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Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h62786
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h769104
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.2k421
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.6k327
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.3k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.8k370
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k357
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k232
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h86295
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k194
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k134
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k194
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k214
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k279
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.5k693
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k247
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.3k456
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85683
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k586
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k552
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.1k377
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.9k207
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.2k836
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k352
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h35543
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11516
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22317
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h382
7d1026
30d57334
2 shows
2 tapes
1970
4/9/70
Me And My Uncle
4:12
Casey Jones
4:43
It's A Man's, Man's, Man's World
8:47
Friend Of The Devil @
3:08
Deep Elem Blues @
5:46
Candyman @
5:27
Black Peter @
6:08
Uncle John's Band @
6:55
Katie Mae @
3:33
Good Lovin' >
12:26
Cowboy Song
5:46
Cryptical Envelopment >
1:55
Drums >
1:59
The Other One >
9:21
Cryptical Envelopment
7:26
Not Fade Away >
9:24
Turn On Your Love Light
20:25
FIN
View on archive.org
Sources
Taper: Harry Ely, Dick Latvala
1:55:27
SBD
Rating:
10.00 / 1 rating
Taper:
Harry Ely, Dick Latvala
Transferrer:
Mark Terry;Scott Clugston;Charlie Miller
SHNID:
gd1970-04-09.171655.sbd.aud.composite.miller.clugston.flac1644
Lineage:
Transfer Info: Dick's 1st Generation Cassette (Nakamichi Dragon) > Sony PCM-R700 > .wav 16/44.1 Second Generation Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > dBpoweramp (.wav 16/44.1) Adobe Audition CC 2025 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the transfer of Dick's 1st generation cassette - Thanks to Mark Terry for the source second generation audience cassette recording - Thanks to Charlie Miller for the transfer of Mark Terry's second generation audience source and coordinating this effort - Thanks to SirMIck for the remaster of the cousinit audience source which supplies the first 0:14 of "Me & My Uncle", the final 0:20 of "Uncle John's Band", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Pitch corrected Mastered by Scott Clugston May 2025
Transferrer: Remaster by Sirmick
1:57:21
SBD
Rating:
8.00 / 1 rating
Transferrer:
Remaster by Sirmick
SHNID:
gd1970-04-09.145715.sbd.aud.wise.cousinit.hanno.joeb.sirmick.flac16
Lineage:
Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesComments: - This show is one long set but they play several songs acoustically after "Man's World." - After "Man's World" Weir says "We're gonna take a break from all this sweat and steam and uproar and tumult and we're gonna break out our acoustic guitars and regale you with some wooden music." @ Notes: - I decided to go with Cousinit for the main aud source because once you strip away the grime there is quite a good recording hiding underneath. I have completely remastered it, including pitch adjustment and noise reduction. Hanno's source has been used to patch in anything which was missing and has also been remastered. Tracks 1 - 8 are all source 1 except for the start of track 1, the start of track 4 and the end of track 8. Tracks 9 has a small patch at the end and there are several in track 10. These are source 2 with patches from source 3. Track 11 all source 2 Track 12 source 2 with a patch from source 3 Track 13 all source 2 Track 14 is source 2 with a small patch from source 3. Track 15 all source 2 Tracks 16 and 17 are all source 3. NB: I found that both of the aud sources appear to have been patched originally, with inferior sources. Please don't expect miracles because I am still practising, but the audience portion does sound a lot better than it has in the past. Thanks to Jim Wise for transferring his cassette. Thanks Joe B. Jones for his help with pitch correction. Thanks to Cousinit and Hanno for the patch sources. Thanks to Charlie Miller for orchestrating this. edited and mastered SIRMick March 2019
Transferrer: Julian, Hanno Bunjes, Harry Ely, Uli T.
1:55:30
SBD
Rating:
8.17 / 13 ratings
Transferrer:
Julian, Hanno Bunjes, Harry Ely, Uli T.
SHNID:
gd70-04-09.sbd.hanno.6157.sbeok.shnf
Source:
Soundboard and Audience
Lineage:
[SBD > MR > Cass > D > CD] + [AUD > MC > 4x Cass > DAT > CD]
Taper Notes:
View Notescomplete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; <a href="http://www.yurk.net/hanno/newseeds.htm" rel="ugc nofollow">Hanno's notes</a> This is the complete show. The SBD contains //Me & My Uncle through Uncle John//, the rest is spliced in from the AUD tape recorded by Harry Ely. Contrary to the current Deadlists entry, the Other One drums and the Lovelight in this version are both complete - they were spliced in from a very old source which had these segments intact. thanks to Julian for the SBD and Uli for the AUD sources assembled by H.B., 11/01
Taper: Harry Ely
1:50:09
Taper:
Harry Ely
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1970-04-09.171654.aud.ely.terry.miller.clugston.flac2496
Lineage:
Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the source cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit and (SirMIck's remaster), for the alternate audience source which supplies the first 0:14 of "Me & My Uncle", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Many of the songs are clipped at the start, "Black Peter" is clipped on both ends, "Uncle John's Band" cuts in at "it's a buck dancer's choice my friend", the beginning of "Cowboy Song" may or may not be clipped - The disparity between this source and the cousinit source, made using the cousinit source for patching the acoustic set a non-starter, IMO - There has been no noise reduction or equalization applied to this source. Except for some level tweaks, smoothing of abrupt transitions, and the above patches, this is what is on Mark's cassette - sing-a-longs, mic bumps, coughs, etc., warts and all - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Harry Ely
1:50:09
Taper:
Harry Ely
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1970-04-09.171653.aud.ely.terry.miller.clugston.flac1648
Lineage:
Second Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the source cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to cousinit and (SirMIck's remaster), for the alternate audience source which supplies the first 0:14 of "Me & My Uncle", as well as the first 0:07 of "Good Lovin': - Thanks to Uli Teute and Hanno Bunjes for the alternate audience source which supplies, a 1:59 patch in "Drums", as well as the final 9:40 of "Turn On Your Lovelight" - Many of the songs are clipped at the start, "Black Peter" is clipped on both ends, "Uncle John's Band" cuts in at "it's a buck dancer's choice my friend", the beginning of "Cowboy Song" may or may not be clipped - The disparity between this source and the cousinit source, made using the cousinit source for patching the acoustic set a non-starter, IMO - There has been no noise reduction or equalization applied to this source. Except for some level tweaks, smoothing of abrupt transitions, and the above patches, this is what is on Mark's cassette - sing-a-longs, mic bumps, coughs, etc., warts and all - Pitch corrected Mastered by Scott Clugston May 2025
Transferrer: Cousinit
1:25:20
Rating:
10.00 / 2 ratings
Transferrer:
Cousinit
SHNID:
gd1970-04-09.137104.aud.cousinit.flac16
Taper Notes:
View NotesI believe this is a different AUD version compared to Ely's master. An example is how Katie Mae differs(to me) in the way the guitar is captured. In the Ely verson the guitar can barely be heard. This verson has the guitar much more prominent. The Other One is a absolute monster... Enjoy!