gd73-06-22 t15 Tennessee Jed | 1973-06-22 | Grateful Dead

View NotesNotes:
- Thanks to Tim Dalton for the source PCM
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety
- Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider"
- Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones"
- Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches
- Truckin' contains Nobody's Fault But Mine Jam
- Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One"
- Fixed version - patched microsecond dropouts in "Jack Straw" at 3:36.3 and 3:41.2, as well as in "Black Peter" at 3:17.5, 4:05.6, 6:54.4, 7:23.3 and 8:48.4 using Charlie Miller's shnid88526 source

Mastered by Scott Clugston
February 1, 2018

Taper: Tim Dalton

4:21:20

SBD

Scott Clugston and Charlie Miller

SHNID:

gd1973-06-22.140892.sbd.pcm.composite.dalton.miller.clugston.fixv2.flac1644

Source:

Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed <a href="http://db.etree.org/shn/140868">sources</a> circulated by Scott Clugston; there is another <a href="http://db.etree.org/shn/140897">Fixed version</a> of this source in circulation

Taper Notes:

View NotesNotes:
- Thanks to Tim Dalton for the source PCM
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety
- Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider"
- Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones"
- Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches
- Truckin' contains Nobody's Fault But Mine Jam
- Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One"
- Fixed version - patched microsecond dropouts in "Black Peter" at 3:17.5, 4:05.6, 6:54.4, 7:23.3 and 8:48.4 using Charlie Miller's shnid88526 source

Mastered by Scott Clugston
January 30, 2018

Taper: Tim Dalton

Charlie Miller and Scott Clugston

SHNID:

gd1973-06-22.140868.sbd.pcm.composite.dalton.miller.clugston.flac1644

Source:

Taper Notes:

View NotesNotes:
- Thanks to Tim Dalton for the source PCM
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety
- Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider"
- Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones"
- Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches
- Truckin' contains Nobody's Fault But Mine Jam
- Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One"

Mastered by Scott Clugston
January 30, 2018

Transferrer: Charlie Miller

gd1973-06-22.sbd.miller.88526.sbeok.flac16

Source:

SBD -> Master Reel -> PCM -> Dat (44.1k) D

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC

Taper Notes:

View NotesPatch Info:
(FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies:
Bertha (0:00 - 1:23)
Big Railroad Blues (0:00 - 0:17)
The Other One (5:44 - 12:54)
Casey Jones (6:07 - end of show)
SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies:
Bird Song (Numerous patches to fix tracking problems)
The Race Is On (0:00 - 0:23)
I Know You Rider (2:01 - 3:12)
SBD -> Master Reel -> Cassette -> Dat -> CD supplies
Truckin' (7:51 - end of Casey Jones)
Notes:
-- Each set is seamless
-- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD
-- Truckin' contains Nobody's Fault But Mine Jam
-- The Encore will fit on end of 1st Set

Taper: Main source discs provided by Andy Lemieux.

Main source discs provided by Andy Lemieux.

Transferrer:

encoding by Sean Cribbs.

SHNID:

gd1973-06-22.sbd.cribbs.88347.flac16

Source:

MSR>PCM>DAT>CD>EAC>WAV

Taper Notes:

View NotesThis new fileset was re-tracked (Jam and tuning, etc. moved to end of tracks),
re-patched, and encoded in FLAC on 11/9/2007.

Main source discs provided by Andy Lemieux.
MSR>PCM>DAT>CD>EAC>WAV supplies Bertha through cut in The Other One (d4t04);
MAC>R>R>CD>DAT>WAV>SHN (from shnid=16889) supplies various patches and Johnny B. Goode (see below);
MSC>R>C>WAV>FLAC (from shnid=85957) supplies patches in The Race Is On (d1t07) and I Know You Rider (d2t05)
MSR>C>DAT>CD>EAC>WAV supplies end of The Other One (d4t04) through end of set 2.

EAC extraction, editing using Cool Edit Pro 2.0, and FLAC encoding by Sean Cribbs.
Shntool was used to verify/correct all track sector boundaries.

Taper: Unknown

gd1973-06-22.sbd-monitor-mix.pantagruel.85957.flac16

Source:

Master cassette > reel @ 3.75 ips > cassette > HD

Lineage:

CDWave > flac frontend > flac

Taper Notes:

View NotesIn honor of the upcoming 34th anniversary of one of my favorite Dead shows, here is an odd but worthy little item.  This tape came to me in about 1983.  The source was a cassette of the (partial) first set of this colossal Dead show, made from the monitor mixing board, as opposed to the main soundboard -- or so the story goes.  Unfortunately, most of the songs were severely cut and incomplete.  This version includes all of the complete songs from this particular source, plus "China Cat" (which does have a nasty cut, but at the time, the only circulating source was the famous Donn Amick audience recording, which lacked the "China Cat," so this was a big bonus when it came along).  It's a bit of a hodge-podge of tunes, but still worthwhile in my opinion.

Some years later, the superb Betty Board version of this show appeared, which is a beautiful soundboard recording, and a wonderful complement to the very nice audience tape which had circulated for many years.  It was greeted ecstatically, especially in these parts.  It did have a couple of minor flaws, however. The good news is that this version cures some of those problems!

First, some general comments:

The sound on this one clearly is not as clean as the Betty Board.  There are a couple of analog generations, and if you listen closely during the quiet passages, you can hear some hiss.  Otherwise, it has a nice full sound.  The stereo image sounds slightly different to me compared to the Betty Board, but I could be wrong.  Track fades were on my source tape.

The Betty Board, for all its clarity and length, has a couple of problems.  First, there is some periodic static or distortion in the left channel throughout the first set.  All the tracks that comprise this seed are static-free!  If you've ever wanted to hear this sublime Bird Song without the static, this one's for you!  I've included samples from the Betty Board and this version for comparison purposes.

Other neat features:

The Race Is On appears in its entirety (the first 20 seconds or so are missing on the Betty Board, which was skillfully patched with the audience recording on the most recent seed of the BB soundboard).

Likewise, there's a gap in the Betty Board recording during "I Know You Rider," which was nicely patched with the aud. on the composite seed.  This version is uncut.

And on the downside, there's a little bit missing from the beginning of "Looks Like Rain."

Hope y'all enjoy it!  Check out the samples.  And by the way, if anyone out there has a lower-gen version, bring it on!

Source 7 of 10

gd73-06-22.sbd.cribbs.17270.sbeok.shnf

Source:

Soundboard and Audience composite

Lineage:

composite: MSR> PCM> DAT> CD> EAC> WAV> SHN; MAC> R> R> CD> DAT> WAV> SHN; MSR> C> DAT> CD> EAC> WAV> SHN

Taper Notes:

View Notescomposite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs

Transferrer: Scott Clugston

gd1973-06-22.sbd.clugston.5850.sbeok.shnf

Source:

Master Sounbdoard Reel > PCM > DAT > CDR

Taper Notes:

View Notes(Update from Jack Warner: the SBD portion following
the AUD patch in TOO is probably MSR>C>D>CD)

Master Audience Reel > DAT source supplies patch
in "The Other One" (d4t04) from 22:20 thru 29:27,

Master Audience Reel > ?? > DAT source supplies
the final 0:33 of Casey Jones (d4t07), as well as
the "Johnny B. Goode " encore (d2t08) - which is placed 
at the end of the 1st set.

Throughout the 1st Set there is an intermittent "crackle" type noise,
this "crackle", is believed to be present on the master reels. 


CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
9/15/01

Taper: See Notes

gd1973-06-22.mtx.seamons.92375.sbeok.flac16

View Notes***35TH ANNIVERSARY MATRIX***

----------------------------------------------------
SBD:

Master Reel -> PCM -> Dat (44.1k)

Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
(5 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
November 15, 2007

Patch Info:
(FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies:
Bertha (0:00 - 1:23)
Big Railroad Blues (0:00 - 0:17)
The Other One (5:44 - 12:54)
Casey Jones (6:07 - end of show)

SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies:
Bird Song (Numerous patches to fix tracking problems)
The Race Is On (0:00 - 0:23)
I Know You Rider (2:01 - 3:12)

SBD -> Master Reel -> Cassette -> Dat -> CD supplies
Truckin' (7:51 - end of Casey Jones)

Notes:
-- Each set is seamless
-- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD
-- The Encore will fit on end of 1st Set

----------------------------------------------------
AUD:

MC > Reel > Reel > CD > DAT > WAV > SHN

Recorded by Donn Amick, FOB, Sony EMC mics spread out across the
row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips >
Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60)

A > D by Matt Williams and Noah Weiner, January - April, 2003

Reel playback on Teac X-1000R(no Dolby) > untracked CDs on Teac
RW-CD22 > CDs playback on Toshiba SD-5700 > Teac AN-180 Dolby
decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II
Digital I/O > Sound Forge (wav edits and track IDs) > SHNTOOL
(SBE fix) > MKW (shn)

-----------------------------------------------------

Thank you to Charlie Miller, for the super revamped SBD transfer;
to Donn Amick, for recording this beautiful, stellar show;
to Noah Weiner and Matt Williams, for the great AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
June 21, 2008

Notes:

1) There is occasional static, particularly during the earlier portion of set 1. 

2) AUD cuts during songs are as follows:
	1. Bertha (Not used for matrixing due to a poor mono sound)
	2. Bird Song (8 patches throughout; see note #4)
	3. The Race is On (0:01-0:23; see note #4)
	4. China Cat Sunflower (entire song)
	5. I Know You Rider (2:01 - 3:12; see note #4)
	6. Playing in the Band (14:38-15:01)
	7. El Paso (entire song)
	8. Nobody's Fault But Mine Jam (1:56-2:34)   
	9. Sugar Magnolia (3:23-4:58)

3) Because the shnid=85957 SBD patches sounded "not so good" with the AUD, and fluctuated in speed from the PCM source, no matrixing was done with the 85957 SBD patches. (Be very patient with the 16 warbly transitions in Bird Song. Such a shame for one of the best Bird Songs ever - surely the best of '73.)

4) Seemingly, the AUD opens up more for Mexicali Blues onward - more field range? - wherein the matrix becomes optimal, yet it seems to get even more optimal as the show progresses. (Dead shows can have that tendency.)

5) There is a noticeable shift in tone in the Nobody's Fault But Mine Jam (0:31), and a brief warble, when the SBD track shifts to the second major SBD source used. I fade out the AUD for a moment to regain momentum.   

6) I preferred leaving some extended SBD segments between songs (without AUD available) in for timing and/or break purposes.

7) There is some belief, as indicated in several reviews below, that the AUD is a matrix. I do not believe so, but maybe this just happens to be a double matrix source!

8) These were pretty cutty sources for a matrix, but it's 1973, so...At least you can compare the sources some in your four hours of listening pleasure. 

9) There's a "Long live the Grateful Dead!" cheer in the SBD right before the matrix kicks in for Black Peter.

Source 10 of 10

gd73-06-22.aud.weiner.gdADT19.16889.sbeok.shnf

Source:

Audience Recording

Lineage:

AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60)

Taper Notes:

View NotesAUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner