Weather Report Suite Prelude -> | 1973-03-28 | Grateful Dead

3:43:43

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1973-03-28.mtx.dts.tobin.86896.sbeok.flac16

Source:

SBD(86459) + AUD(74682)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=86459)
Recording Info:
SBD -> Master Reel -> Dat (44.1k)

Transfer Info:
Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC

All Transfers and Mastering By Charlie Miller
[email protected]
July 13, 2007

Notes:
-- All disc changes are seamless
-- Minor diginoise in first part of Cumberland Blues
-- Quality improves for disc 3

AUD (shnid=74682)
Recording Info:
Beyer Mics -> Cassette Master

Transfer Info:
Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16

All Transfers and Mastering By Charlie Miller
[email protected]
June 26, 2006

Notes:
-- All disc changes are seamless
-- First part of Cumberland Blues is missing
-- There was a cut in Loser I fixed with a crossfade
-- The first 2 notes of Around And Around are cut
-- Various flaws fixed with Cool Edit Pro v2.0

Notes From Tim Backstrom:
The seating was open floor.  We were centrally located on the floor right behind the soundboard.  The deck used was a TEAC cassette deck with Dolby and selectable tape bias (I don't know the model number) powered by a motorcycle battery and a DC/AC inverter.  Dolby was used.  The selectable bias permitted me to shift from the Maxell UD's to the BASF chrome tape just before the Weather Report Prelude -> Dark Star -> Eyes of the World ->
Playing in the Band jam.  I'm pretty sure the microphones were Beyers,but I don't know the model.  Only one mic was used for the second set because some stoned hippie accidentally kicked one of the jacks between sets and we could not repair it without a soldering iron.

---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & both AUD sources.  Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 22-AUG-2007  
---------------------------------------------------------
Audio Faults:
1) At the beginning of show,  4 minutes and 19.168 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better.

2) Between Cumberland Blues and Here Comes Sunshine, 35.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

3) Between Here Comes Sunshine and Mexicali Blues, 1minute and 20.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

4) Between Mexicali Blues and Wave That Flag, 57.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

5) Between Wave That Flag and BIODTL, 1 minute and 11.277 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

6) Between BIODTL and Loser, 34.250 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

7) Aprox 2 minutes and 35 seconds into Loser, 38.251 seconds were mising from the aud recording and were filled in using the sbd recording. This portion of the audio was normalized to fit in better. 

8) Between Loser and Jack Straw, 32.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

9) Between Jack Straw and Box of Rain, 54.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

10) Between Box of Rain and They Love Each Other, 23.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

11) Between They Love Each Other and El Paso, 1 minute and 24.370 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

12) Between El Paso and Row Jimmy, 14.320 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

13) Between Row Jimmy and Around and Around, 07.020 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

14) At the beginning of Around and Around,  1.196 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 

15) Between Brown Eyed Women and You Ain't Woman Enough, 1 minute and 13.769 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

16) Between You Ain't Woman Enough and Looks Like Rain, 1 minute and 54.500 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

17) Between Looks Like Rain and China Cat Sunflower, 23.750 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

18) At the beginning of Promised Land,  4.488 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 

19) Between Loose Lucy and Me and My Uncle, 1minute and 07.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

20) Between Me and My Uncle and Don't Ease Me In, 1 minute and 58.984 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

21) Between Don't Ease Me In and The Race Is On, 48.110 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

22) Between The Race Is On and Stella Blue, 30.646 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

23) Between Big River and Mississippi Halfstep, 1 minute and 08.239 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

24) At the end of  Mississippi Halfstep, 37.076 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

25) Near the start of Dark Star, 01.506 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

26) Apprx 7 minutes into Dark Star, 02.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

27) Close to the end of Eyes Of The World, 27.027 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 

---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel

--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

3:43:43

SBD

Rating:

9.33 / 3 ratings

Taper:

See info file

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1973-03-28.sbd.mtx.tobin.86833.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=86459)
Recording Info:
SBD -> Master Reel -> Dat (44.1k)

Transfer Info:
Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC

All Transfers and Mastering By Charlie Miller
[email protected]
July 13, 2007

Notes:
-- All disc changes are seamless
-- Minor diginoise in first part of Cumberland Blues
-- Quality improves for disc 3

AUD (shnid=74682)
Recording Info:
Beyer Mics -> Cassette Master

Transfer Info:
Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16

All Transfers and Mastering By Charlie Miller
[email protected]
June 26, 2006

Notes:
-- All disc changes are seamless
-- First part of Cumberland Blues is missing
-- There was a cut in Loser I fixed with a crossfade
-- The first 2 notes of Around And Around are cut
-- Various flaws fixed with Cool Edit Pro v2.0

Notes From Tim Backstrom:
The seating was open floor.  We were centrally located on the floor right behind the soundboard.  The deck used was a TEAC cassette deck with Dolby and selectable tape bias (I don't know the model number) powered by a motorcycle battery and a DC/AC inverter.  Dolby was used.  The selectable bias permitted me to shift from the Maxell UD's to the BASF chrome tape just
before the Weather Report Prelude -> Dark Star -> Eyes of the World ->Playing in the Band jam.  I'm pretty sure the microphones were Beyers,but I don't know the model.  Only one mic was used for the second set because some stoned hippie accidentally kicked one of the jacks between sets and we could not repair it without a soldering iron.

---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & both AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 22-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Faults:
1) At the beginning of show,  4 minutes and 19.168 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better.

2) Between Cumberland Blues and Here Comes Sunshine, 35.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

3) Between Here Comes Sunshine and Mexicali Blues, 1minute and 20.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

4) Between Mexicali Blues and Wave That Flag, 57.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

5) Between Wave That Flag and BIODTL, 1 minute and 11.277 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

6) Between BIODTL and Loser, 34.250 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

7) Aprox 2 minutes and 35 seconds into Loser, 38.251 seconds were mising from the aud recording and were filled in using the sbd recording. This portion of the audio was normalized to fit in better. 

8) Between Loser and Jack Straw, 32.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

9) Between Jack Straw and Box of Rain, 54.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

10) Between Box of Rain and They Love Each Other, 23.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

11) Between They Love Each Other and El Paso, 1 minute and 24.370 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

12) Between El Paso and Row Jimmy, 14.320 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

13) Between Row Jimmy and Around and Around, 07.020 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

14) At the beginning of Around and Around,  1.196 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 

15) Between Brown Eyed Women and You Ain't Woman Enough, 1 minute and 13.769 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

16) Between You Ain't Woman Enough and Looks Like Rain, 1 minute and 54.500 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

17) Between Looks Like Rain and China Cat Sunflower, 23.750 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

18) At the beginning of Promised Land,  4.488 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 

19) Between Loose Lucy and Me and My Uncle, 1minute and 07.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

20) Between Me and My Uncle and Don't Ease Me In, 1 minute and 58.984 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

21) Between Don't Ease Me In and The Race Is On, 48.110 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

22) Between The Race Is On and Stella Blue, 30.646 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

23) Between Big River and Mississippi Halfstep, 1 minute and 08.239 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

24) At the end of  Mississippi Halfstep, 37.076 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

25) Near the start of Dark Star, 01.506 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

26) Apprx 7 minutes into Dark Star, 02.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better.

27) Close to the end of Eyes Of The World, 27.027 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better.