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Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1973
3/28/73
Cumberland Blues
6:42
Here Comes Sunshine
10:05
Mexicali Blues
4:27
Wave That Flag
6:44
Beat It On Down The Line
3:57
Loser
7:23
Jack Straw
5:41
Box Of Rain
5:48
They Love Each Other
7:02
El Paso
5:43
Row Jimmy
8:39
Around And Around
5:10
Brown Eyed Women
6:25
You Ain't Woman Enough
4:52
Looks Like Rain
8:09
China Cat Sunflower ->
8:50
I Know You Rider
5:12
The Promised Land
3:25
Loose Lucy
7:55
Me And My Uncle
4:56
Don't Ease Me In
4:05
The Race Is On
3:57
Stella Blue
7:43
Big River
5:31
Mississippi Half-Step Uptown Toodeloo
8:17
Weather Report Suite Prelude ->
2:16
Dark Star ->
32:12
Eyes Of The World ->
12:54
Playing In The Band
15:56
Johnny B. Goode
3:47
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:27:19
SBD
Rating:
9.19 / 28 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-03-28.sbd.miller.86459.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Minor diginoise in first part of Cumberland Blues -- Quality improves for disc 3
Transferrer: Charlie Miller
1:47:34
SBD
Rating:
10.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-03-28.sbd.set2.miller.34759.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Steve Rolfe for the Dat -- Tracks are numbered to match up with circulating 1st Set AUD -- Some minor pops removed with Cool Edit Pro v2.0
Transferrer: Kevin Tobin
3:43:43
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1973-03-28.mtx.dts.tobin.86896.sbeok.flac16
Source:
SBD(86459) + AUD(74682)
Taper Notes:
View NotesAudio Source Information SBD (shnid=86459) Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller [email protected] July 13, 2007 Notes: -- All disc changes are seamless -- Minor diginoise in first part of Cumberland Blues -- Quality improves for disc 3 AUD (shnid=74682) Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller [email protected] June 26, 2006 Notes: -- All disc changes are seamless -- First part of Cumberland Blues is missing -- There was a cut in Loser I fixed with a crossfade -- The first 2 notes of Around And Around are cut -- Various flaws fixed with Cool Edit Pro v2.0 Notes From Tim Backstrom: The seating was open floor. We were centrally located on the floor right behind the soundboard. The deck used was a TEAC cassette deck with Dolby and selectable tape bias (I don't know the model number) powered by a motorcycle battery and a DC/AC inverter. Dolby was used. The selectable bias permitted me to shift from the Maxell UD's to the BASF chrome tape just before the Weather Report Prelude -> Dark Star -> Eyes of the World -> Playing in the Band jam. I'm pretty sure the microphones were Beyers,but I don't know the model. Only one mic was used for the second set because some stoned hippie accidentally kicked one of the jacks between sets and we could not repair it without a soldering iron. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 22-AUG-2007 --------------------------------------------------------- Audio Faults: 1) At the beginning of show, 4 minutes and 19.168 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 2) Between Cumberland Blues and Here Comes Sunshine, 35.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 3) Between Here Comes Sunshine and Mexicali Blues, 1minute and 20.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 4) Between Mexicali Blues and Wave That Flag, 57.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 5) Between Wave That Flag and BIODTL, 1 minute and 11.277 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 6) Between BIODTL and Loser, 34.250 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 7) Aprox 2 minutes and 35 seconds into Loser, 38.251 seconds were mising from the aud recording and were filled in using the sbd recording. This portion of the audio was normalized to fit in better. 8) Between Loser and Jack Straw, 32.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 9) Between Jack Straw and Box of Rain, 54.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 10) Between Box of Rain and They Love Each Other, 23.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 11) Between They Love Each Other and El Paso, 1 minute and 24.370 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 12) Between El Paso and Row Jimmy, 14.320 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 13) Between Row Jimmy and Around and Around, 07.020 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 14) At the beginning of Around and Around, 1.196 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 15) Between Brown Eyed Women and You Ain't Woman Enough, 1 minute and 13.769 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 16) Between You Ain't Woman Enough and Looks Like Rain, 1 minute and 54.500 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 17) Between Looks Like Rain and China Cat Sunflower, 23.750 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 18) At the beginning of Promised Land, 4.488 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 19) Between Loose Lucy and Me and My Uncle, 1minute and 07.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 20) Between Me and My Uncle and Don't Ease Me In, 1 minute and 58.984 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 21) Between Don't Ease Me In and The Race Is On, 48.110 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 22) Between The Race Is On and Stella Blue, 30.646 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 23) Between Big River and Mississippi Halfstep, 1 minute and 08.239 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 24) At the end of Mississippi Halfstep, 37.076 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 25) Near the start of Dark Star, 01.506 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 26) Apprx 7 minutes into Dark Star, 02.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 27) Close to the end of Eyes Of The World, 27.027 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD Reel -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: See info file
3:43:43
SBD
Rating:
9.33 / 3 ratings
Taper:
See info file
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1973-03-28.sbd.mtx.tobin.86833.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD (shnid=86459) Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller [email protected] July 13, 2007 Notes: -- All disc changes are seamless -- Minor diginoise in first part of Cumberland Blues -- Quality improves for disc 3 AUD (shnid=74682) Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller [email protected] June 26, 2006 Notes: -- All disc changes are seamless -- First part of Cumberland Blues is missing -- There was a cut in Loser I fixed with a crossfade -- The first 2 notes of Around And Around are cut -- Various flaws fixed with Cool Edit Pro v2.0 Notes From Tim Backstrom: The seating was open floor. We were centrally located on the floor right behind the soundboard. The deck used was a TEAC cassette deck with Dolby and selectable tape bias (I don't know the model number) powered by a motorcycle battery and a DC/AC inverter. Dolby was used. The selectable bias permitted me to shift from the Maxell UD's to the BASF chrome tape just before the Weather Report Prelude -> Dark Star -> Eyes of the World ->Playing in the Band jam. I'm pretty sure the microphones were Beyers,but I don't know the model. Only one mic was used for the second set because some stoned hippie accidentally kicked one of the jacks between sets and we could not repair it without a soldering iron. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for both AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 22-AUG-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -2 SET TWO Stereo Matrix SBD -0 AUD -2 --------------------------------------------------------- Audio Faults: 1) At the beginning of show, 4 minutes and 19.168 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 2) Between Cumberland Blues and Here Comes Sunshine, 35.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 3) Between Here Comes Sunshine and Mexicali Blues, 1minute and 20.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 4) Between Mexicali Blues and Wave That Flag, 57.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 5) Between Wave That Flag and BIODTL, 1 minute and 11.277 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 6) Between BIODTL and Loser, 34.250 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 7) Aprox 2 minutes and 35 seconds into Loser, 38.251 seconds were mising from the aud recording and were filled in using the sbd recording. This portion of the audio was normalized to fit in better. 8) Between Loser and Jack Straw, 32.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 9) Between Jack Straw and Box of Rain, 54.100 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 10) Between Box of Rain and They Love Each Other, 23.000 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 11) Between They Love Each Other and El Paso, 1 minute and 24.370 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 12) Between El Paso and Row Jimmy, 14.320 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 13) Between Row Jimmy and Around and Around, 07.020 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 14) At the beginning of Around and Around, 1.196 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 15) Between Brown Eyed Women and You Ain't Woman Enough, 1 minute and 13.769 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 16) Between You Ain't Woman Enough and Looks Like Rain, 1 minute and 54.500 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 17) Between Looks Like Rain and China Cat Sunflower, 23.750 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 18) At the beginning of Promised Land, 4.488 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better. 19) Between Loose Lucy and Me and My Uncle, 1minute and 07.850 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 20) Between Me and My Uncle and Don't Ease Me In, 1 minute and 58.984 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 21) Between Don't Ease Me In and The Race Is On, 48.110 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 22) Between The Race Is On and Stella Blue, 30.646 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 23) Between Big River and Mississippi Halfstep, 1 minute and 08.239 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 24) At the end of Mississippi Halfstep, 37.076 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 25) Near the start of Dark Star, 01.506 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 26) Apprx 7 minutes into Dark Star, 02.334 seconds were mising from the sbd recording and were filled in using the audience recording. This portion of the audio was normalized to fit in better. 27) Close to the end of Eyes Of The World, 27.027 seconds were missing from audience source and were filled in using the soundboard recording. This portion of the audio was normalized to fit in better.
Transferrer: J Cotsman
3:22:20
SBD
Rating:
9.23 / 15 ratings
Transferrer:
J Cotsman
SHNID:
gd73-03-28.sbd-aud.cotsman.11473.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
Discs 1-2: AUD>MC>R>D>CD; Disc 3: SBD>MR>D>CD
Taper Notes:
View NotesDiscs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman
Source 6 of 9
1:06:49
SBD
Rating:
10.00 / 3 ratings
SHNID:
gd1973-03-28.sbd.warner.darrin.1073.sbefail.shnf
Source:
MSR>DATs>CDRs>EAC>SHN
Taper: Tim Backstrom
3:39:25
Rating:
10.00 / 5 ratings
Taper:
Tim Backstrom
Transferrer:
Charlie Miller
SHNID:
gd1973-03-28.beyer.backstrom.miller.75138.flac24
Source:
Beyer Mics -> Cassette Master
Lineage:
Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24
Taper: Tim Backstrom
3:39:24
Rating:
9.50 / 16 ratings
Taper:
Tim Backstrom
Transferrer:
Charlie Miller
SHNID:
gd1973-03-28.beyer.backstrom.miller.74682.sbeok.flac16
Source:
Beyer Mics -> Cassette Master
Lineage:
Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16
Source 9 of 9
3:20:46
Rating:
8.77 / 13 ratings
SHNID:
gd73-03-28.aud-nourse.weiner.16886.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMC > R > DAT > WAV > SHN