03
1973
Sources
Taper: Betty Cantor
3:50:35
SBD
Rating:
10.00 / 4 ratings
Taper:
Betty Cantor
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1973-03-24.139595.sbd.betty.composite.miller.clugston.flac16
Source:
Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for gd73-03-24.sbd.hamilton.shnid1216 - Thanks to the folks involved in the WBOTB Project for gd73-03-24.sbd.cantor.diebert.shnid83407 - This composite utilizes 3 sources to provide a virtually complete show in one fileset, utilizing the best available sources as of 10/2017 - The Betty Board in general circulation has digital noise reduction processing applied to it This transcription of the 2nd Set Betty Board does not have digital noise reduction - The Betty Board in general circulation (shnid83407) has a cut in "Truckin'" - "Bertha" (t01)had level/mix fluctuations for the first 1:30 or so. The level fluctuations were minimized - shnid1216 source was missing most of the between song tunings/banter and had some abrupt between song transitions,these transitions have been smoothed - First several seconds of "Here Comes Sunshine" (t15) are missing - While all copies had level/mix issues in the beginning of "Promised Land" (t19),the Betty Boards exhibited more severe level/mix fluctuations than the shnid1216 MSR->C source, so the tuning and first 0:16 of "Promised Land" are from the shnid1216 source and the level fluctuations were minimized - Truckin'-> Jam-> Spanish Jam (t27)clocks in at 32:37 Transfer by Charlie Miller Mastered by Scott Clugston on 10/24/2017
Source 2 of 5
2:26:37
SBD
Rating:
9.50 / 9 ratings
SHNID:
gd1973-03-24.sbd.cantor.deibert.83407.sbeok.flac16
Source:
10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk
Taper Notes:
View NotesNOTES: * First reel of show unplayable due to mold and water damage. * Mold & water damage causes some distortion. * Sound Forge 6.0 volume raised to +2.4dB. * Sound Forge 6.0 peak normalization to 99%. * Sound Forge Noise Reduction 2.0 noise reduction sample taken and used to reduce hum to -30dB in mode 3. * Splits in Truckin' at about 8:45. notes from trailmix 3-15-07: � Project WBOTB � these shns were decoded to wav, SBE's fixed (by set), then encoded to flac16 (level 6). The process was repeated and resulted in identical .wavs. � Although the original shns were created in 2002, they are not in circulation and do not exist in the database (which is why these shns were converted and fixed).
Transferrer: Brian Flegel
3:46:03
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Brian Flegel
SHNID:
gd1973-03-24.170828.sbd.patched.001216.flegel.flac1644
Source:
Patched soundboard
Taper Notes:
View Notes--This Hamilton Cassette source (put into circulation in 2000) sounds the BEST in my opinion - much more Phil and better dynamics overall. It was however riddled with cuts between every track in the first set and the beginning of the second and a couple of big cuts during the meat of the second set Jam and Dark Star. To my ears this source sounds better than the circulating Betty Board and deserved to be cleaned up and patched. I used all the best available sources (Betty Board & Bertha) to patch the short in-between track sections and the Miller / Clugston composite for the main patches. Alot of sound editing which included a ton of crossfades, volume adjustment and overal TLC to make everything flow together and be as seamless as possible - too many little edits to mention - and included fixing all the pre-existing issues present in the original source. All sound editing work was done using Roxio Sound Editor (2009). All post work done by Brian Flegel