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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h57676
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h745107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5k667
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k877
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k395
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k367
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.2k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.8k536
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k216
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.4k406
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k188
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k153
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k246
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.5k655
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k247
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h26528
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k474
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k795
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k306
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.7k189
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k176
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k172
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42955
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14418
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40729
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h191
7d1268
30d63237
2 shows
2 tapes
1970
4/9/70
Me and My Uncle
3:57
Casey Jones
4:44
It's A Man's World
8:10
Friend of the Devil
3:23
Deep Elem Blues
5:44
Candyman
5:08
Black Peter
6:23
Uncle John's Band
6:56
Katie Mae
3:15
Drums >
0:19
Good Lovin' >
1:47
drums >
3:40
Good Lovin'
6:54
Cowboy Song
4:57
Cryptical Envelopment >
2:02
Drums >
2:02
The Other One >
9:01
Cryptical Envelopment
6:18
Not Fade Away >
9:42
Turn On Your Lovelight
21:08
FIN
View on archive.org
Sources
Taper: Harry Ely, Dick Latvala
1:55:27
SBD
Rating:
10.00 / 1 rating
Taper:
Harry Ely, Dick Latvala
Transferrer:
Mark Terry;Scott Clugston;Charlie Miller
SHNID:
gd1970-04-09.171655.sbd.aud.composite.miller.clugston.flac1644
Lineage:
Transfer Info: Dick's 1st Generation Cassette (Nakamichi Dragon) > Sony PCM-R700 > .wav 16/44.1 Second Generation Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > dBpoweramp (.wav 16/44.1) Adobe Audition CC 2025 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the transfer of Dick's 1st generation cassette - Thanks to Mark Terry for the source second generation audience cassette recording - Thanks to Charlie Miller for the transfer of Mark Terry's second generation audience source and coordinating this effort - Thanks to SirMIck for the remaster of the cousinit audience source which supplies the first 0:14 of "Me & My Uncle", the final 0:20 of "Uncle John's Band", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Pitch corrected Mastered by Scott Clugston May 2025
Transferrer: Remaster by Sirmick
1:57:21
SBD
Rating:
8.00 / 1 rating
Transferrer:
Remaster by Sirmick
SHNID:
gd1970-04-09.145715.sbd.aud.wise.cousinit.hanno.joeb.sirmick.flac16
Lineage:
Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesComments: - This show is one long set but they play several songs acoustically after "Man's World." - After "Man's World" Weir says "We're gonna take a break from all this sweat and steam and uproar and tumult and we're gonna break out our acoustic guitars and regale you with some wooden music." @ Notes: - I decided to go with Cousinit for the main aud source because once you strip away the grime there is quite a good recording hiding underneath. I have completely remastered it, including pitch adjustment and noise reduction. Hanno's source has been used to patch in anything which was missing and has also been remastered. Tracks 1 - 8 are all source 1 except for the start of track 1, the start of track 4 and the end of track 8. Tracks 9 has a small patch at the end and there are several in track 10. These are source 2 with patches from source 3. Track 11 all source 2 Track 12 source 2 with a patch from source 3 Track 13 all source 2 Track 14 is source 2 with a small patch from source 3. Track 15 all source 2 Tracks 16 and 17 are all source 3. NB: I found that both of the aud sources appear to have been patched originally, with inferior sources. Please don't expect miracles because I am still practising, but the audience portion does sound a lot better than it has in the past. Thanks to Jim Wise for transferring his cassette. Thanks Joe B. Jones for his help with pitch correction. Thanks to Cousinit and Hanno for the patch sources. Thanks to Charlie Miller for orchestrating this. edited and mastered SIRMick March 2019
Transferrer: Julian, Hanno Bunjes, Harry Ely, Uli T.
1:55:30
SBD
Rating:
8.17 / 13 ratings
Transferrer:
Julian, Hanno Bunjes, Harry Ely, Uli T.
SHNID:
gd70-04-09.sbd.hanno.6157.sbeok.shnf
Source:
Soundboard and Audience
Lineage:
[SBD > MR > Cass > D > CD] + [AUD > MC > 4x Cass > DAT > CD]
Taper Notes:
View Notescomplete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; <a href="http://www.yurk.net/hanno/newseeds.htm" rel="ugc nofollow">Hanno's notes</a> This is the complete show. The SBD contains //Me & My Uncle through Uncle John//, the rest is spliced in from the AUD tape recorded by Harry Ely. Contrary to the current Deadlists entry, the Other One drums and the Lovelight in this version are both complete - they were spliced in from a very old source which had these segments intact. thanks to Julian for the SBD and Uli for the AUD sources assembled by H.B., 11/01
Taper: Harry Ely
1:50:09
Taper:
Harry Ely
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1970-04-09.171654.aud.ely.terry.miller.clugston.flac2496
Lineage:
Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the source cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit and (SirMIck's remaster), for the alternate audience source which supplies the first 0:14 of "Me & My Uncle", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Many of the songs are clipped at the start, "Black Peter" is clipped on both ends, "Uncle John's Band" cuts in at "it's a buck dancer's choice my friend", the beginning of "Cowboy Song" may or may not be clipped - The disparity between this source and the cousinit source, made using the cousinit source for patching the acoustic set a non-starter, IMO - There has been no noise reduction or equalization applied to this source. Except for some level tweaks, smoothing of abrupt transitions, and the above patches, this is what is on Mark's cassette - sing-a-longs, mic bumps, coughs, etc., warts and all - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Harry Ely
1:50:09
Taper:
Harry Ely
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1970-04-09.171653.aud.ely.terry.miller.clugston.flac1648
Lineage:
Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the source cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit and (SirMIck's remaster), for the alternate audience source which supplies the first 0:14 of "Me & My Uncle", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Many of the songs are clipped at the start, "Black Peter" is clipped on both ends, "Uncle John's Band" cuts in at "it's a buck dancer's choice my friend", the beginning of "Cowboy Song" may or may not be clipped - The disparity between this source and the cousinit source, made using the cousinit source for patching the acoustic set a non-starter, IMO - There has been no noise reduction or equalization applied to this source. Except for some level tweaks, smoothing of abrupt transitions, and the above patches, this is what is on Mark's cassette - sing-a-longs, mic bumps, coughs, etc., warts and all - Pitch corrected Mastered by Scott Clugston May 2025
Transferrer: Cousinit
1:25:20
Rating:
10.00 / 2 ratings
Transferrer:
Cousinit
SHNID:
gd1970-04-09.137104.aud.cousinit.flac16
Taper Notes:
View NotesI believe this is a different AUD version compared to Ely's master. An example is how Katie Mae differs(to me) in the way the guitar is captured. In the Ely verson the guitar can barely be heard. This verson has the guitar much more prominent. The Other One is a absolute monster... Enjoy!