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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k186
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k431
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k320
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k628
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.3k918
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k361
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.7k302
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h992112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k505
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k180
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k306
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k274
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k214
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k267
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.3k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.2k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22524
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.9k506
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k259
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k191
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k191
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k170
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h57272
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8713
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h49432
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h524
7d1368
30d63237
2 shows
2 tapes
1970
4/3/70
Casey Jones
4:23
China Cat Sunflower-->
4:20
I Know You Rider
5:15
Hard To Handle
5:46
Dancing In The Streets
10:45
Me & My Uncle
3:48
Friend Of The Devil
4:25
Deep Elem Blues
6:24
Candyman
5:14
Wake Up Little Susie-->
2:19
Black Peter
7:28
Uncle John's Band
6:24
Pigpen Intro - Tuning
2:55
Katie Mae
4:09
Good Lovin'
7:30
Cryptical Envelopment-->
2:03
Drums-->
3:10
The Other One-->
7:39
Cryptical Envelopment-->
5:48
Cosmic Charlie
6:41
Not Fade Away-->
15:39
Lovelight
7:44
FIN
View on archive.org
Sources
Taper: All Transfers by Rob Eaton
2:08:04
SBD
Taper:
All Transfers by Rob Eaton
Transferrer:
edited and mastered SIRMick November 2021
SHNID:
gd1970-04-03.154482.sbd.eaton.miller.sirmick.flac16
Source:
eel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1
Lineage:
Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - pitch corrected - several small patches made using shnid 141361 - Thanks to Will Boswell and Matt Smith - low level hum from monitors removed. - a number of small dropouts have been repaired. - several patches of unintentional feedback removed. Thanks to Rob Eaton for doing the transfers and providing this source. Thanks to Charlie Miller for facilitating. edited and mastered SIRMick November 2021
Taper: Will Boswell
2:07:34
SBD
Taper:
Will Boswell
Transferrer:
Matt Smith and Sirmick
SHNID:
gd1970-04-03.144890.sbd.boswell.smith.sirmick.flac1644
Source:
Soundboard Master Reel > Reel - Provided by Will Boswell
Lineage:
Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: This is a pitch corrected version of shnid 141217 Thanks to Joe B. Jones for his help edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:34
SBD
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141361.sbd.boswell.smith.sirmick.flac2496
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: This is a pitch corrected version of shnid 141217 Thanks to Joe B. Jones for his help edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:09
SBD
Rating:
10.00 / 1 rating
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141224.sbd.boswell.smith.sirmick.flac1644
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: - There were a considerable number of small dropouts that probably occured because of the age of the tape. Most of these were fixed by copying one channel over to the other. - A low level hum, which occured throughout has been removed. - Pitch adjustment made. - This file set is 16 bit Thanks to Will Boswell for providing this source and Matt Smith for the transfer. edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:09
SBD
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141217.sbd.boswell.smith.sirmick.flac2496
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: - There were a considerable number of small dropouts that probably occured because of the age of the tape. Most of these were fixed by copying one channel over to the other. - A low level hum, which occured throughout has been removed. - Pitch adjustment made. Thanks to Will Boswell for providing this source and Matt Smith for the transfer. edited and mastered SIRMick March 2018
Taper: Unknown
2:09:46
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Dan McDonald
SHNID:
gd1970-04-03.119118.sbd.dan.flac16
Source:
MR>R>FLAC
Lineage:
Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source
Taper Notes:
View NotesFebruary, 2012: Obtained shnid: 114616. Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the oversaturation (analog recorder clipping) on the source. Three Stages: 1. Concatenated the files into 3 large files (1 for each set). 2. Upsampled to 88.2 kHz (retained 16-bit) using "master" settings with no dithering. 3. Generated harmonics and overtones using a multifilter with: a. the dynamic noise "enhancer" setting (noise threshold 500, filter frequency 3500, attack time 25, release 100, HF gain of 8dB. b. Virtual valve "harmonic enhancer sweet spot" settings c. Overtone generator at 2.9 level, frequency of 7966, output level at 0 4. Used an multifilter for impulse reduction: a. de-clipper set at threshold of 43, slope of .300, 6dB gain reduction b. narrow crackle filter set at 35 threshold, size of 5 c. expert impulse set at threshold of 2000, size of 3, tracking at 32, "universal" mode, solo/brass checked. Thanks to Craig of Diamond Cut for the impulse suggestions; Marc H. for the upsampling idea, and Germain for access to the source files. Dan McDonald ([email protected])
Transferrer: Matt Smith
2:09:49
SBD
Transferrer:
Matt Smith
SHNID:
gd1970-04-03.sbd.boswell.smith.114616.flac16
Source:
SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
Taper Notes:
View NotesMatt's notes: first "Candyman" The show was promoted by a guy named Jim Tarbell(who also ran the Ludlow Garage). After the gig, he paid the band in fine Persian rugs since it didn't make much money Thanks Matt! Band complains about monitors throughout the show Big thanks to John/jpc3 for marking & tagging the tracks Seeded 07/17/2011 gballen
Taper: Will Boswell
2:09:49
SBD
Rating:
10.00 / 3 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1970-04-03.sbd.boswell.smith.114569.flac24
Source:
SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
Taper Notes:
View NotesMatt's notes: first "Candyman" The show was promoted by a guy named Jim Tarbell(who also ran the Ludlow Garage). After the gig, he paid the band in fine Persian rugs since it didn't make much money Thanks Matt! Band complains about monitors throughout the show Big thanks to John/jpc3 for marking & tagging the tracks Seeded 07/17/2011 gballen More from Matt According to the story I heard from Dave Boswell, Jim Tarbel inherited a bunch of fine Persian rugs and would pay lots of the bands that would come through the Ludlow Garage that way and the bands knew this coming in. Apperantly, word was out that the Ludlow Garage was a hip place to play so the bands didn't care. Imagine that happening today in the age of ticketmaster! As far as this 4-3-70, Will's dub off the MR is the lowest lineage you'll find from this, and despite the monitor buzz is a wonderful show. The acoustic numbers really shine like the 'FOTD' with diff. lyrics and also sports the finest version of 'Katie Mae'IMHO. The 'deep elem' and the first ever 'candyman' aren't bad either. Also of note.. According to local legend during the Lemon Pipers set, all the Pranksters and the GD came out and did a 30 min. version of 'My Green Tamborine' complete with a very drunk Pigpen on tamborine, Mickey on the cowbell(of course!!) and Ken Kesey on lead vocals/manic raps..LOL ha ha, just kiddin'... Actually, this was a Pat Lee(the naked pole guy from Veneta) hallucination...
Source 9 of 10
2:03:38
SBD
Rating:
8.75 / 8 ratings
SHNID:
gd70-04-03.sbd.cotsman.4283.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > ? > bootleg CD > pitch correction and retracking > SHN
Taper Notes:
View NotesMissing encore (We Bid You Goodnight). Casey Jones fades in at "...at trouble junction." Good Lovin' fades in about 30 seconds before the drum solo, during the chorus. There is a minor splice in Lovelight during Pigpen's rap. This is the first known Candyman. As this show is from a bootleg, no source info was given, though the sound indicates that at least one, and probably two analog generations occurred before being transferred to digital. The pitch was corrected using Sound Forge as the original recording was flat. Retracking was done with CDWave. There are occasional, very faint pops in the recording as well as occasional oversaturation. Lastly, and significantly, an intermittent buzz occurs throughout the show from a bad connection somewhere. It is most evident during the acoustic set.
Transferrer: Aaron Farnsworth
2:12:58
SBD
Rating:
8.80 / 5 ratings
Transferrer:
Aaron Farnsworth
SHNID:
gd1970-04-03.sbd.farnsworth.3862.sbeok.shnf
Taper Notes:
View NotesMonitor Noise throughout show