Bands
Featured
Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h68995
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h743101
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.4k459
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.8k350
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.9k1.2k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k352
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k368
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k245
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h907100
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.7k205
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k141
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k200
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k219
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k288
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k685
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2k270
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.5k477
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h87585
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k574
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.4k573
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.2k396
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k221
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.9k902
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k361
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h35743
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h352
7d1026
30d57334
2 shows
2 tapes
1970
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
3:49:24
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 13, 2026
SHNID:
gd1970-02-13.176321.sbd.miller.flac1644
Source:
SBD > Master Reel (7 inch 1/2 Track at 15ips) > DAT (48k)
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v10.2 > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the tapes -- Late show between song tunings patched from shnid=18114 -- I had to adjust pitch on the second patch in Uncle John's Band -- Thanks to Jim Cooper for the second patch in Uncle John's Band
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
9.71 / 22 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.fix-97613.97639.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- Fixed diginoise in Little Sadie -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut Early Show: d1t01 - Cold Rain And Snow d1t02 - Beat It On Down The Line d1t03 - Good Lovin' d1t04 - Mama Tried -> d1t05 - Black Peter d1t06 - Hard To Handle d1t07 - Saint Stephen -> d1t08 - Not Fade Away d1t09 - Casey Jones Late Show: Electric
Transferrer: Charlie Miller
3:47:20
SBD
Rating:
10.00 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1970-02-13.sbd.miller.97613.sbeok.flac16
Source:
SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All late show disc changes are seamless -- Thanks to Rob Eaton for lending me his Dats -- Late show between song tunings patched from shnid=18114 -- Uncle John's Band is patched from shnid=18114 and is also cut
Transferrer: Matrix by Nick Crump
2:53:21
SBD
Rating:
9.14 / 7 ratings
Transferrer:
Matrix by Nick Crump
SHNID:
gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16
Source:
2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)
Taper Notes:
View Noteshttp://www.archive.org/editxml.php?field_default_mediatype=etree&field_default_collection=GratefulDead&edit_item=gd1970-02-13.lateshow.mtx.131678.nicksmix.flac16&type=etree&field_default_description=Set 1%0D%0DChina%20Cat%20Sunflower-%3E%20I%20Know%20You%20Rider%2C%20Me%20%26%20My%20Uncle%2C%20Dire%20Wolf%2C%20Smokestack%20Lightning%0D%0DSet 2%0D%0DMonkey%20%26%20The%20Engineer%2C%20Little%20Sadie%2C%20Wake%20Up%20Little%20Susie-%3E%20Black%20Peter%2C%20Uncle%20John's%20Band%2C%20Katie%20Mae%0D%0DSet 3%0D%0DDark%20Star-%3E%20Cryptical%20Envelopement-%3E%20Drums-%3E%20The%20Other%20One-%3E%20Cryptical%20Envelopement-%3E%20Turn%20On%20Your%20Love%20Light%2C%20E%3A%20We%20Bid%20You%20Good%20Night%0D%0DLate%20show.%20Though%20actually%20all%20one%20set%2C%20it%20was%20played%20in%20electric%3E%20acoustic%3E%20electric%20segments.%20%20Other%20artist(s)%3A%20GD%3A%20The%20Allman%20Brothers%20Band%3A%20Love.%20This%20date%20is%20featured%20on%20%3Ca%20href%3D%20%22http%3A%2F%2Fmars.dead.net%22%3EDick's%20Picks%204%3C%2Fa%3E.&field_default_date=1970-02-13&field_default_subject=Matrix%3BSoundboard&field_default_venue=Fillmore%20East%20(Late%20Show)&field_default_coverage=New%20York%2C%20NY&field_default_source=2-source%20matrix%20mix%20of%20shnid%20%2397639(SBD)%20and%20shnid%20%23123814(AUD)&field_default_taper=&field_default_transferer=&field_default_md5s=d4f612236a9b82ac2975ccd2948a193e%20*gd70-02-13d1t01.flac%207d12cf53c49418c0221fa1ba795a08d9%20*gd70-02-13d1t02.flac%204ab24cec686108c9cde2441b8df20290%20*gd70-02-13d1t03.flac%20d3409ba00a37626efb0a579bd9aa81ff%20*gd70-02-13d1t04.flac%209aa37ee693edaf27fac586e256048943%20*gd70-02-13d1t05.flac%203011b9e0059780faa2ac07bd136f3d62%20*gd70-02-13d1t06.flac%202486e45bbe8351245d772ebf9b2079df%20*gd70-02-13d1t07.flac%20ca86b04285487495089d9041c8ed3d9e%20*gd70-02-13d1t08.flac%203f7e38f9290801db98f6fc8dc98caeec%20*gd70-02-13d1t09.flac%20549bc60200659a91e691393a469f0413%20*gd70-02-13d1t10.flac%2008f8bf9b533e95c8962ac0290e4dda77%20*gd70-02-13d1t11.flac%20c49b80e0c32936d5d21e880f7a7c0fb0%20*gd70-02-13d1t12.flac%2026c1e413166df527c4f4bedef54eaa06%20*gd70-02-13d1t13.flac%20e85d2dc9c87aca39392f5f96af00bcfe%20*gd70-02-13d2t01.flac%20381374d495103478d41b8486b6b9ea1a%20*gd70-02-13d2t02.flac%20c9761d06378466abd5ae2cc7ce863c80%20*gd70-02-13d2t03.flac%204522dee1bb10d4a77ea6a9435712e39d%20*gd70-02-13d3t01.flac%20ecfd395de796338985c53910c37f751f%20*gd70-02-13d3t02.flac&field_default_runtime=173%3A29.72
Transferrer: Jay Serafin and Patrick Murphy
56:18
SBD
Transferrer:
Jay Serafin and Patrick Murphy
SHNID:
gd1970-02-13.early.sbd.murphy.31636.sbeok.flac16
Source:
SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB
Lineage:
EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
Taper Notes:
View NotesThanks to Jay Serafin for the disks! Audio Rating: AR-2 Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear"correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Source 6 of 10
3:40:43
SBD
Rating:
9.03 / 32 ratings
SHNID:
gd70-02-13.early-late.sbd.cotsman.18114.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR > DAT > CD > EAC > SHN
Taper Notes:
View Notesmostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips
Transferrer: David Gans
56:44
SBD
Rating:
10.00 / 2 ratings
Transferrer:
David Gans
SHNID:
gd1970-02-13.early.sbd.gans.2208.sbeok.shnf
Source:
Sbd-->Mater reel-->DAT-->Sonic Solutions workstation-->CDR-->EAC-->shn
Taper: Unknown
2:19:29
Transferrer:
knees
SHNID:
gd1970-02-13.144856.early-late.aud.recorder2.Mk1.flac24
Lineage:
Playback 2018-xx-xx ::: 1st generation Maxell XLII-90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files -> computer -> Audacity [normalisation to remove DC offset & channel/phase alignment for a few cross-channel patches, fades, some popmute on clapping in placed to make overall levels work, volume adjustments, 1st 75mins -2.1% then the rest at -2.4% averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification (but it ain't perfect), NO equalisation or noise reduction] -> wavs -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2019-02-xx.
Taper Notes:
View NotesDimeTravel 491 ::: Thanks to the original taper & traders! ::: Corrections welcome ::: Since I started collecting, this has been considered one of THE classic Dead shows, and it's hard to disagree even after the multitude we been blessed with since. Here's an expanded upgrade of this source. SBDs do exist, but this is cool, for example, you realise just how stunned the audience really was in places. And, perhaps someone has some other matrixing ideas... "Stereo" audience renderings are often very effective (This would need some more cleanup work for that purpose as it's fairly untampered-with). If nothing else, this should provide a patch for "Dark Star" near the end so someone can EQ match & use it with the Cooper source for a better SBD/AUD matrix, which will make it worth the price of admission for some, I'm sure, as it is one of THE outstanding "Dark Stars". Can't remember my source for this, but I believe the master tapes were borrowed by a friend & copied for me at the same time (not by the Florida Kid as I had believed at one time). Many thanks to whomever it was. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees
Taper: Jim Cooper
2:45:31
Rating:
9.50 / 4 ratings
Taper:
Jim Cooper
SHNID:
gd1970-02-13.123814.aud.cooper.flac16
Source:
Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c
Taper Notes:
View NotesVery Sweet Fillmore East Sound.
Taper: Thanks to Dwight Holmes for providing the cassette source
42:58
Rating:
4.00 / 2 ratings
Taper:
Thanks to Dwight Holmes for providing the cassette source
Transferrer:
Analog to digital transfer by John Oleynick
Lineage:
Denon DRW750 > Behringer UCA202 > Audacity