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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h57078
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k267
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k300
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k191
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k431
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.9k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k315
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k140
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k249
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85796
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k194
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.8k681
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k158
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k152
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k247
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k290
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k222
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k259
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.3k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37540
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.1k541
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.3k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k277
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k203
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k200
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k162
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h70588
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h43327
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1970
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
3:49:24
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
SHNID:
gd1970-02-13.176321.sbd.miller.flac1644
Source:
SBD > Master Reel (7 inch 1/2 Track at 15ips) > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v10.2 > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the tapes -- Late show between song tunings patched from shnid=18114 -- I had to adjust pitch on the second patch in Uncle John's Band -- Thanks to Jim Cooper for the second patch in Uncle John's Band
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
9.71 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.fix-97613.97639.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- Fixed diginoise in Little Sadie -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut Early Show: d1t01 - Cold Rain And Snow d1t02 - Beat It On Down The Line d1t03 - Good Lovin' d1t04 - Mama Tried -> d1t05 - Black Peter d1t06 - Hard To Handle d1t07 - Saint Stephen -> d1t08 - Not Fade Away d1t09 - Casey Jones Late Show: Electric
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
10.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.97613.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut
Transferrer: Matrix by Nick Crump
2:53:21
SBD
Rating:
9.14 / 7 ratings
Transferrer:
Matrix by Nick Crump
SHNID:
gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16
Source:
2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)
Taper Notes:
View Noteshttp://www.archive.org/editxml.php?field_default_mediatype=etree&field_default_collection=GratefulDead&edit_item=gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16&type=etree&field_default_description=Set 1%0D%0DChina%20Cat%20Sunflower-%3E%20I%20Know%20You%20Rider%2C%20Me%20%26%20My%20Uncle%2C%20Dire%20Wolf%2C%20Smokestack%20Lightning%0D%0DSet 2%0D%0DMonkey%20%26%20The%20Engineer%2C%20Little%20Sadie%2C%20Wake%20Up%20Little%20Susie-%3E%20Black%20Peter%2C%20Uncle%20John's%20Band%2C%20Katie%20Mae%0D%0DSet 3%0D%0DDark%20Star-%3E%20Cryptical%20Envelopement-%3E%20Drums-%3E%20The%20Other%20One-%3E%20Cryptical%20Envelopement-%3E%20Turn%20On%20Your%20Love%20Light%2C%20E%3A%20We%20Bid%20You%20Good%20Night%0D%0DLate%20show.%20Though%20actually%20all%20one%20set%2C%20it%20was%20played%20in%20electric%3E%20acoustic%3E%20electric%20segments.%20%20Other%20artist(s)%3A%20GD%3A%20The%20Allman%20Brothers%20Band%3A%20Love.%20This%20date%20is%20featured%20on%20%3Ca%20href%3D%20%22http%3A%2F%2Fmars.dead.net%22%3EDick's%20Picks%204%3C%2Fa%3E.&field_default_date=1970-02-13&field_default_subject=Matrix%3BSoundboard&field_default_venue=Fillmore%20East%20(Late%20Show)&field_default_coverage=New%20York%2C%20NY&field_default_source=2-source%20matrix%20mix%20of%20shnid%20%2397639(SBD)%20and%20shnid%20%23123814(AUD)&field_default_taper=&field_default_transferer=&field_default_md5s=d4f612236a9b82ac2975ccd2948a193e%20*gd70-02-13d1t01.flac%207d12cf53c49418c0221fa1ba795a08d9%20*gd70-02-13d1t02.flac%204ab24cec686108c9cde2441b8df20290%20*gd70-02-13d1t03.flac%20d3409ba00a37626efb0a579bd9aa81ff%20*gd70-02-13d1t04.flac%209aa37ee693edaf27fac586e256048943%20*gd70-02-13d1t05.flac%203011b9e0059780faa2ac07bd136f3d62%20*gd70-02-13d1t06.flac%202486e45bbe8351245d772ebf9b2079df%20*gd70-02-13d1t07.flac%20ca86b04285487495089d9041c8ed3d9e%20*gd70-02-13d1t08.flac%203f7e38f9290801db98f6fc8dc98caeec%20*gd70-02-13d1t09.flac%20549bc60200659a91e691393a469f0413%20*gd70-02-13d1t10.flac%2008f8bf9b533e95c8962ac0290e4dda77%20*gd70-02-13d1t11.flac%20c49b80e0c32936d5d21e880f7a7c0fb0%20*gd70-02-13d1t12.flac%2026c1e413166df527c4f4bedef54eaa06%20*gd70-02-13d1t13.flac%20e85d2dc9c87aca39392f5f96af00bcfe%20*gd70-02-13d2t01.flac%20381374d495103478d41b8486b6b9ea1a%20*gd70-02-13d2t02.flac%20c9761d06378466abd5ae2cc7ce863c80%20*gd70-02-13d2t03.flac%204522dee1bb10d4a77ea6a9435712e39d%20*gd70-02-13d3t01.flac%20ecfd395de796338985c53910c37f751f%20*gd70-02-13d3t02.flac&field_default_runtime=173%3A29.72
Transferrer: Jay Serafin and Patrick Murphy
56:18
SBD
Transferrer:
Jay Serafin and Patrick Murphy
SHNID:
gd1970-02-13.early.sbd.murphy.31636.sbeok.flac16
Source:
SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB
Lineage:
EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
Taper Notes:
View NotesThanks to Jay Serafin for the disks! Audio Rating: AR-2 Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear"correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Source 6 of 10
3:40:43
SBD
Rating:
9.03 / 32 ratings
SHNID:
gd70-02-13.early-late.sbd.cotsman.18114.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > DAT > CD > EAC > SHN
Taper Notes:
View Notesmostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips
Transferrer: David Gans
56:44
SBD
Rating:
10.00 / 2 ratings
Transferrer:
David Gans
SHNID:
gd1970-02-13.early.sbd.gans.2208.sbeok.shnf
Source:
Sbd-->Mater reel-->DAT-->Sonic Solutions workstation-->CDR-->EAC-->shn
Taper: Unknown
2:19:29
Transferrer:
knees
SHNID:
gd1970-02-13.144856.early-late.aud.recorder2.Mk1.flac24
Lineage:
Playback 2018-xx-xx ::: 1st generation Maxell XLII-90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files -> computer -> Audacity [normalisation to remove DC offset & channel/phase alignment for a few cross-channel patches, fades, some popmute on clapping in placed to make overall levels work, volume adjustments, 1st 75mins -2.1% then the rest at -2.4% averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification (but it ain't perfect), NO equalisation or noise reduction] -> wavs -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2019-02-xx.
Taper Notes:
View NotesDimeTravel 491 ::: Thanks to the original taper & traders! ::: Corrections welcome ::: Since I started collecting, this has been considered one of THE classic Dead shows, and it's hard to disagree even after the multitude we been blessed with since. Here's an expanded upgrade of this source. SBDs do exist, but this is cool, for example, you realise just how stunned the audience really was in places. And, perhaps someone has some other matrixing ideas... "Stereo" audience renderings are often very effective (This would need some more cleanup work for that purpose as it's fairly untampered-with). If nothing else, this should provide a patch for "Dark Star" near the end so someone can EQ match & use it with the Cooper source for a better SBD/AUD matrix, which will make it worth the price of admission for some, I'm sure, as it is one of THE outstanding "Dark Stars". Can't remember my source for this, but I believe the master tapes were borrowed by a friend & copied for me at the same time (not by the Florida Kid as I had believed at one time). Many thanks to whomever it was. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees
Taper: Jim Cooper
2:45:31
Rating:
9.50 / 4 ratings
Taper:
Jim Cooper
SHNID:
gd1970-02-13.123814.aud.cooper.flac16
Source:
Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c
Taper Notes:
View NotesVery Sweet Fillmore East Sound.
Taper: Thanks to Dwight Holmes for providing the cassette source
42:58
Rating:
4.00 / 2 ratings
Taper:
Thanks to Dwight Holmes for providing the cassette source
Transferrer:
Analog to digital transfer by John Oleynick
Lineage:
Denon DRW750 > Behringer UCA202 > Audacity