Notes from conversation between Charles and Jim:
"11-17 was on the floor level seats on the right side.  Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"

Taper: Recorded by Charles Conner from floor level seats on the right side

3:16:46

Taper:

Recorded by Charles Conner from floor level seats on the right side

Transferrer:

SHNID:

gd1973-11-17.166357.aud.Conner.gems.flac2496

Source:

Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes

Taper Notes:

View NotesNotes:
- First audience recording of this show to circulate.
- Shared to www.shnflac.net on the 50th anniversary of this historic evening.
- No patch work was performed to cover tape flips. This is as Charles captured it.

Notes from conversation between Charles and Jim:
"11-17 was on the floor level seats on the right side.  Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"