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June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h43659
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.2k357
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.5k335
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.9k374
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k375
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k346
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k168
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.4k935
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h898102
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.4k287
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h4.8k566
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k161
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.5k189
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k229
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.5k997
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k209
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k253
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.7k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.6k1.4k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h44645
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k481
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.8k630
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k365
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k189
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.7k211
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k249
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h78997
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11516
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21416
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h352
7d1037
30d62737
2 shows
2 tapes
1973
7/28/73
Bill Graham Intro
1:38
Bertha
7:24
Beat It On Down The Line
3:56
Brown-Eyed Woman
7:29
Mexicali Blues
4:28
Box Of Rain
6:58
Here Comes Sunshine
11:35
Looks Like Rain
7:32
Row Jimmy
9:44
Jack Straw
5:43
Deal
7:57
Playin' In The Band
24:05
Loose Lucy
7:54
Big River
5:19
He's Gone >
12:44
Truckin' >
7:32
Nobody's Fault But Mine Jam >
2:04
Spacey Jam >
2:08
El Paso
5:25
China Cat Sunflower >
8:26
I Know You Rider
9:25
Stella Blue
7:46
Eyes Of The World >
20:26
Sugar Magnolia
9:21
FIN
View on archive.org
Sources
Taper: Rob Eaton
3:13:31
SBD
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-07-28.141307.sbd.eaton.miller.clugston.flac2496
Source:
Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the master reel source and transfer - Thanks to Charlie Miller for coordinating this effort - All of the 1st set and most of the 2nd set has been pitch corrected. The 1st set was a mess. As I understand it, the deck was inadvertantly on battery power and it wasn't until after "Here Comes Sunshine" that someone realized that the deck was not plugged in. Consequently, there were serious speed issues, culminating in the "chipmunks on speed" version of "Here Comes Sunshine". What made things even more difficult was the fact that the speed issues were non-linear, requiring the pitch to be adjusted in as little as 0:10 increments, with the speed being both slow, then fast, in a matter of seconds. Just to give an idea of the severity, the raw transfer of "Here Comes Sunshine" (HCS Raw) has been included in this torrent for your listening pleasure. - Sadly, this copy also exhibits a "static" like scratching noise in parts of "He's Gone" and "Truckin'", which has been minimized as best as possible - Thanks to audiohead22 for his help with the pitch corrections, as well as the "static" like scratching noise present at the end of "He's Gone" and the beginning of "Truckin'" - Thanks to the folks responsible for the shnid135381 Sony ECM22p source which supplies the "Intro" and first few notes of "Bertha" (0:43 total), as well as a 0:26 patch in "Eyes Of The World" - Thanks to the folks responsible for the shnid123407 Candelario source which supplies a 0:24 patch in "Loose Lucy", a 0:27 patch in "Truckin'", as well as a 1:17 patch in "I Know You Rider" - Thanks to the folks responsible for the shnid14196 source for the FM source which supplies a 0:19 patch in "Here Comes Sunshine" where the speed issues could not be corrected, as well as the tuning and first 0:19 of "Looks Like Rain" (0:32 total) - Multiple sources were used for patching due to the varying sound qualities/wind noise present on each version, at any given time - There's a tape flip in "Playin' In The Band" that has been smoothed and not patched. Available patch sources didn't lend themselves as patch material,so it was left alone. It is virtually transparent - Mix issues during "Bertha" - Levels were smoothed Mastered by Scott Clugston March 9, 2018
Taper: Rob Eaton
3:21:44
SBD
Rating:
10.00 / 6 ratings
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-07-28.141306.sbd.eaton.miller.clugston.flac1644
Source:
Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the master reel source and transfer - Thanks to Charlie Miller for coordinating this effort - All of the 1st set and most of the 2nd set has been pitch corrected. The 1st set was a mess. As I understand it, the deck was inadvertantly on battery power and it wasn't until after "Here Comes Sunshine" that someone realized that the deck was not plugged in. Consequently, there were serious speed issues, culminating in the "chipmunks on speed" version of "Here Comes Sunshine". What made things even more difficult was the fact that the speed issues were non-linear, requiring the pitch to be adjusted in as little as 0:10 increments, with the speed being both slow, then fast, in a matter of seconds. Just to give an idea of the severity, the raw transfer of "Here Comes Sunshine" (HCS Raw) has been included in this torrent for your listening pleasure. - Sadly, this copy also exhibits a "static" like scratching noise in parts of "He's Gone" and "Truckin'", which has been minimized as best as possible - Thanks to audiohead22 for his help with the pitch corrections, as well as the "static" like scratching noise present at the end of "He's Gone" and the beginning of "Truckin'" - Thanks to the folks responsible for the shnid135381 Sony ECM22p source which supplies the "Intro" and first few notes of "Bertha" (0:43 total), as well as a 0:26 patch in "Eyes Of The World" - Thanks to the folks responsible for the shnid123407 Candelario source which supplies a 0:24 patch in "Loose Lucy", a 0:27 patch in "Truckin'", as well as a 1:17 patch in "I Know You Rider" - Thanks to the folks responsible for the shnid14196 source for the FM source which supplies a 0:19 patch in "Here Comes Sunshine" where the speed issues could not be corrected, as well as the tuning and first 0:19 of "Looks Like Rain" (0:32 total) - Multiple sources were used for patching due to the varying sound qualities/wind noise present on each version, at any given time - There's a tape flip in "Playin' In The Band" that has been smoothed and not patched. Available patch sources didn't lend themselves as patch material,so it was left alone. It is virtually transparent - Mix issues during "Bertha" - Levels were smoothed Mastered by Scott Clugston March 9, 2018
Source 3 of 15
4:40:58
SBD
Rating:
8.00 / 1 rating
SHNID:
gd1973-07-28.150454.SBD-AUD.composite.t-flac16
Source:
Soundboard Aud Composite
Taper Notes:
View Notes- #1 source supplies both 1st & 2nd sets including the encore. - #1 source was not modified in any way. - #2 source (remastered) supplies the Summer Jam Finale; tracks s3t01 - s3t08 - #3 source (remastered & pitch corrected) supplies s3t09 - s3t11 - Summer Jam bill was; GD opened, followed by The Band, and the Allman Brothers headlined - Summer Jam Finale is w/ members of The Band, Allman Brothers & the Grateful Dead
Taper: Anonomous
3:11:23
SBD
Rating:
8.00 / 1 rating
Taper:
Anonomous
Transferrer:
SIRMick
SHNID:
gd1973-07-28.136693.sbd.sirmick.flac16
Source:
Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)
Taper Notes:
View Notes- This version has been provided by an anonymous source. - The speed of some tracks in Set I were all over the place, in parts they were as much as 30% too fast. The Start of "Looks Like Rain" was so mangled I have put in a 17.5 second patch using Matt Smith's transfer of Will Boswell's copy of Jerry's master aud. I edited it a little so that it is a better fit. - The whole of Set I and the first two tracks of Set II have been speed adjusted by reference to Matt Smith's transfer. - A number of level adjustments have been made. - Cuts in "Playing In The Band", "Loose Lucy","Truckin'", "I Know You Rider" and "Eyes Of he World" have been smoothed, as far as possible, with crossfades. - There is some static like noise during parts of "He's Gone" and "Truckin'" - All files are tagged. Comments: - NFA, Mountain Jam and Johnny B. Goode with the Allman Brothers and the Band. This show remains the largest rock concert in history. - As you can see from the above this is far from perfect but when it's good, it's very good and you do get 5 tracks that have not previously circulated in soundboard quality. edited and mastered SIRMick February 2014
Source 5 of 15
3:54:53
SBD
Rating:
8.68 / 56 ratings
SHNID:
gd73-07-28.sbd.weiner.14196.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
Soundboard Master Reel>DAT>CD>SHN , with FM, AUD, and other-source SBD patches.
Taper Notes:
View NotesSoundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.
Transferrer: Noah Weiner
3:54:15
SBD
Rating:
8.55 / 11 ratings
Transferrer:
Noah Weiner
SHNID:
gd1973-07-28.sbd.weiner.181.shnf
Source:
Soundboard
Taper: Gerry Moskal *
1:03:26
Taper:
Gerry Moskal *
Transferrer:
Gerry Moskal & Brian Mandel
SHNID:
gd1973-07-28.152006.moskal-mandel.sonyecm.flac24
Source:
Sony Stereo ECM ->SONY TCD126 Location: **
Lineage:
Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel [email protected] Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
Taper Notes:
View NotesNotes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's. ** From Gerry "They had tower set out in the field with delays so that it all sounded okay. Pretty neat PA, I can't recall anyone doing that. Well anyway it made taping easy. I was able to stand in fornt of the first set of towers, about 200-300 ft from the stage and I stood about 20 feet in front of that pa setup, so I had pretty clear sound. I recorded everything on a tc-126 with the 2-point stereo micrphone."
Taper: Gerry Moskal *
2:55:40
Taper:
Gerry Moskal *
Transferrer:
Gerry Moskal & Brian Mandel
SHNID:
gd1973-07-28.152004.SonyStereo.ECM.Moskal.t.flac24
Source:
Sony Stereo ECM ->SONY TCD126 Location: **
Lineage:
Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel [email protected] Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
Taper Notes:
View NotesKnown Flaws: cut in on /Loose Lucy cut out on Sing Me Back Home/ Notes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's. ** From Gerry "They had tower set out in the field with delays so that it all sounded okay. Pretty neat PA, I can't recall anyone doing that. Well anyway it made taping easy. I was able to stand in front of the first set of towers, about 200-300 ft from the stage and I stood about 20 feet in front of that pa setup, so I had pretty clear sound. I recorded everything on a tc-126 with the 2-point stereo micrphone."
Taper: Jim Cooper
4:30:50
Rating:
10.00 / 1 rating
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-07-28.135585.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232;
Lineage:
nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: Grateful Dead played first, then the Band, followed by The Allman Brothers then the jam finale ** patched from Jerry Moore’s master, akg d1000e>sony tc-110, mono
Taper: Jim Cooper
4:30:50
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-07-28.135584.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232;
Lineage:
nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Taper Notes:
View Notesnotes: Grateful Dead played first, then the Band, followed by The Allman Brothers then the jam finale ** patched from Jerry Moore’s master, akg d1000e>sony tc-110, mono
Transferrer: Will Boswell, Matt Smith, Noah Weiner
3:16:59
Rating:
8.00 / 5 ratings
Transferrer:
Will Boswell, Matt Smith, Noah Weiner
SHNID:
gd1973-07-28.aud.weiner.106794.flac16
Source:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC
Taper Notes:
View NotesReel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. While you may find this to be one of the very best sounding 1973 audience recordings you have encountered, please note the persistence of wind noise here and there throughout the show. Ambient most of the time, mildly distracting only occasionally, and intrusive only a handful of times, the wind element in no way overshadows the brilliance of the recording, but bears mentioning, none-the-less. d1t01 from Jerry Moore master d1t02 first 1:23 from Jerry Moore master. 01:23-02:21 no right channel (left channel mixed mono). d2t01 16:35 - 16:50 master reel flip patched from Jerry Moore master d2t04 10:12 - 10:38 master reel flip patched from Jeff Siniawsky master d3t02 04:03 - 04:28 master reel flip patched from Jeff Siniawsky master d3t04 19:23 - 19:58 master reel flip patched from Jeff Siniawsky master
Transferrer: Will Boswell, Matt Smith, Noah Weiner
3:16:59
Rating:
10.00 / 2 ratings
Transferrer:
Will Boswell, Matt Smith, Noah Weiner
SHNID:
gd1973-07-28.aud.weiner.106793.flac24
Source:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC
Taper Notes:
View NotesReel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. While you may find this to be one of the very best sounding 1973 audience recordings you have encountered, please note the persistence of wind noise here and there throughout the show. Ambient most of the time, mildly distracting only occasionally, and intrusive only a handful of times, the wind element in no way overshadows the brilliance of the recording, but bears mentioning, none-the-less. Notes: d1t01 from Jerry Moore master d1t02 first 1:23 from Jerry Moore master. 01:23-02:21 no right channel (left channel mixed mono). d2t01 16:35 - 16:50 master reel flip patched from Jerry Moore master d2t04 10:12 - 10:38 master reel flip patched from Jeff Siniawsky master d3t02 04:03 - 04:28 master reel flip patched from Jeff Siniawsky master d3t04 19:23 - 19:58 master reel flip patched from Jeff Siniawsky master
Taper: Jerry Moore
1:41:12
Rating:
5.00 / 2 ratings
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1973-07-28.akgd1000e.moore.berger.100612.flac16
Source:
akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr
Lineage:
nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac
Taper Notes:
View Notesnotes: @ glitches during brown eyed, mexicali
Taper: Jeffrey Siniawsky, Joel Smith
3:08:02
Rating:
7.00 / 6 ratings
Taper:
Jeffrey Siniawsky, Joel Smith
SHNID:
gd73-07-28.siniawsky-smith.weiner-gdADT11.11474.sbeok.shnf
Source:
Audience Recording: Uher mic
Lineage:
Uher mic > Uher 4000 Report L 5in reels > MacIntosh pre-amp > TEAC 1230 7in reel
Taper Notes:
View NotesUher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]
Taper: Louis Falanga
3:32:51
Taper:
Louis Falanga
Transferrer:
Bob Menke and Derek McCabe
SHNID:
gd1973-07-28.141310.aud.motb.0233.flac1644
Source:
Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe