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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h53972
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k191
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3k398
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.2k284
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h4.6k569
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k944
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k356
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k127
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.5k289
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h928105
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k506
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k177
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k153
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.3k295
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.3k260
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k215
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k252
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.4k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h18.7k2.4k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21323
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.7k490
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.4k1.5k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h1.9k241
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k180
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k192
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.2k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h57673
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7811
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h47330
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h554
7d1368
30d63237
2 shows
2 tapes
1970
6/24/70
Introduction (Mountain Jam tuning)
0:56
Not Fade Away
11:44
Easy Wind
8:16
Stage Talk
1:58
Me and My Uncle
4:38
Stage Talk
0:59
Dark Star >
9:37
Attics of my Life >
6:44
Dark Star >
7:12
Sugar Magnolia >
2:30
Dark Star >
3:03
St. Stephen >
6:17
China Cat Sunflower >
4:43
I Know You Rider
5:52
FIN
View on archive.org
Sources
Taper: Ken and Judy Lee
3:14:11
Rating:
10.00 / 3 ratings
Taper:
Ken and Judy Lee
Transferrer:
John Hance and Sirmick
SHNID:
gd1970-06-24.145261.late.SonyF95.lee.hance.sirmick.flac1644
Source:
Source: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee,
Lineage:
Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16
Taper Notes:
View NotesComments: - This is not a remaster of what has gone before, it's a redo using the original raw files. - "Silver Threads And Golden Needles " is now complete, John came across another tape with it on. You also get 4 or so extra minutes of tuning at the start of the electric set. Notes: Acoustic Dead: patches - "FOTD" - all - part of the banter before "Cumberland Blues" source used shnid 100223 - Thank you Bill Gadsden and Chuck Reynolds The patches have been eq'd so that they are a better fit. NRPS: - A few knocks, bumps, clicks, etc removed - There are probably 4 or 5 seconds missing from the start of "Cecilia" because of a tape flip. There are no sources available to patch this with. Electric Dead; - Azimuth and phase adjustments have been made - The lights came up after "UJB" but nobody was ready to go home. A Joan Baez record could be heard over the PA but the audience wanted more. So the boys came back on and gave them what they wanted. Joan has been edited out for copyright reasons. Thanks to Ken and Judy Lee for these wonderful recordings. Thanks to John Jay Hance for the transfers and passing the original files to me. Thanks to Joe B. Jones for his advice on pitch correction. edited and mastered SIRMick February 2019
Taper: Jim Cooper
2:38:33
Rating:
8.80 / 7 ratings
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1970-06-24.124175.cooper.berger.flac16
Source:
source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
Taper Notes:
View Notesthe material on disc one is missing from the Lee/PCRP source. the material on disc two is new to digital circulation. Black Peter - end is patched with Jim's 2006 transfer - shnid:32710, part of Minglewood,most of China Cat and all of Rider and UJB are mono due to problems with left mic cable. parts of NFA & Easy Wind are garbled due to tape damage BUT when it really counts the sound quality is very good.
Transferrer: Bill Gadsen and Chuck Reynolds
1:19:13
Rating:
4.00 / 3 ratings
Transferrer:
Bill Gadsen and Chuck Reynolds
Lineage:
Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16
Transferrer: Rob Berger and Moose
26:23
Transferrer:
Rob Berger and Moose
SHNID:
gd1970-06-24.late-partial.aud.moore.berger.98880.flac16
Source:
aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b
Taper Notes:
View Notesa nice segment of my favorite grateful dead concert, all sources from these port chester '70 shows deserve a listen
Taper: J. Cooper
1:17:17
Rating:
9.00 / 4 ratings
Taper:
J. Cooper
Transferrer:
Copernicus
SHNID:
gd1970-06-24.aud.cooper.coopernicus.32710.flac16
Source:
recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape.
Lineage:
Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC
Taper: Ken & Judy Lee
4:01:10
Rating:
9.61 / 68 ratings
Taper:
Ken & Judy Lee
Transferrer:
John Jay Hance, Peter G
SHNID:
gd_nrps70-06-24.aud.pcrp5.23062.sbeok.flacf
Source:
Audience
Lineage:
Sony dynamic mics > Sony TC124; Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 > Mac G4 Titanium Powerbook > Peak 3.2.1 > xACT V 1.2 > FLAC16
Transferrer: EAC, Sound Forge, & SHN by harlan; CDR from Crazy Jimi
1:21:27
Rating:
9.33 / 6 ratings
Transferrer:
EAC, Sound Forge, & SHN by harlan; CDR from Crazy Jimi
SHNID:
gd1970-06-24.late.aud.harlan.9330.sbefail.shnf
Source:
center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN
Taper Notes:
View NotesUncle John's Band had to be spliced in because some idiot had used it as filler on a different disk. It occurs 10 seconds into UJB....
Transferrer: Wayne Gucwa and Mike Lai
3:05:58
Rating:
8.60 / 11 ratings
Transferrer:
Wayne Gucwa and Mike Lai
SHNID:
gd1970-06-24.aud.lai.7467.sbefail.shnf
Source:
(no source info given- listeners report AUD)
Transferrer: This is from the Usher Tree; for further source info, the notes from that tree are appended following the track list.
1:14:29
Rating:
9.18 / 18 ratings
Transferrer:
This is from the Usher Tree; for further source info, the notes from that tree are appended following the track list.
SHNID:
gd1970-06-24.aud.lee.5339.sbeok.shnf
Source:
Aud > cassette x 2 > CD, mics balcony center 15' spread
Taper Notes:
View Notes"Source Information for The Usher's Tapes Tree "the person who is responsible for the bulk of the capitol theatre audience recordings is a fellow by the name of ken lee (not sure of his last name spelling). this is the guy who was employed by howard stein (local ny area promoter of the time) my source is his brother in law, mark c (a long time dead head & quite a nice & unassuming person) i owe mark a huge debt of gratitude. ken's port chester masters were recorded on a sony cassette deck (don't have the 'model # or mic info) his positioning was generally center lodge with mic's mounted on the rail. 3/21/70 had the mic's spaced at over 15 feet, and the recording bears out that information. 6/24/70 set#2 was mastered on a 120-minute cassette. ken is reported to be very un-friendly and intimidating (6 foot 5 inches with a security guard attitude) he was at tompkins square park, nyc 6/67 and reported a ? hour dancin' in the street, fwiw. he recorded many local shows (queens college, all 4 stands at port chester, Manhattan center.etc. mark says he was doing this only for himself and never did much of anything at all with his recordings. at port chester he had howard steins permission to tape, with the footnote of never letting them out. so...marks older sister is married to this guy & he would occasionally let mark have tapes & mark was apparently pretty free with his copies over the years. most of what circulates from gd @ port chester originated mainly from mark's 1st gen copies, not ken's masters. as time went on their relationship deteriorated (now they are estranged) and ken literally & figuratively shut the door on mark. marks last score from ken's tapes was back in 1986. when ken was out, mark & an instigating friend went armed with sony tc d5m's and recorded as much from the masters as they could get away with. ken arrived in the middle of all this and was outraged and shut it all down & proceeded to take all the copies (not all it turned out) mark told me that at that point in time, all the tapes he witnessed were badly in need of restoration (and this was back in 1986) i am sad to relay that even though these master still exist, there are rotting in un-kind hands it took me close to 2 years & many phone calls to hook up with mark, and then only for one day. things were haphazard & i taped what i could given the time i had on hand. mark had 2 separate copies of 6/24/70 late show. the older copy he received with ken's blessing in the mid '70's, this was on a xl 2, no dolby, the fresher copy was from the incident in 1986. this was on a mx metal cassette and had a better frequency response, but there was a bad squeal & lisp on the right hand channel and proves the deterioration of the recording. i went with the older copy that was made when the master was in better condition set list has; nfa easy wind (very powerful), me & my uncle, dark star ikyr, then uncle johns band (which is not the encore, as they never leave the stage. the encore is an acoustic "swing low sweet chariot" it was mia, but I WILL get it 3/21/70 has never sounded this good. it's actually quite fantastic in spots. it's the best recording i've ever heard coming out of that room 11/5/70 is a powerful psychedelic feast. i could never sit through it before, because of the abysmal quality i want to, and enjoy bringing pleasure to fellow music lovers. please let it be known i have zero tolerance for any suspicion, or dishonesty. criticism, on the other hand i can handle fairly well. so give me a few days & i'll get seeds to someone who has already volunteered to handle the administration and decimation on deadlist. our 1970 caretaker, jim powell, will get cd's from me for his analysis that's the story" THANKS, Jim!