RELISTENTOTHE Grateful Dead
Re
1973
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Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1973
6/10/73
Morning Dew
12:28
Beat It On Down The Line
3:17
Ramble On Rose
6:36
Jack Straw
5:31
Wave That Flag
5:46
Looks Like Rain
7:36
Box Of Rain
5:09
They Love Each Other
5:05
The Race Is On
3:18
Row Jimmy
10:05
El Paso
4:29
Bird Song
12:05
Playing In The Band
17:48
Eyes Of The World >
22:15
Stella Blue
8:15
Big River
4:59
Here Comes Sunshine
11:11
Around And Around
5:40
Dark Star >
27:06
He's Gone >
14:48
Wharf Rat >
8:12
Truckin'
7:44
Sugar Magnolia
9:55
It Takes A Lot To Laugh It Takes A Train To Cry
9:06
That's All Right, Mama
12:49
The Promised Land
4:44
Not Fade Away >
11:39
Goin' Down The Road Feeling Bad >
10:51
Drums >
6:08
Not Fade Away
3:36
Johnny B. Goode
3:15
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
4:47:33
SBDREMASTER
Rating:
10.00 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1973-06-10.131065.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper Notes:
View NotesMatrix by dusborne 08-22-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-22-2014
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136253.aud.cooper.berger.flac16
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Rating:
10.00 / 1 rating
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136252.aud.cooper.berger.flac24
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: Monte Barry
4:32:41
Rating:
9.33 / 12 ratings
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-06-10.fob.barry.90351.flac16
Source:
FOB > Single-point Mic > Sonny TC 110 > MAC
Lineage:
MAC > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > FLAC
Taper Notes:
View Notes-- This show is complete -- Most track changes are seemless -- Patches are cross-faded -- SBD patches have "concert hall" echo/delay effects applied -- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23 -- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched -- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16 -- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58 -- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01