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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1970
4/9/70
Me & My Uncle
3:50
My Dog has no nose..."
0:19
Casey Jones
4:33
It's A Man's World
6:54
Friend Of The Devil
3:28
Deep Elem Blues
6:05
Candyman
4:55
Black Peter
6:47
Uncle John's Band
7:05
Katie Mae (cut at very end)
3:21
Drums >
2:16
Good Lovin' >
3:35
Drums >
5:13
Good / Lovin'
0:38
Cowboy Song (w/David Bromberg)
5:58
Cryptical Envelopment >
2:00
Drums >
1:57
The Other One >
9:10
Cryptical Envelopment
7:16
FIN
View on archive.org
Sources
Taper: Harry Ely, Dick Latvala
1:55:27
SBD
Rating:
10.00 / 1 rating
Taper:
Harry Ely, Dick Latvala
Transferrer:
Mark Terry;Scott Clugston;Charlie Miller
SHNID:
gd1970-04-09.171655.sbd.aud.composite.miller.clugston.flac1644
Lineage:
Transfer Info: Dick's 1st Generation Cassette (Nakamichi Dragon) > Sony PCM-R700 > .wav 16/44.1 Second Generation Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > dBpoweramp (.wav 16/44.1) Adobe Audition CC 2025 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the transfer of Dick's 1st generation cassette - Thanks to Mark Terry for the source second generation audience cassette recording - Thanks to Charlie Miller for the transfer of Mark Terry's second generation audience source and coordinating this effort - Thanks to SirMIck for the remaster of the cousinit audience source which supplies the first 0:14 of "Me & My Uncle", the final 0:20 of "Uncle John's Band", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Pitch corrected Mastered by Scott Clugston May 2025
Transferrer: Remaster by Sirmick
1:57:21
SBD
Rating:
8.00 / 1 rating
Transferrer:
Remaster by Sirmick
SHNID:
gd1970-04-09.145715.sbd.aud.wise.cousinit.hanno.joeb.sirmick.flac16
Lineage:
Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesComments: - This show is one long set but they play several songs acoustically after "Man's World." - After "Man's World" Weir says "We're gonna take a break from all this sweat and steam and uproar and tumult and we're gonna break out our acoustic guitars and regale you with some wooden music." @ Notes: - I decided to go with Cousinit for the main aud source because once you strip away the grime there is quite a good recording hiding underneath. I have completely remastered it, including pitch adjustment and noise reduction. Hanno's source has been used to patch in anything which was missing and has also been remastered. Tracks 1 - 8 are all source 1 except for the start of track 1, the start of track 4 and the end of track 8. Tracks 9 has a small patch at the end and there are several in track 10. These are source 2 with patches from source 3. Track 11 all source 2 Track 12 source 2 with a patch from source 3 Track 13 all source 2 Track 14 is source 2 with a small patch from source 3. Track 15 all source 2 Tracks 16 and 17 are all source 3. NB: I found that both of the aud sources appear to have been patched originally, with inferior sources. Please don't expect miracles because I am still practising, but the audience portion does sound a lot better than it has in the past. Thanks to Jim Wise for transferring his cassette. Thanks Joe B. Jones for his help with pitch correction. Thanks to Cousinit and Hanno for the patch sources. Thanks to Charlie Miller for orchestrating this. edited and mastered SIRMick March 2019
Transferrer: Julian, Hanno Bunjes, Harry Ely, Uli T.
1:55:30
SBD
Rating:
8.17 / 13 ratings
Transferrer:
Julian, Hanno Bunjes, Harry Ely, Uli T.
SHNID:
gd70-04-09.sbd.hanno.6157.sbeok.shnf
Source:
Soundboard and Audience
Lineage:
[SBD > MR > Cass > D > CD] + [AUD > MC > 4x Cass > DAT > CD]
Taper Notes:
View Notescomplete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; <a href="http://www.yurk.net/hanno/newseeds.htm" rel="ugc nofollow">Hanno's notes</a> This is the complete show. The SBD contains //Me & My Uncle through Uncle John//, the rest is spliced in from the AUD tape recorded by Harry Ely. Contrary to the current Deadlists entry, the Other One drums and the Lovelight in this version are both complete - they were spliced in from a very old source which had these segments intact. thanks to Julian for the SBD and Uli for the AUD sources assembled by H.B., 11/01
Taper: Harry Ely
1:50:09
Taper:
Harry Ely
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1970-04-09.171654.aud.ely.terry.miller.clugston.flac2496
Lineage:
Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the source cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit and (SirMIck's remaster), for the alternate audience source which supplies the first 0:14 of "Me & My Uncle", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Many of the songs are clipped at the start, "Black Peter" is clipped on both ends, "Uncle John's Band" cuts in at "it's a buck dancer's choice my friend", the beginning of "Cowboy Song" may or may not be clipped - The disparity between this source and the cousinit source, made using the cousinit source for patching the acoustic set a non-starter, IMO - There has been no noise reduction or equalization applied to this source. Except for some level tweaks, smoothing of abrupt transitions, and the above patches, this is what is on Mark's cassette - sing-a-longs, mic bumps, coughs, etc., warts and all - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Harry Ely
1:50:09
Taper:
Harry Ely
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1970-04-09.171653.aud.ely.terry.miller.clugston.flac1648
Lineage:
Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the source cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit and (SirMIck's remaster), for the alternate audience source which supplies the first 0:14 of "Me & My Uncle", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Many of the songs are clipped at the start, "Black Peter" is clipped on both ends, "Uncle John's Band" cuts in at "it's a buck dancer's choice my friend", the beginning of "Cowboy Song" may or may not be clipped - The disparity between this source and the cousinit source, made using the cousinit source for patching the acoustic set a non-starter, IMO - There has been no noise reduction or equalization applied to this source. Except for some level tweaks, smoothing of abrupt transitions, and the above patches, this is what is on Mark's cassette - sing-a-longs, mic bumps, coughs, etc., warts and all - Pitch corrected Mastered by Scott Clugston May 2025
Transferrer: Cousinit
1:25:20
Rating:
10.00 / 2 ratings
Transferrer:
Cousinit
SHNID:
gd1970-04-09.137104.aud.cousinit.flac16
Taper Notes:
View NotesI believe this is a different AUD version compared to Ely's master. An example is how Katie Mae differs(to me) in the way the guitar is captured. In the Ely verson the guitar can barely be heard. This verson has the guitar much more prominent. The Other One is a absolute monster... Enjoy!