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Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h58077
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h739107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k457
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k686
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k880
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k383
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k366
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k148
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.9k553
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k116
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k217
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.5k413
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k189
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k248
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.8k688
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k242
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h2k268
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.5k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28430
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k481
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.7k783
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k310
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.8k199
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k176
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43856
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14819
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1970
4/3/70
Casey Jones
4:13
China Cat Sunflower >
4:12
I Know You Rider
5:04
Hard To Handle
5:33
Dancing In The Street
10:23
Me And My Uncle
3:41
Friend Of The Devil
4:16
Deep Elem Blues
6:07
Candyman
5:09
Wake Up Little Susie >
2:15
Black Peter >
7:13
Uncle John's Band
7:02
Pigpen comes on stage/setting up
2:06
Katie Mae
4:03
Good Lovin'
7:55
That's It For The Other One >
18:17
Cosmic Charlie
6:32
Not Fade Away >
5:32
Turn On Your Love Light [17:#16]
17:36
FIN
View on archive.org
Sources
Taper: All Transfers by Rob Eaton
2:08:04
SBD
Taper:
All Transfers by Rob Eaton
Transferrer:
edited and mastered SIRMick November 2021
SHNID:
gd1970-04-03.154482.sbd.eaton.miller.sirmick.flac16
Source:
eel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1
Lineage:
Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16
Taper Notes:
View NotesNotes: - pitch corrected - several small patches made using shnid 141361 - Thanks to Will Boswell and Matt Smith - low level hum from monitors removed. - a number of small dropouts have been repaired. - several patches of unintentional feedback removed. Thanks to Rob Eaton for doing the transfers and providing this source. Thanks to Charlie Miller for facilitating. edited and mastered SIRMick November 2021
Taper: Will Boswell
2:07:34
SBD
Taper:
Will Boswell
Transferrer:
Matt Smith and Sirmick
SHNID:
gd1970-04-03.144890.sbd.boswell.smith.sirmick.flac1644
Source:
Soundboard Master Reel > Reel - Provided by Will Boswell
Lineage:
Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: This is a pitch corrected version of shnid 141217 Thanks to Joe B. Jones for his help edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:34
SBD
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141361.sbd.boswell.smith.sirmick.flac2496
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: This is a pitch corrected version of shnid 141217 Thanks to Joe B. Jones for his help edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:09
SBD
Rating:
10.00 / 1 rating
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141224.sbd.boswell.smith.sirmick.flac1644
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: - There were a considerable number of small dropouts that probably occured because of the age of the tape. Most of these were fixed by copying one channel over to the other. - A low level hum, which occured throughout has been removed. - Pitch adjustment made. - This file set is 16 bit Thanks to Will Boswell for providing this source and Matt Smith for the transfer. edited and mastered SIRMick March 2018
Taper: Will Boswell
2:07:09
SBD
Taper:
Will Boswell
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1970-04-03.141217.sbd.boswell.smith.sirmick.flac2496
Source:
Source: Soundboard Master Reel > Reel - Provided by Will Boswell;
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
Taper Notes:
View NotesComments: - Per Deadlists: This was all one long set with an acoustic passage in the middle running from Friend Of The Devil through Katie Mae and brief pauses before and after to re-arrange equipment. - Candyman, first time played Notes: - There were a considerable number of small dropouts that probably occured because of the age of the tape. Most of these were fixed by copying one channel over to the other. - A low level hum, which occured throughout has been removed. - Pitch adjustment made. Thanks to Will Boswell for providing this source and Matt Smith for the transfer. edited and mastered SIRMick March 2018
Taper: Unknown
2:09:46
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Dan McDonald
SHNID:
gd1970-04-03.119118.sbd.dan.flac16
Source:
MR>R>FLAC
Lineage:
Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source
Taper Notes:
View NotesFebruary, 2012: Obtained shnid: 114616. Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the oversaturation (analog recorder clipping) on the source. Three Stages: 1. Concatenated the files into 3 large files (1 for each set). 2. Upsampled to 88.2 kHz (retained 16-bit) using "master" settings with no dithering. 3. Generated harmonics and overtones using a multifilter with: a. the dynamic noise "enhancer" setting (noise threshold 500, filter frequency 3500, attack time 25, release 100, HF gain of 8dB. b. Virtual valve "harmonic enhancer sweet spot" settings c. Overtone generator at 2.9 level, frequency of 7966, output level at 0 4. Used an multifilter for impulse reduction: a. de-clipper set at threshold of 43, slope of .300, 6dB gain reduction b. narrow crackle filter set at 35 threshold, size of 5 c. expert impulse set at threshold of 2000, size of 3, tracking at 32, "universal" mode, solo/brass checked. Thanks to Craig of Diamond Cut for the impulse suggestions; Marc H. for the upsampling idea, and Germain for access to the source files. Dan McDonald ([email protected])
Transferrer: Matt Smith
2:09:49
SBD
Transferrer:
Matt Smith
SHNID:
gd1970-04-03.sbd.boswell.smith.114616.flac16
Source:
SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
Taper Notes:
View NotesMatt's notes: first "Candyman" The show was promoted by a guy named Jim Tarbell(who also ran the Ludlow Garage). After the gig, he paid the band in fine Persian rugs since it didn't make much money Thanks Matt! Band complains about monitors throughout the show Big thanks to John/jpc3 for marking & tagging the tracks Seeded 07/17/2011 gballen
Taper: Will Boswell
2:09:49
SBD
Rating:
10.00 / 3 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1970-04-03.sbd.boswell.smith.114569.flac24
Source:
SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
Taper Notes:
View NotesMatt's notes: first "Candyman" The show was promoted by a guy named Jim Tarbell(who also ran the Ludlow Garage). After the gig, he paid the band in fine Persian rugs since it didn't make much money Thanks Matt! Band complains about monitors throughout the show Big thanks to John/jpc3 for marking & tagging the tracks Seeded 07/17/2011 gballen More from Matt According to the story I heard from Dave Boswell, Jim Tarbel inherited a bunch of fine Persian rugs and would pay lots of the bands that would come through the Ludlow Garage that way and the bands knew this coming in. Apperantly, word was out that the Ludlow Garage was a hip place to play so the bands didn't care. Imagine that happening today in the age of ticketmaster! As far as this 4-3-70, Will's dub off the MR is the lowest lineage you'll find from this, and despite the monitor buzz is a wonderful show. The acoustic numbers really shine like the 'FOTD' with diff. lyrics and also sports the finest version of 'Katie Mae'IMHO. The 'deep elem' and the first ever 'candyman' aren't bad either. Also of note.. According to local legend during the Lemon Pipers set, all the Pranksters and the GD came out and did a 30 min. version of 'My Green Tamborine' complete with a very drunk Pigpen on tamborine, Mickey on the cowbell(of course!!) and Ken Kesey on lead vocals/manic raps..LOL ha ha, just kiddin'... Actually, this was a Pat Lee(the naked pole guy from Veneta) hallucination...
Source 9 of 10
2:03:38
SBD
Rating:
8.75 / 8 ratings
SHNID:
gd70-04-03.sbd.cotsman.4283.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > ? > bootleg CD > pitch correction and retracking > SHN
Taper Notes:
View NotesMissing encore (We Bid You Goodnight). Casey Jones fades in at "...at trouble junction." Good Lovin' fades in about 30 seconds before the drum solo, during the chorus. There is a minor splice in Lovelight during Pigpen's rap. This is the first known Candyman. As this show is from a bootleg, no source info was given, though the sound indicates that at least one, and probably two analog generations occurred before being transferred to digital. The pitch was corrected using Sound Forge as the original recording was flat. Retracking was done with CDWave. There are occasional, very faint pops in the recording as well as occasional oversaturation. Lastly, and significantly, an intermittent buzz occurs throughout the show from a bad connection somewhere. It is most evident during the acoustic set.
Transferrer: Aaron Farnsworth
2:12:58
SBD
Rating:
8.80 / 5 ratings
Transferrer:
Aaron Farnsworth
SHNID:
gd1970-04-03.sbd.farnsworth.3862.sbeok.shnf
Taper Notes:
View NotesMonitor Noise throughout show