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June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1973
6/22/73
Bertha
5:52
BIODTL
3:57
Deal
5:28
Mexicali Blues
4:40
Box of Rain
5:56
Birdsong
16:11
The Race Is On
3:00
Sugaree
8:21
LLR
10:51
Row Jimmy
10:44
Jack Straw
5:16
China Cat Sunflower>
8:34
I Know// You Rider
5:04
Big River
5:22
Tennessee Jed
10:08
Playin' in the Band
18:47
Johnny B. Goode
3:55
Here Comes Sunshine
13:53
Promised Land
3:10
Brown Eyed Women
6:24
El Paso
5:39
Black Peter
10:00
Greatest Story Ever Told
4:51
Big RR Blues
3:15
He's Gone>
11:28
Truckin'>
6:34
Nobodies Fault But Mine Jam>
3:18
The Other// One>
31:45
Wharf Rat>
7:56
Sugar Magnolia
9:54
Casey Jones//
6:42
FIN
View on archive.org
Sources
Taper: Tim Dalton
4:21:20
SBD
Rating:
8.67 / 3 ratings
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-06-22.140897.sbd.pcm.composite.dalton.miller.clugston.fixv3.flac1644
Source:
Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: <a href="http://db.etree.org/shn/140868">source ID 140868</a> and <a href="http://db.etree.org/shn/140892">source ID 140892</a>; this version includes a fix in track 11, Jack Straw
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety - Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider" - Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones" - Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches - Truckin' contains Nobody's Fault But Mine Jam - Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One" - Fixed version - patched microsecond dropouts in "Jack Straw" at 3:36.3 and 3:41.2, as well as in "Black Peter" at 3:17.5, 4:05.6, 6:54.4, 7:23.3 and 8:48.4 using Charlie Miller's shnid88526 source Mastered by Scott Clugston February 1, 2018
Taper: Tim Dalton
4:21:20
SBD
Rating:
10.00 / 1 rating
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-06-22.140892.sbd.pcm.composite.dalton.miller.clugston.fixv2.flac1644
Source:
Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed <a href="http://db.etree.org/shn/140868">sources</a> circulated by Scott Clugston; there is another <a href="http://db.etree.org/shn/140897">Fixed version</a> of this source in circulation
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety - Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider" - Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones" - Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches - Truckin' contains Nobody's Fault But Mine Jam - Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One" - Fixed version - patched microsecond dropouts in "Black Peter" at 3:17.5, 4:05.6, 6:54.4, 7:23.3 and 8:48.4 using Charlie Miller's shnid88526 source Mastered by Scott Clugston January 30, 2018
Taper: Tim Dalton
4:21:20
SBD
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1973-06-22.140868.sbd.pcm.composite.dalton.miller.clugston.flac1644
Source:
Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety - Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider" - Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones" - Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches - Truckin' contains Nobody's Fault But Mine Jam - Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One" Mastered by Scott Clugston January 30, 2018
Transferrer: Charlie Miller
4:01:50
SBD
Rating:
9.70 / 29 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-22.sbd.miller.88526.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies: Bertha (0:00 - 1:23) Big Railroad Blues (0:00 - 0:17) The Other One (5:44 - 12:54) Casey Jones (6:07 - end of show) SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies: Bird Song (Numerous patches to fix tracking problems) The Race Is On (0:00 - 0:23) I Know You Rider (2:01 - 3:12) SBD -> Master Reel -> Cassette -> Dat -> CD supplies Truckin' (7:51 - end of Casey Jones) Notes: -- Each set is seamless -- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD -- Truckin' contains Nobody's Fault But Mine Jam -- The Encore will fit on end of 1st Set
Taper: Main source discs provided by Andy Lemieux.
4:20:19
SBD
Rating:
10.00 / 1 rating
Taper:
Main source discs provided by Andy Lemieux.
Transferrer:
encoding by Sean Cribbs.
SHNID:
gd1973-06-22.sbd.cribbs.88347.flac16
Source:
MSR>PCM>DAT>CD>EAC>WAV
Taper Notes:
View NotesThis new fileset was re-tracked (Jam and tuning, etc. moved to end of tracks), re-patched, and encoded in FLAC on 11/9/2007. Main source discs provided by Andy Lemieux. MSR>PCM>DAT>CD>EAC>WAV supplies Bertha through cut in The Other One (d4t04); MAC>R>R>CD>DAT>WAV>SHN (from shnid=16889) supplies various patches and Johnny B. Goode (see below); MSC>R>C>WAV>FLAC (from shnid=85957) supplies patches in The Race Is On (d1t07) and I Know You Rider (d2t05) MSR>C>DAT>CD>EAC>WAV supplies end of The Other One (d4t04) through end of set 2. EAC extraction, editing using Cool Edit Pro 2.0, and FLAC encoding by Sean Cribbs. Shntool was used to verify/correct all track sector boundaries.
Taper: Unknown
46:44
SBD
Transferrer:
Pantagruel
SHNID:
gd1973-06-22.sbd-monitor-mix.pantagruel.85957.flac16
Source:
Master cassette > reel @ 3.75 ips > cassette > HD
Lineage:
CDWave > flac frontend > flac
Taper Notes:
View NotesIn honor of the upcoming 34th anniversary of one of my favorite Dead shows, here is an odd but worthy little item. This tape came to me in about 1983. The source was a cassette of the (partial) first set of this colossal Dead show, made from the monitor mixing board, as opposed to the main soundboard -- or so the story goes. Unfortunately, most of the songs were severely cut and incomplete. This version includes all of the complete songs from this particular source, plus "China Cat" (which does have a nasty cut, but at the time, the only circulating source was the famous Donn Amick audience recording, which lacked the "China Cat," so this was a big bonus when it came along). It's a bit of a hodge-podge of tunes, but still worthwhile in my opinion. Some years later, the superb Betty Board version of this show appeared, which is a beautiful soundboard recording, and a wonderful complement to the very nice audience tape which had circulated for many years. It was greeted ecstatically, especially in these parts. It did have a couple of minor flaws, however. The good news is that this version cures some of those problems! First, some general comments: The sound on this one clearly is not as clean as the Betty Board. There are a couple of analog generations, and if you listen closely during the quiet passages, you can hear some hiss. Otherwise, it has a nice full sound. The stereo image sounds slightly different to me compared to the Betty Board, but I could be wrong. Track fades were on my source tape. The Betty Board, for all its clarity and length, has a couple of problems. First, there is some periodic static or distortion in the left channel throughout the first set. All the tracks that comprise this seed are static-free! If you've ever wanted to hear this sublime Bird Song without the static, this one's for you! I've included samples from the Betty Board and this version for comparison purposes. Other neat features: The Race Is On appears in its entirety (the first 20 seconds or so are missing on the Betty Board, which was skillfully patched with the audience recording on the most recent seed of the BB soundboard). Likewise, there's a gap in the Betty Board recording during "I Know You Rider," which was nicely patched with the aud. on the composite seed. This version is uncut. And on the downside, there's a little bit missing from the beginning of "Looks Like Rain." Hope y'all enjoy it! Check out the samples. And by the way, if anyone out there has a lower-gen version, bring it on!
Source 7 of 10
4:20:39
SBD
Rating:
9.26 / 27 ratings
SHNID:
gd73-06-22.sbd.cribbs.17270.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
composite: MSR> PCM> DAT> CD> EAC> WAV> SHN; MAC> R> R> CD> DAT> WAV> SHN; MSR> C> DAT> CD> EAC> WAV> SHN
Taper Notes:
View Notescomposite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs
Transferrer: Scott Clugston
4:16:55
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-06-22.sbd.clugston.5850.sbeok.shnf
Source:
Master Sounbdoard Reel > PCM > DAT > CDR
Taper Notes:
View Notes(Update from Jack Warner: the SBD portion following the AUD patch in TOO is probably MSR>C>D>CD) Master Audience Reel > DAT source supplies patch in "The Other One" (d4t04) from 22:20 thru 29:27, Master Audience Reel > ?? > DAT source supplies the final 0:33 of Casey Jones (d4t07), as well as the "Johnny B. Goode " encore (d2t08) - which is placed at the end of the 1st set. Throughout the 1st Set there is an intermittent "crackle" type noise, this "crackle", is believed to be present on the master reels. CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 9/15/01
Taper: See Notes
4:03:37
Rating:
9.63 / 29 ratings
Taper:
See Notes
Transferrer:
Hunter Seamons
SHNID:
gd1973-06-22.mtx.seamons.92375.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View Notes***35TH ANNIVERSARY MATRIX*** ---------------------------------------------------- SBD: Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC (5 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] November 15, 2007 Patch Info: (FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies: Bertha (0:00 - 1:23) Big Railroad Blues (0:00 - 0:17) The Other One (5:44 - 12:54) Casey Jones (6:07 - end of show) SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies: Bird Song (Numerous patches to fix tracking problems) The Race Is On (0:00 - 0:23) I Know You Rider (2:01 - 3:12) SBD -> Master Reel -> Cassette -> Dat -> CD supplies Truckin' (7:51 - end of Casey Jones) Notes: -- Each set is seamless -- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD -- The Encore will fit on end of 1st Set ---------------------------------------------------- AUD: MC > Reel > Reel > CD > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60) A > D by Matt Williams and Noah Weiner, January - April, 2003 Reel playback on Teac X-1000R(no Dolby) > untracked CDs on Teac RW-CD22 > CDs playback on Toshiba SD-5700 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Sound Forge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) ----------------------------------------------------- Thank you to Charlie Miller, for the super revamped SBD transfer; to Donn Amick, for recording this beautiful, stellar show; to Noah Weiner and Matt Williams, for the great AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 21, 2008 Notes: 1) There is occasional static, particularly during the earlier portion of set 1. 2) AUD cuts during songs are as follows: 1. Bertha (Not used for matrixing due to a poor mono sound) 2. Bird Song (8 patches throughout; see note #4) 3. The Race is On (0:01-0:23; see note #4) 4. China Cat Sunflower (entire song) 5. I Know You Rider (2:01 - 3:12; see note #4) 6. Playing in the Band (14:38-15:01) 7. El Paso (entire song) 8. Nobody's Fault But Mine Jam (1:56-2:34) 9. Sugar Magnolia (3:23-4:58) 3) Because the shnid=85957 SBD patches sounded "not so good" with the AUD, and fluctuated in speed from the PCM source, no matrixing was done with the 85957 SBD patches. (Be very patient with the 16 warbly transitions in Bird Song. Such a shame for one of the best Bird Songs ever - surely the best of '73.) 4) Seemingly, the AUD opens up more for Mexicali Blues onward - more field range? - wherein the matrix becomes optimal, yet it seems to get even more optimal as the show progresses. (Dead shows can have that tendency.) 5) There is a noticeable shift in tone in the Nobody's Fault But Mine Jam (0:31), and a brief warble, when the SBD track shifts to the second major SBD source used. I fade out the AUD for a moment to regain momentum. 6) I preferred leaving some extended SBD segments between songs (without AUD available) in for timing and/or break purposes. 7) There is some belief, as indicated in several reviews below, that the AUD is a matrix. I do not believe so, but maybe this just happens to be a double matrix source! 8) These were pretty cutty sources for a matrix, but it's 1973, so...At least you can compare the sources some in your four hours of listening pleasure. 9) There's a "Long live the Grateful Dead!" cheer in the SBD right before the matrix kicks in for Black Peter.
Source 10 of 10
3:42:44
Rating:
9.39 / 34 ratings
SHNID:
gd73-06-22.aud.weiner.gdADT19.16889.sbeok.shnf
Source:
Audience Recording
Lineage:
AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60)
Taper Notes:
View NotesAUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner