And We Bid You Goodnight/House Music (Darkness, Darkness) | 1970-09-18 | Grateful Dead

View NotesNotes:
- The Acoustic Set was aborted owing to technical difficulties.
- According to deadlists.com, Pigpen plays piano on Truckin, David Nelson plays mandolin on Black Peter.
- The beginning of Me and My Uncle is slightly clipped.
- Other anomalies exist.

Transferrer: SIRMick

1:56:06

SBDREMASTER

gd70-09-18.set2.aud-sbd.sirmick.sbeok.30882.flacf

Source:

Soundboard (remaster)

Lineage:

SBD > MR > Reel > DAT > CDR > EAC > SHN > FLAC16

Taper Notes:

View Notesthis is a remaster of the sources from shnid 17893

the sbd, source 1, provides Me & My Uncle to the end of the show, the rest is from source 2, a Jack Toner aud recording.

I haven't touched the sbd section,  other than to tweak the patch in Dancin' and re-encode to flac, but I did feel that the aud section could be improved.  It still suffers from the dropouts, etc but I think that the sound is now better.

Taper: Jack Toner

Andy Lemieux, Jack Warner, JCotsman

SHNID:

gd70-09-18.sbd-aud.cotsman.17893.sbeok.shnf

Source:

Soundboard and Audience composite

Lineage:

SBD>MR>R>DAT>CD>EAC>SHN + AUD>MC>R>Cass>CD>EAC>SHN + AUD>MC>?>Cass>R>CD>EAC>SHN

Taper Notes:

View Notes*  with David Nelson (mandolin).
** with Bob Weir.

source 1: SBD>MR>R>D>CD>EAC>SHN
source 2: AUD>MC>R>C>CD>EAC>SHN
source 3: AUD>MC>?>C>R>CD>EAC>SHN

--the SBD (source 1) provides the acoustic set and Me & My Uncle to the end of the show.   Source 2 is from a Jack Toner AUD recording, and provides the NRPS set.  The rest of the Dead's electric set is from source 3, which is also derived from the Toner AUD. 

alternate tracking:
--the entire New Riders set can be placed onto one disc.   The Dead's acoustic set can be placed at the beginning of what would be "d2" of this shn set, allowing the Dead's portion of the show to fit onto two discs total.

notes:
--Jerry aborts Black Peter midway, probably because of monitor problems
--from Sugar Magnolia through Drums, there are problems that cause frequent dropouts/fluctuations in recording levels, possibly from strain on the tape from movement during the concert.  
--this is the latest known It's A Man's, Man's World (as of Jun '03)
--this is the earliest known Till The Morning Comes (as of Jun '03)
--tape flip at 2:11 in Till The Morning Comes
--warble at the beginning of Me & My Uncle
--small AUD patch over glitch in Dancin' at 5:06
--Tighten Up Jam in Dancin' starting at 8:40
--Sound Forge was used for normalization and minor pitch adjustments

Transferrer: Gerald Gorinsky

gd1970-09-18.sbd-part.gorinsky.4670.sbeok.shnf

Source:

SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN

Taper Notes:

View Notes* only electric performance

CONTRIBUTOR: Paul Botiglio  

EAC, SHN extraction and etree seeding done by Gerald Gorinsky
([email protected])

Transferrer: Morgan Evans

gd70-09-18.bootleg.evans.100.sbeok.shnf

Lineage:

? > Bootleg CD > CD

Taper Notes:

View NotesBrief reel glitch in Dancin' at 5:06.

Followup on the source(s) from Morgan Evans:

> I noticed 9/18 and 9/19/70 on the etree ".shns
> in circulation" page. The genealogies are incorrect
> for 9/18 with 2/2/70 DS filler and the 9/19 with
> 4/3/70 Cosmic and 9/18/70 WBYG filler. They are from
> the bootleg "Fall of Another Year" produced by Haight
> Street records. I know this because I am the one who
> put the filler on these discs in that precise
> configuration several years ago in college. The 2/2 DS
> is from a different bootleg called "Best Damn Music in
> the World" and 4/3 Cosmic is from yet another bootleg
> called "China Cat." The 9/18 WBYG is from the same
> Fall of Another Year boot as the main chunks. I have
> no idea how these wound up on etree, but I had these
> two discs, in that exact track order, back in 1997 and
> I traded with a few people so I guess they got around.