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June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1973
6/9/73
Promised Land
3:31
Deal
5:25
Looks Like Rain
8:03
They Love Each Other
6:10
Jack Straw
5:47
Loose Lucy
9:31
Mexicali Blues
6:32
Row Jimmy
8:51
El Paso
4:35
Box of Rain
6:26
Sugaree
9:20
Beat It On Down the Line
3:24
Tennessee Jed
8:29
Greatest Story Ever Told
5:46
China Cat Sunflower >
6:19
I Know You Rider
7:01
He's Gone >
14:19
Truckin' >
12:27
Playin' in the Band
24:09
Loser
7:21
Me and My Uncle
3:02
Mississippi Half Step
7:08
Big River
4:56
Eyes of the World >
11:43
China Doll
5:48
Sugar Magnolia
8:23
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
3:28:35
SBDREMASTER
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1973-06-09.131169.mtx.fix.dusborne.flac16
Source:
Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
Taper Notes:
View Notes*** This is a fixed version of gd73-06-09.130939.mtx.dusborne.flac16 *** *** I purchased a new computer at the end of May and when installing my DAW the in/out settings were incorrectly configured. This reflects the corrections I made and should replace gd73-06-09.130939.mtx.dusborne.flac16. Matrix by dusborne 08-26-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-26-2014
Transferrer: Dave Usborne
3:28:38
SBDREMASTER
Transferrer:
Dave Usborne
SHNID:
gd1973-06-09.130939.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
Taper Notes:
View NotesMatrix by dusborne 08-10-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-10-2014
Taper: Monte Barry
3:13:33
SBDREMASTER
Rating:
10.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-09.120959.barry.smith.AUD-fob.flac2496
Source:
Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
Taper Notes:
View NotesNotes: -- this is a major upgrade in sound quality -- replaces Monte's shnid 91236 -- this was my first time taping -- these transfers are not fixed; some flaws remain -- but now my tapes sound phenomenal patch list: -- Promised Land patched until 00:39 -- Tennessee Jed's set-ending announcement is patched -- China Doll's show-ending announcement is patched -- I cleaned up a few glitches and tagged the files SBD patch Lineage: MR > PCM > cassette > DAT > CD > EAC > SHN > WAV > Samplitude Pro > 24/96 This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. This show, and June 10 was by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound. Matt Smith did a great job transferring these tapes of mine! Thank you!
Taper: Monte Barry
3:13:33
SBDREMASTER
Rating:
9.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-09.120958.barry.smith.AUD-fob.flac1644
Source:
<b>flac16</b> Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag
Taper Notes:
View NotesNotes: -- this is a major upgrade in sound quality -- replaces Monte's shnid 91236 -- this was my first time taping -- these transfers are not fixed; some flaws remain -- but now my tapes sound phenomenal patch list: -- Promised Land patched until 00:39 -- Tennessee Jed's set-ending announcement is patched -- China Doll's show-ending announcement is patched -- I cleaned up a few glitches and tagged the files SBD patch Lineage: MR > PCM > cassette > DAT > CD > EAC > SHN > WAV > Samplitude Pro > 24/96 This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. This show, and June 10 was by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound. Matt Smith did a great job transferring these tapes of mine! Thank you!
Transferrer: Monte Barry
3:24:26
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Monte Barry
SHNID:
gd1973-06-09.117476.mtx.barry.flac16
Source:
Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry
Taper Notes:
View NotesPitch Correction: -- SBD pitch and speed correction performed in Samplitude Pro ver 7.22 -- the tape speed difference between SBD and AUD reels is variable and it slews -- some tracks were manually pitch-corrected into many segments -- some tracks were pitch-corrected into two segments -- some tracks were pitch-corrected in one segment -- Resample Mode was used to perform pitch and speed correction Matrix Mixing: -- track changes are seamless -- sources fade-in and fade-out -- remastered and rendered in Samplitude Pro VIP mode -- AUD source is mixed -1.5dB below SBD source Patches and Repairs: d1t01 - Promised Land - AUD source fades in at 0:42 d1t02 - Deal - SBD right channel - parametric eq used to lower Garcia's guitar level - 3:35 to 4:05 d2t04 - He's Gone - AUD tape damage patched - 6:25 to 6:37 d2t06 - Truckin' - AUD missing due to reel flip - 8:08 to 9:03 d2t07 - Playin' in the Band - unable to match sources after 9:28 - SBD only after 9:28 d3t07 - Sugar Magnolia - SBD cuts out at 5:40; AUD only after 5:40 Tracking and Set List: -- Notes from AUD and SBD sources list Set 1 / Set 2 alignments incorrectly -- Tennessee Jed is the correct end of Set 1 Audience Source: -- Taped, transferred, and remastered by Monte Barry -- FOB center infield / between sbd platform and stage platform -- Sony ECM 99 single-point stereo mic -- Mic is hand-held on mic-stand shaft, w/arm raised up -- Sony TC 2850SD portable stereo cassette recorder -- Memorex 90-minute cassettes Audience Lineage (shnid 91236): -- MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit SBD Lineage (shnid 172): -- S:MR > PCM > cassette > DAT > CD > EAC > SHN -- Extraction and SHN encoding by G.S. Hamilton -- Thanks to David Hollister for this beautiful show running time is 3:24:45 pitch-corrected and matrixed by Monte Barry FLAC encoded in Trader's Little Helper - SBEs fixed
Transferrer: Monte Barry
3:24:32
SBD
Rating:
8.50 / 6 ratings
Transferrer:
Monte Barry
SHNID:
gd1973-06-09.sbd.barry.patched-172.93677.shnf
Source:
SBD > Master Reel
Lineage:
Master Reel > cassette > DAT > CD > EAC > SHN
Taper Notes:
View NotesMonte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). The finale w/ the 2:30 ending chorus had been missing from this SBD for 35 years. Now we have every GD note for this ever-famous, most-beloved weekend. Grateful Dead and Allman Brothers Band June 9, 1973 is the Saturday show. It was sunny and hot, easily over 100 degrees. Dead played 1st on Saturday. Allmans played 1st on Sunday. Below is the original info file with the correct genealogy and track times: Original SBD Source (shnid = 172)
Source 7 of 10
3:24:34
SBD
Rating:
8.00 / 1 rating
SHNID:
gd1973-06-09.sbd.patched.barry.93475.sbeok.shnf
Source:
SBD (shn ID 172) with AUD patch by Monte Barry.
Source 8 of 10
3:22:02
SBD
Rating:
9.10 / 32 ratings
SHNID:
gd73-06-09.sbd.hollister.172.sbeok.shnf
Source:
Soundboard
Lineage:
SBD MR > cassette> DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 <b>note</b> formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!
Taper: Monte-Barry
3:10:14
Rating:
9.20 / 5 ratings
Taper:
Monte-Barry
Transferrer:
Monte-Barry
SHNID:
gd1973-06-09.sonytc.monte-barry.91236.flac16
Source:
Sony TC 110 cassette deck
Lineage:
MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16
Taper Notes:
View NotesSource: -- Sony TC 110 cassette deck -- single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up -- FOB center infield, between sbd platform and stage platform SBD patch source info Lineage: -- S:MR > PCM > cassette > DAT > CD > EAC > SHN -- Extraction and SHN encoding by G.S. Hamilton -- Thanks to David Hollister for this beautiful show Notes: -- This was my first time taping -- This show is complete - every note is finally here -- Track changes are seamless -- Patches are cross-faded SBD sources -- Concert Hall echo/delay effects are applied to patches patch list -- Promised Land -------- until 00:39 -- They Love Each Other-- until 00:05 -- Sugaree -------------- for 1st note -- China Cat Sunflower -- for 1st few notes -- He's Gone ------------ for 1st few notes, 6:25 to 6:37 - tape damage -- Truckin' ------------- 8:08 to 9:03 - reel flip -- Playin' in the Band -- 14:35 to 14:44, 16:10 to 16:27, 20:11 to 20:17 - tape damage This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte
Taper: Adam Grow
1:02:38
Rating:
8.67 / 6 ratings
Taper:
Adam Grow
Transferrer:
Noah Weiner
SHNID:
gd73-06-09.partial.aud.weiner.gdADT25.22790.sbeok.shnf
Source:
Audience Recording
Lineage:
AUDMR(Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips) > DAT > SHN
Taper Notes:
View NotesAUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner