RELISTENTOTHE Grateful Dead
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1970
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Grateful Dead
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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1970
9/20/70
Uncle John's Band
6:57
Deep Elem Blues
5:58
Friend of the Devil
3:38
Big Railroad Blues
3:18
Dark Hollow
3:01
Ripple
4:25
To Lay Me Down
6:17
Truckin'*
5:49
Rosalie McFall
3:37
Cumberland Blues
5:08
New Speedway Boogie
9:41
Brokedown Palace
5:22
"All aboard" intro
1:17
Casey Jones
5:05
China Cat Sunflower ->
5:26
I Know You Rider
5:04
// Candyman
4:56
Sittin' on Top of the World
3:37
Big Boy Pete
3:05
tuning/tune
1:17
Me & My Uncle**
3:17
Easy Wind**!
10:28
Sugar Magnolia
6:05
Attics of My Life
6:48
Mama Tried
3:08
Not Fade Away ->
14:27
Caution ->
18:54
Feedback ->
6:23
And We Bid You Goodnight***
4:06
FIN
View on archive.org
Sources
Taper: Will Boswell
2:52:21
SBD
Rating:
10.00 / 2 ratings
Taper:
Will Boswell
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1970-09-20.140665.sbd.boswell.smith.miller.clugston.flac2496
Source:
Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Will Boswell for the source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to miles1960 who kept me from falling down the channel swap rabbit hole - "follow the cow bell" - Levels/mix all over the place, we did what we could - This transcription includes "Together Again" from the NRPS set - Tape shedding/distortion in "Caution" still evident, although not as severe and shorter in duration, imo - Acoustic set includes David Grisman & David Nelson as guests - "To Lay Me Down" will bring a tear to your eye - Beginning of "Candyman" clipped - Unique tuning/noodle between "Big Boy Pete" and "Me & My Uncle" Transfer by Matt Smith Mastered by Scott Clugston January 11, 2018
Taper: Will Boswell
2:52:21
SBD
Rating:
9.20 / 5 ratings
Taper:
Will Boswell
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1970-09-20.140664.sbd.boswell.smith.miller.clugston.flac1644
Source:
Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
Taper Notes:
View Notes- Thanks to Will Boswell for the source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to miles1960 who kept me from falling down the channel swap rabbit hole - "follow the cow bell" - Levels/mix all over the place, we did what we could - This transcription includes "Together Again" from the NRPS set - Tape shedding in "Caution" still evident, although not as severe and shorter in duration, imo - Acoustic set includes David Grisman & David Nelson as guests - "To Lay Me Down" will bring a tear to your eye - Beginning of "Candyman" clipped - Unique tuning/noodle between
Taper: PO and Stucco TINA Holmes
2:46:09
SBD
Rating:
10.00 / 3 ratings
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1970-09-20.136729.sbd.GEMS.flac16
Source:
Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**
Taper Notes:
View NotesThis recording was gratefully supplied by PO and Stucco TINA Holmes.Thanks to spamjam for the equipment generosity. Wavelab 7.1 mastering by Jamie Waddell Track, FLAC and Pack by John Wenzel 16 bit 44.1kHz a project **GEMS** August 2016 Acoustic set includes both David Grisman and David Nelson as guests notes *** this transfer still had the infamous reel shedding in Caution, which is unlistenable, and really unrepairable. Here, Marty Weinberg's great AUD was mastered to suit, and patched in the worst 10 minute section of the tape decay. His aud also had a little issue of dropouts in the area we needed, they were digitally restored. Some tape decay remains as feedback begins, it seemed a natural place for the sound to get a little nutty. The complete listen is quite enjoyable now. - no other board sources were used for any patching here - the beta had the whole show, however a DAT Stucco transferred was preferred sonically for Set 2 by our team and used here - sounds better than any source to date, however tape print through is still audible in select spots - seems same original source material as what's available, attributed to a 'Buddy Miller heavily edited Reel' - some beta tracking issues fixed with digital restoration first 2 mins of UJB - countless fluctuations manually repaired with envelopes in Wavelab montage - no other digital processing applied at all - a little extra pan and volume adjustment made in AWBYG, as one of the mics seemed distant
Transferrer: Droncit
2:46:34
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Droncit
SHNID:
gd1970-09-20.135798.sbd.smith.droncit.flac16
Source:
This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16Restoration completed with Diamond Cut Forensics 10.2.
Taper Notes:
View NotesDroncit notes: this restoration was undertaken because of a request from Luminarist, who was unable to listen to the second set with any degree of pleasure. It should be much better now. I used shnid 97364 because it seemed to have greater presence than other sources I had access to. Too many changes to document them all, but here are the major things: Set I: Not much was done to the first set except for speed corrections, correcting volume fluctuations, and bringing back the presence. A few dropouts were interpolated. Some of the speed differences will be noticeable as compared to existing sources. This is especially true with My & My Uncle and Mama Tried, as these followed a different path from the rest of the show in terms of at least one transfer involving a different recorder. I also did a little bit of light channel blending on a couple of songs because the vocals and acoustic guitars were very weak and residing primarily in one channel. The mandolins (Grisman and Nelson both play mandolin) are also a little clearer now. Set II: There were a number of fluctuations (see info below), but I have corrected most of these, and very few problems are now evident in Caution, while this was almost unlistenable before. I flipped right and left channels from Not Fade Away through Feedback because they were the reverse of what was typical for the rest of the show. I would guess someone in the chain had flipped them while making a copy. I went with a mono version of And We Bid You Good Night because one channel had only very quiet echo and a lot of hiss (it sounds like live, but unused, stage microphones). A great deal of hiss and lower frequency tape noise (grinding sounds, especially) remain, but this is most evident in headphones, and also most evident between songs. Sounds like 3.75 ips noise to me. If you listen on a stereo at home or in a car, feel free to crank it up loud and you will be rewarded. This is supposed to be a stealth soundboard, but at the beginning of Not Fade Away, it sounds like an audience member (or the taper, more likely) asking another if it's Not Fade Away, so I would imagine it's a stealth aud recording with mics right next to the PAs or on stage. That would account for the mixing issues, and also might account for a few times when a lead guitar solo moves from one channel to the other in the middle of the solo, as well as the heavy hiss (since it would be up close to a PA). I could be wrong though. Thanks to all involved in the recording, seeding, etc. Also thanks to Luminarist and JChastain. I hope you enjoy it.
Transferrer: Matt Smith
2:57:03
SBD
Rating:
5.00 / 3 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-09-20.sbd.smith.97364.sbeok.flac16
Source:
MR > R Heavily Edited > R @ 71/2ips > CD
Lineage:
reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16
Taper Notes:
View Notesnotes: thanks Will and Matt!!! * Matt provided this additional info: "'Casey Jones, China>Rider' from MR>CD courtesy of Bill Gadsden. This portion is the only surviving master of the GD set. According to Bill, his is the same lineage as Will's. However, Will's copy was dubbed at 7 1/2 ips. vs. 3 3/4 ips. with Bill's copy thus making Will's copy the best possible version. This is based on research that Ihor Slabicky and I did last year through email correspondence with Bill. A tiny bit of 'Caution' was patched with the Marty Weinberg AUD courtesy of Michael Parrish. The sonic analomies remain during the 'Caution' however it will not deter from what a fantastic version it truly is!! One of the best 'Feedback's'!! According to a story Pat Lee once told me, the reel was once left out in the sun causing those dropouts."