RELISTENTOTHE Grateful Dead
Re
1973
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1973
7/28/73
Bill Graham Intro
0:19
Bertha
6:07
Beat It On Down the Line
3:14
Brown Eyed Women
5:28
Mexicali Blues
3:45
Box of Rain
6:21
Here Comes Sunshine
9:26
Looks Like Rain
6:37
Row Jimmy
7:45
Jack Straw
4:55
Deal
6:18
Crowd
1:25
Playin' in the Band
24:07
Loose Lucy
7:18
Big River
4:31
He's Gone
12:46
Truckin'
7:34
Nobody's Fault But Mine Jam
2:04
Jam Space
2:08
El Paso
4:25
China Cat Sunflower
8:24
I Know You Rider
6:34
Stella Blue
7:35
Eyes of the World
20:22
Sugar Magnolia
9:17
Sing Me Back Home
9:17
FIN
View on archive.org
Sources
Taper: Rob Eaton
3:13:31
SBD
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-07-28.141307.sbd.eaton.miller.clugston.flac2496
Source:
Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the master reel source and transfer - Thanks to Charlie Miller for coordinating this effort - All of the 1st set and most of the 2nd set has been pitch corrected. The 1st set was a mess. As I understand it, the deck was inadvertantly on battery power and it wasn't until after "Here Comes Sunshine" that someone realized that the deck was not plugged in. Consequently, there were serious speed issues, culminating in the "chipmunks on speed" version of "Here Comes Sunshine". What made things even more difficult was the fact that the speed issues were non-linear, requiring the pitch to be adjusted in as little as 0:10 increments, with the speed being both slow, then fast, in a matter of seconds. Just to give an idea of the severity, the raw transfer of "Here Comes Sunshine" (HCS Raw) has been included in this torrent for your listening pleasure. - Sadly, this copy also exhibits a "static" like scratching noise in parts of "He's Gone" and "Truckin'", which has been minimized as best as possible - Thanks to audiohead22 for his help with the pitch corrections, as well as the "static" like scratching noise present at the end of "He's Gone" and the beginning of "Truckin'" - Thanks to the folks responsible for the shnid135381 Sony ECM22p source which supplies the "Intro" and first few notes of "Bertha" (0:43 total), as well as a 0:26 patch in "Eyes Of The World" - Thanks to the folks responsible for the shnid123407 Candelario source which supplies a 0:24 patch in "Loose Lucy", a 0:27 patch in "Truckin'", as well as a 1:17 patch in "I Know You Rider" - Thanks to the folks responsible for the shnid14196 source for the FM source which supplies a 0:19 patch in "Here Comes Sunshine" where the speed issues could not be corrected, as well as the tuning and first 0:19 of "Looks Like Rain" (0:32 total) - Multiple sources were used for patching due to the varying sound qualities/wind noise present on each version, at any given time - There's a tape flip in "Playin' In The Band" that has been smoothed and not patched. Available patch sources didn't lend themselves as patch material,so it was left alone. It is virtually transparent - Mix issues during "Bertha" - Levels were smoothed Mastered by Scott Clugston March 9, 2018
Taper: Rob Eaton
3:21:44
SBD
Rating:
10.00 / 6 ratings
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-07-28.141306.sbd.eaton.miller.clugston.flac1644
Source:
Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the master reel source and transfer - Thanks to Charlie Miller for coordinating this effort - All of the 1st set and most of the 2nd set has been pitch corrected. The 1st set was a mess. As I understand it, the deck was inadvertantly on battery power and it wasn't until after "Here Comes Sunshine" that someone realized that the deck was not plugged in. Consequently, there were serious speed issues, culminating in the "chipmunks on speed" version of "Here Comes Sunshine". What made things even more difficult was the fact that the speed issues were non-linear, requiring the pitch to be adjusted in as little as 0:10 increments, with the speed being both slow, then fast, in a matter of seconds. Just to give an idea of the severity, the raw transfer of "Here Comes Sunshine" (HCS Raw) has been included in this torrent for your listening pleasure. - Sadly, this copy also exhibits a "static" like scratching noise in parts of "He's Gone" and "Truckin'", which has been minimized as best as possible - Thanks to audiohead22 for his help with the pitch corrections, as well as the "static" like scratching noise present at the end of "He's Gone" and the beginning of "Truckin'" - Thanks to the folks responsible for the shnid135381 Sony ECM22p source which supplies the "Intro" and first few notes of "Bertha" (0:43 total), as well as a 0:26 patch in "Eyes Of The World" - Thanks to the folks responsible for the shnid123407 Candelario source which supplies a 0:24 patch in "Loose Lucy", a 0:27 patch in "Truckin'", as well as a 1:17 patch in "I Know You Rider" - Thanks to the folks responsible for the shnid14196 source for the FM source which supplies a 0:19 patch in "Here Comes Sunshine" where the speed issues could not be corrected, as well as the tuning and first 0:19 of "Looks Like Rain" (0:32 total) - Multiple sources were used for patching due to the varying sound qualities/wind noise present on each version, at any given time - There's a tape flip in "Playin' In The Band" that has been smoothed and not patched. Available patch sources didn't lend themselves as patch material,so it was left alone. It is virtually transparent - Mix issues during "Bertha" - Levels were smoothed Mastered by Scott Clugston March 9, 2018
Taper: Anonomous
3:11:23
SBD
Rating:
8.00 / 1 rating
Taper:
Anonomous
Transferrer:
SIRMick
SHNID:
gd1973-07-28.136693.sbd.sirmick.flac16
Source:
Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)
Taper Notes:
View Notes- This version has been provided by an anonymous source. - The speed of some tracks in Set I were all over the place, in parts they were as much as 30% too fast. The Start of "Looks Like Rain" was so mangled I have put in a 17.5 second patch using Matt Smith's transfer of Will Boswell's copy of Jerry's master aud. I edited it a little so that it is a better fit. - The whole of Set I and the first two tracks of Set II have been speed adjusted by reference to Matt Smith's transfer. - A number of level adjustments have been made. - Cuts in "Playing In The Band", "Loose Lucy","Truckin'", "I Know You Rider" and "Eyes Of he World" have been smoothed, as far as possible, with crossfades. - There is some static like noise during parts of "He's Gone" and "Truckin'" - All files are tagged. Comments: - NFA, Mountain Jam and Johnny B. Goode with the Allman Brothers and the Band. This show remains the largest rock concert in history. - As you can see from the above this is far from perfect but when it's good, it's very good and you do get 5 tracks that have not previously circulated in soundboard quality. edited and mastered SIRMick February 2014
Taper: Gerry Moskal *
1:03:26
Taper:
Gerry Moskal *
Transferrer:
Gerry Moskal & Brian Mandel
SHNID:
gd1973-07-28.152006.moskal-mandel.sonyecm.flac24
Source:
Sony Stereo ECM ->SONY TCD126 Location: **
Lineage:
Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel [email protected] Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
Taper Notes:
View NotesNotes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's. ** From Gerry "They had tower set out in the field with delays so that it all sounded okay. Pretty neat PA, I can't recall anyone doing that. Well anyway it made taping easy. I was able to stand in fornt of the first set of towers, about 200-300 ft from the stage and I stood about 20 feet in front of that pa setup, so I had pretty clear sound. I recorded everything on a tc-126 with the 2-point stereo micrphone."
Taper: Gerry Moskal *
2:55:40
Taper:
Gerry Moskal *
Transferrer:
Gerry Moskal & Brian Mandel
SHNID:
gd1973-07-28.152004.SonyStereo.ECM.Moskal.t.flac24
Source:
Sony Stereo ECM ->SONY TCD126 Location: **
Lineage:
Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel [email protected] Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
Taper Notes:
View NotesKnown Flaws: cut in on /Loose Lucy cut out on Sing Me Back Home/ Notes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's. ** From Gerry "They had tower set out in the field with delays so that it all sounded okay. Pretty neat PA, I can't recall anyone doing that. Well anyway it made taping easy. I was able to stand in front of the first set of towers, about 200-300 ft from the stage and I stood about 20 feet in front of that pa setup, so I had pretty clear sound. I recorded everything on a tc-126 with the 2-point stereo micrphone."
Transferrer: Will Boswell, Matt Smith, Noah Weiner
3:16:59
Rating:
8.00 / 5 ratings
Transferrer:
Will Boswell, Matt Smith, Noah Weiner
SHNID:
gd1973-07-28.aud.weiner.106794.flac16
Source:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC
Taper Notes:
View NotesReel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. While you may find this to be one of the very best sounding 1973 audience recordings you have encountered, please note the persistence of wind noise here and there throughout the show. Ambient most of the time, mildly distracting only occasionally, and intrusive only a handful of times, the wind element in no way overshadows the brilliance of the recording, but bears mentioning, none-the-less. d1t01 from Jerry Moore master d1t02 first 1:23 from Jerry Moore master. 01:23-02:21 no right channel (left channel mixed mono). d2t01 16:35 - 16:50 master reel flip patched from Jerry Moore master d2t04 10:12 - 10:38 master reel flip patched from Jeff Siniawsky master d3t02 04:03 - 04:28 master reel flip patched from Jeff Siniawsky master d3t04 19:23 - 19:58 master reel flip patched from Jeff Siniawsky master
Transferrer: Will Boswell, Matt Smith, Noah Weiner
3:16:59
Rating:
10.00 / 2 ratings
Transferrer:
Will Boswell, Matt Smith, Noah Weiner
SHNID:
gd1973-07-28.aud.weiner.106793.flac24
Source:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC
Taper Notes:
View NotesReel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. While you may find this to be one of the very best sounding 1973 audience recordings you have encountered, please note the persistence of wind noise here and there throughout the show. Ambient most of the time, mildly distracting only occasionally, and intrusive only a handful of times, the wind element in no way overshadows the brilliance of the recording, but bears mentioning, none-the-less. Notes: d1t01 from Jerry Moore master d1t02 first 1:23 from Jerry Moore master. 01:23-02:21 no right channel (left channel mixed mono). d2t01 16:35 - 16:50 master reel flip patched from Jerry Moore master d2t04 10:12 - 10:38 master reel flip patched from Jeff Siniawsky master d3t02 04:03 - 04:28 master reel flip patched from Jeff Siniawsky master d3t04 19:23 - 19:58 master reel flip patched from Jeff Siniawsky master