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June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1973
7/28/73
Bertha
9:24
Beat It on Down the Line
4:05
Brown-Eyed Women
7:37
Mexicali Blues
4:54
Box of Rain
7:00
Here Comes Sunshine
11:48
Looks Like Rain
7:45
Row Jimmy
8:01
Jack Straw
7:14
Deal
6:45
Playing in the Band
25:36
Loose Lucy
8:33
Big River
6:12
He's Gone
12:51
Truckin'
7:42
Nobody's Fault but Mine
4:10
El Paso
5:24
Chinacat Sunflower >
8:45
I Know You Rider
5:26
Stella Blue >
11:22
Eyes of the World >
20:25
Sugar Magnolia
11:44
Sing Me Back Home
10:08
FIN
View on archive.org
Sources
Taper: Rob Eaton
3:13:31
SBD
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-07-28.141307.sbd.eaton.miller.clugston.flac2496
Source:
Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the master reel source and transfer - Thanks to Charlie Miller for coordinating this effort - All of the 1st set and most of the 2nd set has been pitch corrected. The 1st set was a mess. As I understand it, the deck was inadvertantly on battery power and it wasn't until after "Here Comes Sunshine" that someone realized that the deck was not plugged in. Consequently, there were serious speed issues, culminating in the "chipmunks on speed" version of "Here Comes Sunshine". What made things even more difficult was the fact that the speed issues were non-linear, requiring the pitch to be adjusted in as little as 0:10 increments, with the speed being both slow, then fast, in a matter of seconds. Just to give an idea of the severity, the raw transfer of "Here Comes Sunshine" (HCS Raw) has been included in this torrent for your listening pleasure. - Sadly, this copy also exhibits a "static" like scratching noise in parts of "He's Gone" and "Truckin'", which has been minimized as best as possible - Thanks to audiohead22 for his help with the pitch corrections, as well as the "static" like scratching noise present at the end of "He's Gone" and the beginning of "Truckin'" - Thanks to the folks responsible for the shnid135381 Sony ECM22p source which supplies the "Intro" and first few notes of "Bertha" (0:43 total), as well as a 0:26 patch in "Eyes Of The World" - Thanks to the folks responsible for the shnid123407 Candelario source which supplies a 0:24 patch in "Loose Lucy", a 0:27 patch in "Truckin'", as well as a 1:17 patch in "I Know You Rider" - Thanks to the folks responsible for the shnid14196 source for the FM source which supplies a 0:19 patch in "Here Comes Sunshine" where the speed issues could not be corrected, as well as the tuning and first 0:19 of "Looks Like Rain" (0:32 total) - Multiple sources were used for patching due to the varying sound qualities/wind noise present on each version, at any given time - There's a tape flip in "Playin' In The Band" that has been smoothed and not patched. Available patch sources didn't lend themselves as patch material,so it was left alone. It is virtually transparent - Mix issues during "Bertha" - Levels were smoothed Mastered by Scott Clugston March 9, 2018
Taper: Rob Eaton
3:21:44
SBD
Rating:
10.00 / 6 ratings
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-07-28.141306.sbd.eaton.miller.clugston.flac1644
Source:
Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the master reel source and transfer - Thanks to Charlie Miller for coordinating this effort - All of the 1st set and most of the 2nd set has been pitch corrected. The 1st set was a mess. As I understand it, the deck was inadvertantly on battery power and it wasn't until after "Here Comes Sunshine" that someone realized that the deck was not plugged in. Consequently, there were serious speed issues, culminating in the "chipmunks on speed" version of "Here Comes Sunshine". What made things even more difficult was the fact that the speed issues were non-linear, requiring the pitch to be adjusted in as little as 0:10 increments, with the speed being both slow, then fast, in a matter of seconds. Just to give an idea of the severity, the raw transfer of "Here Comes Sunshine" (HCS Raw) has been included in this torrent for your listening pleasure. - Sadly, this copy also exhibits a "static" like scratching noise in parts of "He's Gone" and "Truckin'", which has been minimized as best as possible - Thanks to audiohead22 for his help with the pitch corrections, as well as the "static" like scratching noise present at the end of "He's Gone" and the beginning of "Truckin'" - Thanks to the folks responsible for the shnid135381 Sony ECM22p source which supplies the "Intro" and first few notes of "Bertha" (0:43 total), as well as a 0:26 patch in "Eyes Of The World" - Thanks to the folks responsible for the shnid123407 Candelario source which supplies a 0:24 patch in "Loose Lucy", a 0:27 patch in "Truckin'", as well as a 1:17 patch in "I Know You Rider" - Thanks to the folks responsible for the shnid14196 source for the FM source which supplies a 0:19 patch in "Here Comes Sunshine" where the speed issues could not be corrected, as well as the tuning and first 0:19 of "Looks Like Rain" (0:32 total) - Multiple sources were used for patching due to the varying sound qualities/wind noise present on each version, at any given time - There's a tape flip in "Playin' In The Band" that has been smoothed and not patched. Available patch sources didn't lend themselves as patch material,so it was left alone. It is virtually transparent - Mix issues during "Bertha" - Levels were smoothed Mastered by Scott Clugston March 9, 2018
Source 3 of 15
4:40:58
SBD
Rating:
8.00 / 1 rating
SHNID:
gd1973-07-28.150454.SBD-AUD.composite.t-flac16
Source:
Soundboard Aud Composite
Taper Notes:
View Notes- #1 source supplies both 1st & 2nd sets including the encore. - #1 source was not modified in any way. - #2 source (remastered) supplies the Summer Jam Finale; tracks s3t01 - s3t08 - #3 source (remastered & pitch corrected) supplies s3t09 - s3t11 - Summer Jam bill was; GD opened, followed by The Band, and the Allman Brothers headlined - Summer Jam Finale is w/ members of The Band, Allman Brothers & the Grateful Dead
Taper: Anonomous
3:11:23
SBD
Rating:
8.00 / 1 rating
Taper:
Anonomous
Transferrer:
SIRMick
SHNID:
gd1973-07-28.136693.sbd.sirmick.flac16
Source:
Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)
Taper Notes:
View Notes- This version has been provided by an anonymous source. - The speed of some tracks in Set I were all over the place, in parts they were as much as 30% too fast. The Start of "Looks Like Rain" was so mangled I have put in a 17.5 second patch using Matt Smith's transfer of Will Boswell's copy of Jerry's master aud. I edited it a little so that it is a better fit. - The whole of Set I and the first two tracks of Set II have been speed adjusted by reference to Matt Smith's transfer. - A number of level adjustments have been made. - Cuts in "Playing In The Band", "Loose Lucy","Truckin'", "I Know You Rider" and "Eyes Of he World" have been smoothed, as far as possible, with crossfades. - There is some static like noise during parts of "He's Gone" and "Truckin'" - All files are tagged. Comments: - NFA, Mountain Jam and Johnny B. Goode with the Allman Brothers and the Band. This show remains the largest rock concert in history. - As you can see from the above this is far from perfect but when it's good, it's very good and you do get 5 tracks that have not previously circulated in soundboard quality. edited and mastered SIRMick February 2014
Source 5 of 15
3:54:53
SBD
Rating:
8.68 / 56 ratings
SHNID:
gd73-07-28.sbd.weiner.14196.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
Soundboard Master Reel>DAT>CD>SHN , with FM, AUD, and other-source SBD patches.
Taper Notes:
View NotesSoundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.
Transferrer: Noah Weiner
3:54:15
SBD
Rating:
8.55 / 11 ratings
Transferrer:
Noah Weiner
SHNID:
gd1973-07-28.sbd.weiner.181.shnf
Source:
Soundboard
Taper: Gerry Moskal *
1:03:26
Taper:
Gerry Moskal *
Transferrer:
Gerry Moskal & Brian Mandel
SHNID:
gd1973-07-28.152006.moskal-mandel.sonyecm.flac24
Source:
Sony Stereo ECM ->SONY TCD126 Location: **
Lineage:
Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel [email protected] Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
Taper Notes:
View NotesNotes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's. ** From Gerry "They had tower set out in the field with delays so that it all sounded okay. Pretty neat PA, I can't recall anyone doing that. Well anyway it made taping easy. I was able to stand in fornt of the first set of towers, about 200-300 ft from the stage and I stood about 20 feet in front of that pa setup, so I had pretty clear sound. I recorded everything on a tc-126 with the 2-point stereo micrphone."
Taper: Gerry Moskal *
2:55:40
Taper:
Gerry Moskal *
Transferrer:
Gerry Moskal & Brian Mandel
SHNID:
gd1973-07-28.152004.SonyStereo.ECM.Moskal.t.flac24
Source:
Sony Stereo ECM ->SONY TCD126 Location: **
Lineage:
Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel [email protected] Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
Taper Notes:
View NotesKnown Flaws: cut in on /Loose Lucy cut out on Sing Me Back Home/ Notes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's. ** From Gerry "They had tower set out in the field with delays so that it all sounded okay. Pretty neat PA, I can't recall anyone doing that. Well anyway it made taping easy. I was able to stand in front of the first set of towers, about 200-300 ft from the stage and I stood about 20 feet in front of that pa setup, so I had pretty clear sound. I recorded everything on a tc-126 with the 2-point stereo micrphone."
Taper: Jim Cooper
4:30:50
Rating:
10.00 / 1 rating
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-07-28.135585.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232;
Lineage:
nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: Grateful Dead played first, then the Band, followed by The Allman Brothers then the jam finale ** patched from Jerry Moore’s master, akg d1000e>sony tc-110, mono
Taper: Jim Cooper
4:30:50
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-07-28.135584.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232;
Lineage:
nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: Grateful Dead played first, then the Band, followed by The Allman Brothers then the jam finale ** patched from Jerry Moore’s master, akg d1000e>sony tc-110, mono
Transferrer: Will Boswell, Matt Smith, Noah Weiner
3:16:59
Rating:
8.00 / 5 ratings
Transferrer:
Will Boswell, Matt Smith, Noah Weiner
SHNID:
gd1973-07-28.aud.weiner.106794.flac16
Source:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC
Taper Notes:
View NotesReel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. While you may find this to be one of the very best sounding 1973 audience recordings you have encountered, please note the persistence of wind noise here and there throughout the show. Ambient most of the time, mildly distracting only occasionally, and intrusive only a handful of times, the wind element in no way overshadows the brilliance of the recording, but bears mentioning, none-the-less. d1t01 from Jerry Moore master d1t02 first 1:23 from Jerry Moore master. 01:23-02:21 no right channel (left channel mixed mono). d2t01 16:35 - 16:50 master reel flip patched from Jerry Moore master d2t04 10:12 - 10:38 master reel flip patched from Jeff Siniawsky master d3t02 04:03 - 04:28 master reel flip patched from Jeff Siniawsky master d3t04 19:23 - 19:58 master reel flip patched from Jeff Siniawsky master
Transferrer: Will Boswell, Matt Smith, Noah Weiner
3:16:59
Rating:
10.00 / 2 ratings
Transferrer:
Will Boswell, Matt Smith, Noah Weiner
SHNID:
gd1973-07-28.aud.weiner.106793.flac24
Source:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC
Taper Notes:
View NotesReel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. While you may find this to be one of the very best sounding 1973 audience recordings you have encountered, please note the persistence of wind noise here and there throughout the show. Ambient most of the time, mildly distracting only occasionally, and intrusive only a handful of times, the wind element in no way overshadows the brilliance of the recording, but bears mentioning, none-the-less. Notes: d1t01 from Jerry Moore master d1t02 first 1:23 from Jerry Moore master. 01:23-02:21 no right channel (left channel mixed mono). d2t01 16:35 - 16:50 master reel flip patched from Jerry Moore master d2t04 10:12 - 10:38 master reel flip patched from Jeff Siniawsky master d3t02 04:03 - 04:28 master reel flip patched from Jeff Siniawsky master d3t04 19:23 - 19:58 master reel flip patched from Jeff Siniawsky master
Taper: Jerry Moore
1:41:12
Rating:
5.00 / 2 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1973-07-28.akgd1000e.moore.berger.100612.flac16
Source:
akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr
Lineage:
nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac
Taper Notes:
View Notesnotes: @ glitches during brown eyed, mexicali
Taper: Jeffrey Siniawsky, Joel Smith
3:08:02
Rating:
7.00 / 6 ratings
Taper:
Jeffrey Siniawsky, Joel Smith
SHNID:
gd73-07-28.siniawsky-smith.weiner-gdADT11.11474.sbeok.shnf
Source:
Audience Recording: Uher mic
Lineage:
Uher mic > Uher 4000 Report L 5in reels > MacIntosh pre-amp > TEAC 1230 7in reel
Taper Notes:
View NotesUher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]
Taper: Louis Falanga
3:32:51
Taper:
Louis Falanga
Transferrer:
Bob Menke and Derek McCabe
SHNID:
gd1973-07-28.141310.aud.motb.0233.flac1644
Source:
Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe