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June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h48767
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.4k391
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k313
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k320
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.9k384
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k389
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k361
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k162
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.7k970
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h973111
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.9k343
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.9k570
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k189
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k230
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k983
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k196
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k243
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h11k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k382
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k175
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.8k212
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.8k271
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h822100
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12719
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h402
7d886
30d60836
2 shows
2 tapes
1973
6/22/73
Bertha
6:18
Beat It On Down The Line
3:36
Deal
4:54
Mexicali Blues
3:44
Box Of Rain
5:09
Bird Song
14:00
The Race Is On
3:04
Sugaree
7:31
Looks Like Rain
7:37
Row Jimmy
9:03
Jack Straw
4:54
China Cat Sunflower ->
8:37
I Know You Rider
5:29
Big River
4:40
Tennessee Jed
7:43
Playing In The Band
18:49
Here Comes Sunshine
11:55
The Promised Land
2:47
Brown Eyed Women
6:26
El Paso
5:46
Black Peter
9:48
Greatest Story Ever Told
4:57
Big Railroad Blues
3:45
He's Gone ->
11:23
Truckin' ->
26:22
The Other One ->
15:11
Wharf Rat ->
7:56
Sugar Magnolia
9:51
Casey Jones
6:41
Johnny B. Goode
3:54
FIN
View on archive.org
Sources
Taper: Tim Dalton
4:21:20
SBD
Rating:
8.67 / 3 ratings
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-06-22.140897.sbd.pcm.composite.dalton.miller.clugston.fixv3.flac1644
Source:
Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: <a href="http://db.etree.org/shn/140868">source ID 140868</a> and <a href="http://db.etree.org/shn/140892">source ID 140892</a>; this version includes a fix in track 11, Jack Straw
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety - Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider" - Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones" - Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches - Truckin' contains Nobody's Fault But Mine Jam - Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One" - Fixed version - patched microsecond dropouts in "Jack Straw" at 3:36.3 and 3:41.2, as well as in "Black Peter" at 3:17.5, 4:05.6, 6:54.4, 7:23.3 and 8:48.4 using Charlie Miller's shnid88526 source Mastered by Scott Clugston February 1, 2018
Taper: Tim Dalton
4:21:20
SBD
Rating:
10.00 / 1 rating
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1973-06-22.140892.sbd.pcm.composite.dalton.miller.clugston.fixv2.flac1644
Source:
Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source is a fix of the two previous flawed <a href="http://db.etree.org/shn/140868">sources</a> circulated by Scott Clugston; there is another <a href="http://db.etree.org/shn/140897">Fixed version</a> of this source in circulation
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety - Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider" - Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones" - Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches - Truckin' contains Nobody's Fault But Mine Jam - Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One" - Fixed version - patched microsecond dropouts in "Black Peter" at 3:17.5, 4:05.6, 6:54.4, 7:23.3 and 8:48.4 using Charlie Miller's shnid88526 source Mastered by Scott Clugston January 30, 2018
Taper: Tim Dalton
4:21:20
SBD
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1973-06-22.140868.sbd.pcm.composite.dalton.miller.clugston.flac1644
Source:
Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid16889 Sony ECM mics source that supplies the first 1:23 of "Bertha", the crowd and first 0:17 of "Big Railroad Blues", a 7:10 patch in "The Other One", as well as the end of "Casey Jones" and "Johnny B. Goode" in its entirety - Thanks to the folks responsible for the shnid85957 MSC > Reel > Cassette > HDD source that supplies the first 0:23 of "The Race Is On", as well as a 1:11 patch in "I Know You Rider" - Thanks to Charlie Miller for the MSR > Cassette> Dat> CD source that supplies from the end of "The Other One" thru 6:07 of "Casey Jones" - Thanks to Charlie Miller for the shnid88526 MSR > PCM > Dat composite source that was used for all of the above patches - Truckin' contains Nobody's Fault But Mine Jam - Bass solo > Jam (~16 mins) after Nobodies Fault But Mine jam and before "The Other One" Mastered by Scott Clugston January 30, 2018
Transferrer: Charlie Miller
4:01:50
SBD
Rating:
9.70 / 29 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-22.sbd.miller.88526.sbeok.flac16
Source:
SBD -> Master Reel -> PCM -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies: Bertha (0:00 - 1:23) Big Railroad Blues (0:00 - 0:17) The Other One (5:44 - 12:54) Casey Jones (6:07 - end of show) SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies: Bird Song (Numerous patches to fix tracking problems) The Race Is On (0:00 - 0:23) I Know You Rider (2:01 - 3:12) SBD -> Master Reel -> Cassette -> Dat -> CD supplies Truckin' (7:51 - end of Casey Jones) Notes: -- Each set is seamless -- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD -- Truckin' contains Nobody's Fault But Mine Jam -- The Encore will fit on end of 1st Set
Taper: Main source discs provided by Andy Lemieux.
4:20:19
SBD
Rating:
10.00 / 1 rating
Taper:
Main source discs provided by Andy Lemieux.
Transferrer:
encoding by Sean Cribbs.
SHNID:
gd1973-06-22.sbd.cribbs.88347.flac16
Source:
MSR>PCM>DAT>CD>EAC>WAV
Taper Notes:
View NotesThis new fileset was re-tracked (Jam and tuning, etc. moved to end of tracks), re-patched, and encoded in FLAC on 11/9/2007. Main source discs provided by Andy Lemieux. MSR>PCM>DAT>CD>EAC>WAV supplies Bertha through cut in The Other One (d4t04); MAC>R>R>CD>DAT>WAV>SHN (from shnid=16889) supplies various patches and Johnny B. Goode (see below); MSC>R>C>WAV>FLAC (from shnid=85957) supplies patches in The Race Is On (d1t07) and I Know You Rider (d2t05) MSR>C>DAT>CD>EAC>WAV supplies end of The Other One (d4t04) through end of set 2. EAC extraction, editing using Cool Edit Pro 2.0, and FLAC encoding by Sean Cribbs. Shntool was used to verify/correct all track sector boundaries.
Taper: Unknown
46:44
SBD
Transferrer:
Pantagruel
SHNID:
gd1973-06-22.sbd-monitor-mix.pantagruel.85957.flac16
Source:
Master cassette > reel @ 3.75 ips > cassette > HD
Lineage:
CDWave > flac frontend > flac
Taper Notes:
View NotesIn honor of the upcoming 34th anniversary of one of my favorite Dead shows, here is an odd but worthy little item. This tape came to me in about 1983. The source was a cassette of the (partial) first set of this colossal Dead show, made from the monitor mixing board, as opposed to the main soundboard -- or so the story goes. Unfortunately, most of the songs were severely cut and incomplete. This version includes all of the complete songs from this particular source, plus "China Cat" (which does have a nasty cut, but at the time, the only circulating source was the famous Donn Amick audience recording, which lacked the "China Cat," so this was a big bonus when it came along). It's a bit of a hodge-podge of tunes, but still worthwhile in my opinion. Some years later, the superb Betty Board version of this show appeared, which is a beautiful soundboard recording, and a wonderful complement to the very nice audience tape which had circulated for many years. It was greeted ecstatically, especially in these parts. It did have a couple of minor flaws, however. The good news is that this version cures some of those problems! First, some general comments: The sound on this one clearly is not as clean as the Betty Board. There are a couple of analog generations, and if you listen closely during the quiet passages, you can hear some hiss. Otherwise, it has a nice full sound. The stereo image sounds slightly different to me compared to the Betty Board, but I could be wrong. Track fades were on my source tape. The Betty Board, for all its clarity and length, has a couple of problems. First, there is some periodic static or distortion in the left channel throughout the first set. All the tracks that comprise this seed are static-free! If you've ever wanted to hear this sublime Bird Song without the static, this one's for you! I've included samples from the Betty Board and this version for comparison purposes. Other neat features: The Race Is On appears in its entirety (the first 20 seconds or so are missing on the Betty Board, which was skillfully patched with the audience recording on the most recent seed of the BB soundboard). Likewise, there's a gap in the Betty Board recording during "I Know You Rider," which was nicely patched with the aud. on the composite seed. This version is uncut. And on the downside, there's a little bit missing from the beginning of "Looks Like Rain." Hope y'all enjoy it! Check out the samples. And by the way, if anyone out there has a lower-gen version, bring it on!
Source 7 of 10
4:20:39
SBD
Rating:
9.26 / 27 ratings
SHNID:
gd73-06-22.sbd.cribbs.17270.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
composite: MSR> PCM> DAT> CD> EAC> WAV> SHN; MAC> R> R> CD> DAT> WAV> SHN; MSR> C> DAT> CD> EAC> WAV> SHN
Taper Notes:
View Notescomposite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs
Transferrer: Scott Clugston
4:16:55
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Scott Clugston
SHNID:
gd1973-06-22.sbd.clugston.5850.sbeok.shnf
Source:
Master Sounbdoard Reel > PCM > DAT > CDR
Taper Notes:
View Notes(Update from Jack Warner: the SBD portion following the AUD patch in TOO is probably MSR>C>D>CD) Master Audience Reel > DAT source supplies patch in "The Other One" (d4t04) from 22:20 thru 29:27, Master Audience Reel > ?? > DAT source supplies the final 0:33 of Casey Jones (d4t07), as well as the "Johnny B. Goode " encore (d2t08) - which is placed at the end of the 1st set. Throughout the 1st Set there is an intermittent "crackle" type noise, this "crackle", is believed to be present on the master reels. CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 9/15/01
Taper: See Notes
4:03:37
Rating:
9.63 / 29 ratings
Taper:
See Notes
Transferrer:
Hunter Seamons
SHNID:
gd1973-06-22.mtx.seamons.92375.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View Notes***35TH ANNIVERSARY MATRIX*** ---------------------------------------------------- SBD: Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC (5 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] November 15, 2007 Patch Info: (FOB) Sony ECM Mics->Cassette Master->Reel->Reel->CD (shnid=16889) supplies: Bertha (0:00 - 1:23) Big Railroad Blues (0:00 - 0:17) The Other One (5:44 - 12:54) Casey Jones (6:07 - end of show) SBD -> Master Cassette -> Reel -> Cassette -> HD (shnid=85957) supplies: Bird Song (Numerous patches to fix tracking problems) The Race Is On (0:00 - 0:23) I Know You Rider (2:01 - 3:12) SBD -> Master Reel -> Cassette -> Dat -> CD supplies Truckin' (7:51 - end of Casey Jones) Notes: -- Each set is seamless -- Patch SBD (shnid=85957) pitch adjusted to match Master Reel SBD -- The Encore will fit on end of 1st Set ---------------------------------------------------- AUD: MC > Reel > Reel > CD > DAT > WAV > SHN Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60) A > D by Matt Williams and Noah Weiner, January - April, 2003 Reel playback on Teac X-1000R(no Dolby) > untracked CDs on Teac RW-CD22 > CDs playback on Toshiba SD-5700 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > Sound Forge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn) ----------------------------------------------------- Thank you to Charlie Miller, for the super revamped SBD transfer; to Donn Amick, for recording this beautiful, stellar show; to Noah Weiner and Matt Williams, for the great AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 21, 2008 Notes: 1) There is occasional static, particularly during the earlier portion of set 1. 2) AUD cuts during songs are as follows: 1. Bertha (Not used for matrixing due to a poor mono sound) 2. Bird Song (8 patches throughout; see note #4) 3. The Race is On (0:01-0:23; see note #4) 4. China Cat Sunflower (entire song) 5. I Know You Rider (2:01 - 3:12; see note #4) 6. Playing in the Band (14:38-15:01) 7. El Paso (entire song) 8. Nobody's Fault But Mine Jam (1:56-2:34) 9. Sugar Magnolia (3:23-4:58) 3) Because the shnid=85957 SBD patches sounded "not so good" with the AUD, and fluctuated in speed from the PCM source, no matrixing was done with the 85957 SBD patches. (Be very patient with the 16 warbly transitions in Bird Song. Such a shame for one of the best Bird Songs ever - surely the best of '73.) 4) Seemingly, the AUD opens up more for Mexicali Blues onward - more field range? - wherein the matrix becomes optimal, yet it seems to get even more optimal as the show progresses. (Dead shows can have that tendency.) 5) There is a noticeable shift in tone in the Nobody's Fault But Mine Jam (0:31), and a brief warble, when the SBD track shifts to the second major SBD source used. I fade out the AUD for a moment to regain momentum. 6) I preferred leaving some extended SBD segments between songs (without AUD available) in for timing and/or break purposes. 7) There is some belief, as indicated in several reviews below, that the AUD is a matrix. I do not believe so, but maybe this just happens to be a double matrix source! 8) These were pretty cutty sources for a matrix, but it's 1973, so...At least you can compare the sources some in your four hours of listening pleasure. 9) There's a "Long live the Grateful Dead!" cheer in the SBD right before the matrix kicks in for Black Peter.
Source 10 of 10
3:42:44
Rating:
9.39 / 34 ratings
SHNID:
gd73-06-22.aud.weiner.gdADT19.16889.sbeok.shnf
Source:
Audience Recording
Lineage:
AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60)
Taper Notes:
View NotesAUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner