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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1970
9/20/70
Uncle John's Band
7:09
Deep Elem Blues
6:09
Friend Of The Devil
3:45
Big Railroad Blues
3:24
Dark Hollow
3:06
Ripple
4:34
To Lay Me Down
6:28
Truckin'
5:56
Rosalie McFall
3:44
Cumberland Blues
5:24
New Speedway Boogie
10:01
Brokedown Palace
5:29
Together Again
2:23
Casey Jones
5:04
China Cat Sunflower
5:37
I Know You Rider
5:05
Candyman
5:01
Sitting On Top Of The World
3:53
Good Lovin'
3:39
Big Boy Pete
3:03
tuning
0:17
Me & My Uncle
3:21
Easy Wind
11:01
Sugar Magnolia
6:10
Attics Of My Life
6:41
Mama Tried
2:48
Not Fade Away
15:30
Caution (Do Not Stop on Tracks)
18:06
Feedback
6:32
We Bid You Good Night
4:10
FIN
View on archive.org
Sources
Taper: Will Boswell
2:52:21
SBD
Rating:
10.00 / 2 ratings
Taper:
Will Boswell
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1970-09-20.140665.sbd.boswell.smith.miller.clugston.flac2496
Source:
Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Will Boswell for the source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to miles1960 who kept me from falling down the channel swap rabbit hole - "follow the cow bell" - Levels/mix all over the place, we did what we could - This transcription includes "Together Again" from the NRPS set - Tape shedding/distortion in "Caution" still evident, although not as severe and shorter in duration, imo - Acoustic set includes David Grisman & David Nelson as guests - "To Lay Me Down" will bring a tear to your eye - Beginning of "Candyman" clipped - Unique tuning/noodle between "Big Boy Pete" and "Me & My Uncle" Transfer by Matt Smith Mastered by Scott Clugston January 11, 2018
Taper: Will Boswell
2:52:21
SBD
Rating:
9.20 / 5 ratings
Taper:
Will Boswell
Transferrer:
Charlie Miller and Matt Smith and Scott Clugston
SHNID:
gd1970-09-20.140664.sbd.boswell.smith.miller.clugston.flac1644
Source:
Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
Taper Notes:
View Notes- Thanks to Will Boswell for the source reels - Thanks to Matt Smith for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to miles1960 who kept me from falling down the channel swap rabbit hole - "follow the cow bell" - Levels/mix all over the place, we did what we could - This transcription includes "Together Again" from the NRPS set - Tape shedding in "Caution" still evident, although not as severe and shorter in duration, imo - Acoustic set includes David Grisman & David Nelson as guests - "To Lay Me Down" will bring a tear to your eye - Beginning of "Candyman" clipped - Unique tuning/noodle between
Taper: PO and Stucco TINA Holmes
2:46:09
SBD
Rating:
10.00 / 3 ratings
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1970-09-20.136729.sbd.GEMS.flac16
Source:
Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**
Taper Notes:
View NotesThis recording was gratefully supplied by PO and Stucco TINA Holmes.Thanks to spamjam for the equipment generosity. Wavelab 7.1 mastering by Jamie Waddell Track, FLAC and Pack by John Wenzel 16 bit 44.1kHz a project **GEMS** August 2016 Acoustic set includes both David Grisman and David Nelson as guests notes *** this transfer still had the infamous reel shedding in Caution, which is unlistenable, and really unrepairable. Here, Marty Weinberg's great AUD was mastered to suit, and patched in the worst 10 minute section of the tape decay. His aud also had a little issue of dropouts in the area we needed, they were digitally restored. Some tape decay remains as feedback begins, it seemed a natural place for the sound to get a little nutty. The complete listen is quite enjoyable now. - no other board sources were used for any patching here - the beta had the whole show, however a DAT Stucco transferred was preferred sonically for Set 2 by our team and used here - sounds better than any source to date, however tape print through is still audible in select spots - seems same original source material as what's available, attributed to a 'Buddy Miller heavily edited Reel' - some beta tracking issues fixed with digital restoration first 2 mins of UJB - countless fluctuations manually repaired with envelopes in Wavelab montage - no other digital processing applied at all - a little extra pan and volume adjustment made in AWBYG, as one of the mics seemed distant
Transferrer: Droncit
2:46:34
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Droncit
SHNID:
gd1970-09-20.135798.sbd.smith.droncit.flac16
Source:
This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16Restoration completed with Diamond Cut Forensics 10.2.
Taper Notes:
View NotesDroncit notes: this restoration was undertaken because of a request from Luminarist, who was unable to listen to the second set with any degree of pleasure. It should be much better now. I used shnid 97364 because it seemed to have greater presence than other sources I had access to. Too many changes to document them all, but here are the major things: Set I: Not much was done to the first set except for speed corrections, correcting volume fluctuations, and bringing back the presence. A few dropouts were interpolated. Some of the speed differences will be noticeable as compared to existing sources. This is especially true with My & My Uncle and Mama Tried, as these followed a different path from the rest of the show in terms of at least one transfer involving a different recorder. I also did a little bit of light channel blending on a couple of songs because the vocals and acoustic guitars were very weak and residing primarily in one channel. The mandolins (Grisman and Nelson both play mandolin) are also a little clearer now. Set II: There were a number of fluctuations (see info below), but I have corrected most of these, and very few problems are now evident in Caution, while this was almost unlistenable before. I flipped right and left channels from Not Fade Away through Feedback because they were the reverse of what was typical for the rest of the show. I would guess someone in the chain had flipped them while making a copy. I went with a mono version of And We Bid You Good Night because one channel had only very quiet echo and a lot of hiss (it sounds like live, but unused, stage microphones). A great deal of hiss and lower frequency tape noise (grinding sounds, especially) remain, but this is most evident in headphones, and also most evident between songs. Sounds like 3.75 ips noise to me. If you listen on a stereo at home or in a car, feel free to crank it up loud and you will be rewarded. This is supposed to be a stealth soundboard, but at the beginning of Not Fade Away, it sounds like an audience member (or the taper, more likely) asking another if it's Not Fade Away, so I would imagine it's a stealth aud recording with mics right next to the PAs or on stage. That would account for the mixing issues, and also might account for a few times when a lead guitar solo moves from one channel to the other in the middle of the solo, as well as the heavy hiss (since it would be up close to a PA). I could be wrong though. Thanks to all involved in the recording, seeding, etc. Also thanks to Luminarist and JChastain. I hope you enjoy it.
Transferrer: Matt Smith
2:57:03
SBD
Rating:
5.00 / 3 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-09-20.sbd.smith.97364.sbeok.flac16
Source:
MR > R Heavily Edited > R @ 71/2ips > CD
Lineage:
reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16
Taper Notes:
View Notesnotes: thanks Will and Matt!!! * Matt provided this additional info: "'Casey Jones, China>Rider' from MR>CD courtesy of Bill Gadsden. This portion is the only surviving master of the GD set. According to Bill, his is the same lineage as Will's. However, Will's copy was dubbed at 7 1/2 ips. vs. 3 3/4 ips. with Bill's copy thus making Will's copy the best possible version. This is based on research that Ihor Slabicky and I did last year through email correspondence with Bill. A tiny bit of 'Caution' was patched with the Marty Weinberg AUD courtesy of Michael Parrish. The sonic analomies remain during the 'Caution' however it will not deter from what a fantastic version it truly is!! One of the best 'Feedback's'!! According to a story Pat Lee once told me, the reel was once left out in the sun causing those dropouts."
Transferrer: Jim Wise and Darrin Sacks
2:53:30
SBD
Rating:
8.00 / 23 ratings
Transferrer:
Jim Wise and Darrin Sacks
SHNID:
gd70-09-20.sbd.sacks.1190.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > MR > 7inch Reel (2nd Gen) > Revox A-77 Alesis Masterlink ML-9600 (24/96) > CDR (16/44.1) > EAC > SHN
Taper Notes:
View Notesmixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."
Taper: Marty Weinberg
46:19
Rating:
6.00 / 3 ratings
Taper:
Marty Weinberg
Transferrer:
Jack Warner and Hanno Bunjes
SHNID:
gd1970-09-20.aud.weinberg.bunjes.81728.flac16
Source:
recorded by Marty Weinberg on a 5" Uher open-reel deck.
Lineage:
AUD: reel master > CDR > EAC > CDR, 46:19
Taper Notes:
View Notesonly the end of the show is available. There are a couple of reel stops and volume flaws. Thanks for Jack Warner for the source CDR. FLACed by Hanno Bunjes, 01/2007
Transferrer: Jim Wise, Darrin Sacks and SirMick
2:47:01
REMASTER
Rating:
9.65 / 98 ratings
Transferrer:
Jim Wise, Darrin Sacks and SirMick
SHNID:
gd70-09-20.aud.remaster.sirmick.27583.sbeok.shnf
Source:
Remastered Soundboard
Lineage:
iZotope Ozone
Taper Notes:
View NotesThis is a remaster of shnid 1190 - hiss has been reduced - a number of clicks and pops have been removed and some other artifacts cleaned up - a number of volume adjustments have been made - final mastering using iZotope Ozone comments: * according to Deadlists the section of Good Lovin' that was originally included is in fact from 09/18/70 and so I have excluded it here. I've also left out the original d1t13 which was the only NRPS song and is, in any case, incomplete.