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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h50767
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.2k188
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k382
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k605
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.9k635
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k362
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k363
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k164
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.7k788
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k128
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k205
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.9k564
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k187
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k178
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k224
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.5k1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k245
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.9k2.3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37239
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k493
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.4k716
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.8k360
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k208
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.6k186
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k189
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h45556
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14720
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h32123
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1970
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
3:49:24
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
SHNID:
gd1970-02-13.176321.sbd.miller.flac1644
Source:
SBD > Master Reel (7 inch 1/2 Track at 15ips) > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v10.2 > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the tapes -- Late show between song tunings patched from shnid=18114 -- I had to adjust pitch on the second patch in Uncle John's Band -- Thanks to Jim Cooper for the second patch in Uncle John's Band
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
9.71 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.fix-97613.97639.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- Fixed diginoise in Little Sadie -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut Early Show: d1t01 - Cold Rain And Snow d1t02 - Beat It On Down The Line d1t03 - Good Lovin' d1t04 - Mama Tried -> d1t05 - Black Peter d1t06 - Hard To Handle d1t07 - Saint Stephen -> d1t08 - Not Fade Away d1t09 - Casey Jones Late Show: Electric
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
10.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.97613.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut
Transferrer: Matrix by Nick Crump
2:53:21
SBD
Rating:
9.14 / 7 ratings
Transferrer:
Matrix by Nick Crump
SHNID:
gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16
Source:
2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)
Taper Notes:
View Noteshttp://www.archive.org/editxml.php?field_default_mediatype=etree&field_default_collection=GratefulDead&edit_item=gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16&type=etree&field_default_description=Set 1%0D%0DChina%20Cat%20Sunflower-%3E%20I%20Know%20You%20Rider%2C%20Me%20%26%20My%20Uncle%2C%20Dire%20Wolf%2C%20Smokestack%20Lightning%0D%0DSet 2%0D%0DMonkey%20%26%20The%20Engineer%2C%20Little%20Sadie%2C%20Wake%20Up%20Little%20Susie-%3E%20Black%20Peter%2C%20Uncle%20John's%20Band%2C%20Katie%20Mae%0D%0DSet 3%0D%0DDark%20Star-%3E%20Cryptical%20Envelopement-%3E%20Drums-%3E%20The%20Other%20One-%3E%20Cryptical%20Envelopement-%3E%20Turn%20On%20Your%20Love%20Light%2C%20E%3A%20We%20Bid%20You%20Good%20Night%0D%0DLate%20show.%20Though%20actually%20all%20one%20set%2C%20it%20was%20played%20in%20electric%3E%20acoustic%3E%20electric%20segments.%20%20Other%20artist(s)%3A%20GD%3A%20The%20Allman%20Brothers%20Band%3A%20Love.%20This%20date%20is%20featured%20on%20%3Ca%20href%3D%20%22http%3A%2F%2Fmars.dead.net%22%3EDick's%20Picks%204%3C%2Fa%3E.&field_default_date=1970-02-13&field_default_subject=Matrix%3BSoundboard&field_default_venue=Fillmore%20East%20(Late%20Show)&field_default_coverage=New%20York%2C%20NY&field_default_source=2-source%20matrix%20mix%20of%20shnid%20%2397639(SBD)%20and%20shnid%20%23123814(AUD)&field_default_taper=&field_default_transferer=&field_default_md5s=d4f612236a9b82ac2975ccd2948a193e%20*gd70-02-13d1t01.flac%207d12cf53c49418c0221fa1ba795a08d9%20*gd70-02-13d1t02.flac%204ab24cec686108c9cde2441b8df20290%20*gd70-02-13d1t03.flac%20d3409ba00a37626efb0a579bd9aa81ff%20*gd70-02-13d1t04.flac%209aa37ee693edaf27fac586e256048943%20*gd70-02-13d1t05.flac%203011b9e0059780faa2ac07bd136f3d62%20*gd70-02-13d1t06.flac%202486e45bbe8351245d772ebf9b2079df%20*gd70-02-13d1t07.flac%20ca86b04285487495089d9041c8ed3d9e%20*gd70-02-13d1t08.flac%203f7e38f9290801db98f6fc8dc98caeec%20*gd70-02-13d1t09.flac%20549bc60200659a91e691393a469f0413%20*gd70-02-13d1t10.flac%2008f8bf9b533e95c8962ac0290e4dda77%20*gd70-02-13d1t11.flac%20c49b80e0c32936d5d21e880f7a7c0fb0%20*gd70-02-13d1t12.flac%2026c1e413166df527c4f4bedef54eaa06%20*gd70-02-13d1t13.flac%20e85d2dc9c87aca39392f5f96af00bcfe%20*gd70-02-13d2t01.flac%20381374d495103478d41b8486b6b9ea1a%20*gd70-02-13d2t02.flac%20c9761d06378466abd5ae2cc7ce863c80%20*gd70-02-13d2t03.flac%204522dee1bb10d4a77ea6a9435712e39d%20*gd70-02-13d3t01.flac%20ecfd395de796338985c53910c37f751f%20*gd70-02-13d3t02.flac&field_default_runtime=173%3A29.72
Transferrer: Jay Serafin and Patrick Murphy
56:18
SBD
Transferrer:
Jay Serafin and Patrick Murphy
SHNID:
gd1970-02-13.early.sbd.murphy.31636.sbeok.flac16
Source:
SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB
Lineage:
EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
Taper Notes:
View NotesThanks to Jay Serafin for the disks! Audio Rating: AR-2 Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear"correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Source 6 of 10
3:40:43
SBD
Rating:
9.03 / 32 ratings
SHNID:
gd70-02-13.early-late.sbd.cotsman.18114.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > DAT > CD > EAC > SHN
Taper Notes:
View Notesmostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips
Transferrer: David Gans
56:44
SBD
Rating:
10.00 / 2 ratings
Transferrer:
David Gans
SHNID:
gd1970-02-13.early.sbd.gans.2208.sbeok.shnf
Source:
Sbd-->Mater reel-->DAT-->Sonic Solutions workstation-->CDR-->EAC-->shn
Taper: Unknown
2:19:29
Transferrer:
knees
SHNID:
gd1970-02-13.144856.early-late.aud.recorder2.Mk1.flac24
Lineage:
Playback 2018-xx-xx ::: 1st generation Maxell XLII-90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files -> computer -> Audacity [normalisation to remove DC offset & channel/phase alignment for a few cross-channel patches, fades, some popmute on clapping in placed to make overall levels work, volume adjustments, 1st 75mins -2.1% then the rest at -2.4% averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification (but it ain't perfect), NO equalisation or noise reduction] -> wavs -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2019-02-xx.
Taper Notes:
View NotesDimeTravel 491 ::: Thanks to the original taper & traders! ::: Corrections welcome ::: Since I started collecting, this has been considered one of THE classic Dead shows, and it's hard to disagree even after the multitude we been blessed with since. Here's an expanded upgrade of this source. SBDs do exist, but this is cool, for example, you realise just how stunned the audience really was in places. And, perhaps someone has some other matrixing ideas... "Stereo" audience renderings are often very effective (This would need some more cleanup work for that purpose as it's fairly untampered-with). If nothing else, this should provide a patch for "Dark Star" near the end so someone can EQ match & use it with the Cooper source for a better SBD/AUD matrix, which will make it worth the price of admission for some, I'm sure, as it is one of THE outstanding "Dark Stars". Can't remember my source for this, but I believe the master tapes were borrowed by a friend & copied for me at the same time (not by the Florida Kid as I had believed at one time). Many thanks to whomever it was. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees
Taper: Jim Cooper
2:45:31
Rating:
9.50 / 4 ratings
Taper:
Jim Cooper
SHNID:
gd1970-02-13.123814.aud.cooper.flac16
Source:
Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c
Taper Notes:
View NotesVery Sweet Fillmore East Sound.
Taper: Thanks to Dwight Holmes for providing the cassette source
42:58
Rating:
4.00 / 2 ratings
Taper:
Thanks to Dwight Holmes for providing the cassette source
Transferrer:
Analog to digital transfer by John Oleynick
Lineage:
Denon DRW750 > Behringer UCA202 > Audacity