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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1970
4/3/70
Casey Jones
4:27
China Cat Sunflower -> I Know You Rider
9:48
Hard To Handle
5:54
Dancing In The Street
11:00
Me & My Uncle
3:48
Friend Of The Devil
4:38
Deep Elem Blues
5:40
Candyman
5:27
Wake Up Little Susie
2:23
Black Peter
7:41
Uncle John's Band
9:39
Katie Mae
4:09
Good Lovin'
8:00
The Other One
19:16
Cosmic Charlie
6:51
Not Fade Away
5:47
Turn On Your Lovelight
18:30
FIN
View on archive.org
Sources
Taper: All Transfers by Rob Eaton
2:08:04
SBD
Taper:
All Transfers by Rob Eaton
Transferrer:
edited and mastered SIRMick November 2021
SHNID:
gd1970-04-03.154482.sbd.eaton.miller.sirmick.flac16
Source:
eel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1
Lineage:
Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - pitch corrected - several small patches made using shnid 141361 - Thanks to Will Boswell and Matt Smith - low level hum from monitors removed. - a number of small dropouts have been repaired. - several patches of unintentional feedback removed. Thanks to Rob Eaton for doing the transfers and providing this source. Thanks to Charlie Miller for facilitating. edited and mastered SIRMick November 2021
Taper: Will Boswell
2:07:34
SBD
Taper:
Will Boswell
Transferrer:
Matt Smith and Sirmick
SHNID:
gd1970-04-03.144890.sbd.boswell.smith.sirmick.flac1644
Source:
Soundboard Master Reel > Reel - Provided by Will Boswell
Lineage:
Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: This is a pitch corrected version of shnid 141217 Thanks to Joe B. Jones for his help edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:34
SBD
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141361.sbd.boswell.smith.sirmick.flac2496
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: This is a pitch corrected version of shnid 141217 Thanks to Joe B. Jones for his help edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:09
SBD
Rating:
10.00 / 1 rating
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141224.sbd.boswell.smith.sirmick.flac1644
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: - There were a considerable number of small dropouts that probably occured because of the age of the tape. Most of these were fixed by copying one channel over to the other. - A low level hum, which occured throughout has been removed. - Pitch adjustment made. - This file set is 16 bit Thanks to Will Boswell for providing this source and Matt Smith for the transfer. edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:09
SBD
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141217.sbd.boswell.smith.sirmick.flac2496
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: - There were a considerable number of small dropouts that probably occured because of the age of the tape. Most of these were fixed by copying one channel over to the other. - A low level hum, which occured throughout has been removed. - Pitch adjustment made. Thanks to Will Boswell for providing this source and Matt Smith for the transfer. edited and mastered SIRMick March 2018
Taper: Unknown
2:09:46
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Dan McDonald
SHNID:
gd1970-04-03.119118.sbd.dan.flac16
Source:
MR>R>FLAC
Lineage:
Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source
Taper Notes:
View NotesFebruary, 2012: Obtained shnid: 114616. Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the oversaturation (analog recorder clipping) on the source. Three Stages: 1. Concatenated the files into 3 large files (1 for each set). 2. Upsampled to 88.2 kHz (retained 16-bit) using "master" settings with no dithering. 3. Generated harmonics and overtones using a multifilter with: a. the dynamic noise "enhancer" setting (noise threshold 500, filter frequency 3500, attack time 25, release 100, HF gain of 8dB. b. Virtual valve "harmonic enhancer sweet spot" settings c. Overtone generator at 2.9 level, frequency of 7966, output level at 0 4. Used an multifilter for impulse reduction: a. de-clipper set at threshold of 43, slope of .300, 6dB gain reduction b. narrow crackle filter set at 35 threshold, size of 5 c. expert impulse set at threshold of 2000, size of 3, tracking at 32, "universal" mode, solo/brass checked. Thanks to Craig of Diamond Cut for the impulse suggestions; Marc H. for the upsampling idea, and Germain for access to the source files. Dan McDonald ([email protected])
Taper: Will Boswell
2:09:49
SBD
Rating:
10.00 / 3 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1970-04-03.sbd.boswell.smith.114569.flac24
Source:
SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
Taper Notes:
View NotesMatt's notes: first "Candyman" The show was promoted by a guy named Jim Tarbell(who also ran the Ludlow Garage). After the gig, he paid the band in fine Persian rugs since it didn't make much money Thanks Matt! Band complains about monitors throughout the show Big thanks to John/jpc3 for marking & tagging the tracks Seeded 07/17/2011 gballen More from Matt According to the story I heard from Dave Boswell, Jim Tarbel inherited a bunch of fine Persian rugs and would pay lots of the bands that would come through the Ludlow Garage that way and the bands knew this coming in. Apperantly, word was out that the Ludlow Garage was a hip place to play so the bands didn't care. Imagine that happening today in the age of ticketmaster! As far as this 4-3-70, Will's dub off the MR is the lowest lineage you'll find from this, and despite the monitor buzz is a wonderful show. The acoustic numbers really shine like the 'FOTD' with diff. lyrics and also sports the finest version of 'Katie Mae'IMHO. The 'deep elem' and the first ever 'candyman' aren't bad either. Also of note.. According to local legend during the Lemon Pipers set, all the Pranksters and the GD came out and did a 30 min. version of 'My Green Tamborine' complete with a very drunk Pigpen on tamborine, Mickey on the cowbell(of course!!) and Ken Kesey on lead vocals/manic raps..LOL ha ha, just kiddin'... Actually, this was a Pat Lee(the naked pole guy from Veneta) hallucination...
Source 9 of 10
2:03:38
SBD
Rating:
8.75 / 8 ratings
SHNID:
gd70-04-03.sbd.cotsman.4283.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > ? > bootleg CD > pitch correction and retracking > SHN
Taper Notes:
View NotesMissing encore (We Bid You Goodnight). Casey Jones fades in at "...at trouble junction." Good Lovin' fades in about 30 seconds before the drum solo, during the chorus. There is a minor splice in Lovelight during Pigpen's rap. This is the first known Candyman. As this show is from a bootleg, no source info was given, though the sound indicates that at least one, and probably two analog generations occurred before being transferred to digital. The pitch was corrected using Sound Forge as the original recording was flat. Retracking was done with CDWave. There are occasional, very faint pops in the recording as well as occasional oversaturation. Lastly, and significantly, an intermittent buzz occurs throughout the show from a bad connection somewhere. It is most evident during the acoustic set.