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Today In History
June 8th
9 shows
70 tapes
Years
1995
29.8k
PlaybackListensHours
48h55272
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k142
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k291
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k265
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.8k808
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h6k755
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.7k335
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.2k140
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k193
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h80489
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k167
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h982127
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k192
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k194
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.8k232
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8.3k885
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.5k208
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k229
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h22.3k3.1k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.8k390
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h86984
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h7.1k914
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.8k489
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k318
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k168
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.5k448
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.5k388
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h65490
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13218
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h20614
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1970
5/3/70
Me and My Uncle
4:16
New Speedway Boogie
10:58
Good Lovin'
13:58
Crowd Banter
1:11
Dire Wolf
4:48
Don't Ease Me In
4:57
Turn On Your Lovelight
21:49
The Main Ten Jam
0:47
Uncle John's Band
6:17
Turn On Your Lovelight
6:44
Speech
3:07
FIN
View on archive.org
Sources
Transferrer: dimtravel
22:27
SBDREMASTER
Rating:
4.00 / 1 rating
Transferrer:
dimtravel
SHNID:
gd1970-05-03.130844.aud.dimetravel-remaster.flac16
Transferrer: Jeff Cotsman and N. Hoey
22:26
SBD
Transferrer:
Jeff Cotsman and N. Hoey
SHNID:
gd1970-05-03.aud.cotsman.hoey.130667.flac16
Source:
Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac
Taper: Warren White
1:49:03
REMASTER
Rating:
4.91 / 16 ratings
Taper:
Warren White
Transferrer:
Jim Goldman and SIRMick
SHNID:
gd70-05-03.aud.goldman-sirmick.20852.sbeok.shnf
Source:
Audience (remastered)
Lineage:
AUD > MR > ? > CD > EAC > SHN
Taper Notes:
View NotesThis will probably be of most interest to the oldtimers who can still enjoy vintage audience recordings, those who collect 1970 recordings missing from the Dead's vault or completists, not to mention the 1970 caretaker of Deadlists. I was recently given first generation reel to reel copies of The Dead and NRPS at Wesleyan University in Middletown, CT on May 3, 1970 to transfer into the digital realm. I've checked Deadlists, Deadbase and The Compendium and I think this is the first time the complete contents of the master reels are together, as none of those listings include all of this material. I can also shed light on who recorded it, the accurate song order and how it probably came into circulation (partially) years ago. According to notes written on the first gen reels, the three original master reels were recorded by a Wesleyen student named Warren White as part of an assignment for a Professor Schenk (we think thats how its spelled. The handwriting on the reel cases is difficult to read). There were originally three master reels altogether, two half-hour reels and one hour-long reel, all recorded at 1 7/8ips. Those master reels were borrowed from Schenk by another student (in the late 1970¹s) and dubbed to 1st generation reels by my wife's uncle - Alan Bershaw. Without a deck that would run at 1 7/8ips, Alan said he played the master reels back at 3 3/4 ips while recording them onto reels at 7 1/2 ips, which allowed him to play back his first generation reels at 3 3/4 ips - at the correct speed. At that time, several 90 minute cassettes (of the last 90 minutes, including all the Dead material) were given to friends of Alan's and to the guy who borrowed the master reels from Schenk. Currently circulating copies likely originated from those 2nd generation cassette dubs, many probably way down the line since this all happened in the late 70's. If Deadlists/Deadbase/Compendium is correct on what circulates, this new copy includes all of this material possibly for the first time. While this is still far from a great recording and its still probably incomplete, its likely an improvement over all the currently circulating copies. There are also no butchered songs and no reel stops/starts between songs like most audience recordings of this time. The geneology on this new copy is Master Audience Reels@1 7/8 ips (played back @3 3/4 ips)-> Reels@7 1/2 ips > (then played back @3 3/4 ips to correct speed on Revox A-77)->[email protected] It should also be noted for context that this is the night before the Kent State shootings, which is significant in light of the various announcements on these recordings. During the May '70 tour, the band used campus equipment to save money whenever possible, and for whatever reason Wesleyan did not hook up a recorder at the board. The Wesleyan show took place during a student strike to protest the war. The recording deck was an old reel-to-reel Uher machine owned by sociology professor Charles Lemert. Anyway, at the show, the portable Uher was passed around, which explains the hilarious banter among the crowd, and the apparent inability to read a clock. It was conceived, according to Lemert, as a sociological document, not a concert recording. The "sloping lawn behind the administration building" is actually called "Foss Hill." At Wesleyan, it's not entirely clear where Foss Hill ends and the baseball/football field smack-dab in the center of campus begins, but in any case, just calling it "Foss Hill" would certainly be accurate enough. pb (20 Sep 2002 ) P.S. For trivia buffs, Wesleyan is also the alma mater of John Perry Barlow, who was class president in '69, and Bill Belichick '75.
Transferrer: Jeff Cook and JCotsman
1:18:52
Rating:
5.71 / 7 ratings
Transferrer:
Jeff Cook and JCotsman
SHNID:
gd70-05-03.aud.cotsman.9378.sbeok.shnf
Source:
Audience
Lineage:
AUD > MC > ? > Cass > DAT > CD
Taper Notes:
View NotesOutdoor concert on the lawn outside the administration building. -- This was apparently recorded by students doing a project for a Sociology class. This is surely one of the poorer audience masters from any era. The crowd is very loud as well. Frequently, the microphone is being moved around which affects the sound. Deadlists gives a slightly different order for the songs. The order given here is almost certainly correct, though, as the recorder frequently mentions the time of day during many of the songs. We can assume that when he mentions the time is "12:07" at the end of Good Lovin', he really means to say "10:07" (he mentions it is "9:48" near the beginning of the song). Deadlists also mentions that NRPS played Truck Drivin' Man & Fair Chance To Know preceding Me & My Uncle. The recorder also mentions that Good Lovin' is the seventh song played. We might then consider that this is the entire Dead set following a short set by the New Riders. Of course, that is no certainty. - There is a small splice @ 1:30 of Good Lovin'. - Sound Forge was used to correct the pitch and normalize.