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June 16th
5 shows
82 tapes
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1995
30.1k
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343 tapes
1994
12.7k
85 shows
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1993
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1992
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57 shows
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1991
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78 shows
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1990
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1989
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1988
20.3k
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1987
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1986
12.5k
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684 tapes
1985
24.7k
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1984
27k
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1983
21k
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1982
42.4k
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1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
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1979
21.7k
79 shows
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1978
38.8k
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1977
267.8k
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1976
91.9k
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1975
6.3k
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63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1970
2/11/70
The Other One >
5:17
Cryptical Envelopment >
4:27
Dire Wolf
5:17
Casey Jones
4:32
Intro and tuning
0:43
Not Fade Away
12:26
Cumberland Blues
5:00
Cold Rain And Snow
5:58
High Time
7:32
Me And My Uncle
3:16
Dark Star >
16:45
Spanish Jam >
9:50
Turn On Your Lovelig//ht
34:32
Uncle John's Band
5:31
FIN
View on archive.org
Sources
Taper: Pat Lee and Don Wolfe
2:00:37
SBD
Rating:
9.33 / 3 ratings
Taper:
Pat Lee and Don Wolfe
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.126251.sbd.wolfe-lee-smith.flac16
Source:
SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View NotesThis is a complete remaster by Matt using his new set-up - "This was done using a different transfer chain. This method was per the advise of Dan Healy I received from him a while back in trying to attain a perfectly clean signal going to digital. I had one of my reel machines modded for a direct tape head output going into a custom Bottlehead tape tube pre specifically built for reel transfers (w 2. diff. EQ setting for tape speed) so basically you have a perfectly clean tape signal going into the tube pre going into 24/96 digital."
Transferrer: Matt Smith
2:00:10
SBD
Rating:
9.00 / 10 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.sbd.smith.patched.99154.sbeok.flac16
Source:
SBD > Reel
Lineage:
(see notes)
Taper Notes:
View NotesTransfer info.: AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH) --- SBD MR > DAT (source for disc 1 through the first part of Dark Star) --- MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight) --- SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2) notes: Huge thanks go to Matt Smith for these wonderful sources and his masterful transfer and patch work!!! The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee. Huge thanks guys!!! * as Matt puts it, "the first part of Dark Star is MR>D>CD, then it goes into the AUD which is MAR>?>R@3 @ ips., and then into the MR>A77>A77@ 71/2 ips>CD. The term A77 in the lineage denotes a Revox A77 reel to reel deck. There is also a patch in Lovelight at the end with the AUD. This is a perfect example how a reel transfer despite its lineage can blow away a MR>D>CD source. The reel version is so much richer than the circulating version."