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June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1973
6/9/73
Promised Land
3:32
Deal
5:16
Looks Like Rain
7:26
They Love Each Other
6:53
Jack Straw
5:32
Loose Lucy
9:27
Mexicali Blues
6:24
Row Jimmy
8:14
El Paso
4:34
Box Of Rain
6:17
Sugaree
9:24
Beat It On Down The Line
3:17
Tuning
1:18
Tennessee Jed
9:10
Greatest Story Ever Told
5:04
China Cat Sunflower >
6:18
I Know You Rider
7:12
He's Gone >
14:20
Truckin' >
12:30
Playing In The Band
22:22
Tuning
2:06
Loser
7:10
Me And My Uncle
3:04
Mississipi Half Step
6:43
Big River
5:11
Eyes Of The World >
11:22
China Doll
6:15
Sugar Magnolia/
8:13
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
3:28:35
SBDREMASTER
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1973-06-09.131169.mtx.fix.dusborne.flac16
Source:
Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
Taper Notes:
View Notes*** This is a fixed version of gd73-06-09.130939.mtx.dusborne.flac16 *** *** I purchased a new computer at the end of May and when installing my DAW the in/out settings were incorrectly configured. This reflects the corrections I made and should replace gd73-06-09.130939.mtx.dusborne.flac16. Matrix by dusborne 08-26-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-26-2014
Transferrer: Dave Usborne
3:28:38
SBDREMASTER
Transferrer:
Dave Usborne
SHNID:
gd1973-06-09.130939.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
Taper Notes:
View NotesMatrix by dusborne 08-10-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-10-2014
Taper: Monte Barry
3:13:33
SBDREMASTER
Rating:
10.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-09.120959.barry.smith.AUD-fob.flac2496
Source:
Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
Taper Notes:
View NotesNotes: -- this is a major upgrade in sound quality -- replaces Monte's shnid 91236 -- this was my first time taping -- these transfers are not fixed; some flaws remain -- but now my tapes sound phenomenal patch list: -- Promised Land patched until 00:39 -- Tennessee Jed's set-ending announcement is patched -- China Doll's show-ending announcement is patched -- I cleaned up a few glitches and tagged the files SBD patch Lineage: MR > PCM > cassette > DAT > CD > EAC > SHN > WAV > Samplitude Pro > 24/96 This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. This show, and June 10 was by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound. Matt Smith did a great job transferring these tapes of mine! Thank you!
Taper: Monte Barry
3:13:33
SBDREMASTER
Rating:
9.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-09.120958.barry.smith.AUD-fob.flac1644
Source:
<b>flac16</b> Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag
Taper Notes:
View NotesNotes: -- this is a major upgrade in sound quality -- replaces Monte's shnid 91236 -- this was my first time taping -- these transfers are not fixed; some flaws remain -- but now my tapes sound phenomenal patch list: -- Promised Land patched until 00:39 -- Tennessee Jed's set-ending announcement is patched -- China Doll's show-ending announcement is patched -- I cleaned up a few glitches and tagged the files SBD patch Lineage: MR > PCM > cassette > DAT > CD > EAC > SHN > WAV > Samplitude Pro > 24/96 This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. This show, and June 10 was by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound. Matt Smith did a great job transferring these tapes of mine! Thank you!
Transferrer: Monte Barry
3:24:26
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Monte Barry
SHNID:
gd1973-06-09.117476.mtx.barry.flac16
Source:
Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry
Taper Notes:
View NotesPitch Correction: -- SBD pitch and speed correction performed in Samplitude Pro ver 7.22 -- the tape speed difference between SBD and AUD reels is variable and it slews -- some tracks were manually pitch-corrected into many segments -- some tracks were pitch-corrected into two segments -- some tracks were pitch-corrected in one segment -- Resample Mode was used to perform pitch and speed correction Matrix Mixing: -- track changes are seamless -- sources fade-in and fade-out -- remastered and rendered in Samplitude Pro VIP mode -- AUD source is mixed -1.5dB below SBD source Patches and Repairs: d1t01 - Promised Land - AUD source fades in at 0:42 d1t02 - Deal - SBD right channel - parametric eq used to lower Garcia's guitar level - 3:35 to 4:05 d2t04 - He's Gone - AUD tape damage patched - 6:25 to 6:37 d2t06 - Truckin' - AUD missing due to reel flip - 8:08 to 9:03 d2t07 - Playin' in the Band - unable to match sources after 9:28 - SBD only after 9:28 d3t07 - Sugar Magnolia - SBD cuts out at 5:40; AUD only after 5:40 Tracking and Set List: -- Notes from AUD and SBD sources list Set 1 / Set 2 alignments incorrectly -- Tennessee Jed is the correct end of Set 1 Audience Source: -- Taped, transferred, and remastered by Monte Barry -- FOB center infield / between sbd platform and stage platform -- Sony ECM 99 single-point stereo mic -- Mic is hand-held on mic-stand shaft, w/arm raised up -- Sony TC 2850SD portable stereo cassette recorder -- Memorex 90-minute cassettes Audience Lineage (shnid 91236): -- MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit SBD Lineage (shnid 172): -- S:MR > PCM > cassette > DAT > CD > EAC > SHN -- Extraction and SHN encoding by G.S. Hamilton -- Thanks to David Hollister for this beautiful show running time is 3:24:45 pitch-corrected and matrixed by Monte Barry FLAC encoded in Trader's Little Helper - SBEs fixed
Transferrer: Monte Barry
3:24:32
SBD
Rating:
8.50 / 6 ratings
Transferrer:
Monte Barry
SHNID:
gd1973-06-09.sbd.barry.patched-172.93677.shnf
Source:
SBD > Master Reel
Lineage:
Master Reel > cassette > DAT > CD > EAC > SHN
Taper Notes:
View NotesMonte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). The finale w/ the 2:30 ending chorus had been missing from this SBD for 35 years. Now we have every GD note for this ever-famous, most-beloved weekend. Grateful Dead and Allman Brothers Band June 9, 1973 is the Saturday show. It was sunny and hot, easily over 100 degrees. Dead played 1st on Saturday. Allmans played 1st on Sunday. Below is the original info file with the correct genealogy and track times: Original SBD Source (shnid = 172)
Source 7 of 10
3:24:34
SBD
Rating:
8.00 / 1 rating
SHNID:
gd1973-06-09.sbd.patched.barry.93475.sbeok.shnf
Source:
SBD (shn ID 172) with AUD patch by Monte Barry.
Source 8 of 10
3:22:02
SBD
Rating:
9.10 / 32 ratings
SHNID:
gd73-06-09.sbd.hollister.172.sbeok.shnf
Source:
Soundboard
Lineage:
SBD MR > cassette> DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 <b>note</b> formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!
Taper: Monte-Barry
3:10:14
Rating:
9.20 / 5 ratings
Taper:
Monte-Barry
Transferrer:
Monte-Barry
SHNID:
gd1973-06-09.sonytc.monte-barry.91236.flac16
Source:
Sony TC 110 cassette deck
Lineage:
MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16
Taper Notes:
View NotesSource: -- Sony TC 110 cassette deck -- single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up -- FOB center infield, between sbd platform and stage platform SBD patch source info Lineage: -- S:MR > PCM > cassette > DAT > CD > EAC > SHN -- Extraction and SHN encoding by G.S. Hamilton -- Thanks to David Hollister for this beautiful show Notes: -- This was my first time taping -- This show is complete - every note is finally here -- Track changes are seamless -- Patches are cross-faded SBD sources -- Concert Hall echo/delay effects are applied to patches patch list -- Promised Land -------- until 00:39 -- They Love Each Other-- until 00:05 -- Sugaree -------------- for 1st note -- China Cat Sunflower -- for 1st few notes -- He's Gone ------------ for 1st few notes, 6:25 to 6:37 - tape damage -- Truckin' ------------- 8:08 to 9:03 - reel flip -- Playin' in the Band -- 14:35 to 14:44, 16:10 to 16:27, 20:11 to 20:17 - tape damage This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte
Taper: Adam Grow
1:02:38
Rating:
8.67 / 6 ratings
Taper:
Adam Grow
Transferrer:
Noah Weiner
SHNID:
gd73-06-09.partial.aud.weiner.gdADT25.22790.sbeok.shnf
Source:
Audience Recording
Lineage:
AUDMR(Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips) > DAT > SHN
Taper Notes:
View NotesAUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner