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June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1970
2/11/70
Intro by Keeva Krystal > Not Fade Away
13:00
Cumberland Blues
4:55
Cold Rain and Snow
5:43
High Time
7:24
Me and My Uncle
3:11
Dark Star >
16:46
Spanish Jam >
9:48
Turn on Your Lovelight
34:18
FIN
View on archive.org
Sources
Taper: Matt Smith
48:04
SBD
Rating:
9.33 / 3 ratings
Taper:
Matt Smith
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.part.s2.127482.sbd.menke.lee.smith.flac24
Source:
SBD MR Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77(Pat Lee)@7.5 ips
Lineage:
Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View Notesnotes: For those who wanted a 24 bit version of the earlier transfer, this is the portion not patched by 16 bit, retransferred by Matt.
Taper: Pat Lee and Don Wolfe
2:00:37
SBD
Rating:
9.33 / 3 ratings
Taper:
Pat Lee and Don Wolfe
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.126251.sbd.wolfe-lee-smith.flac16
Source:
SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View NotesThis is a complete remaster by Matt using his new set-up - "This was done using a different transfer chain. This method was per the advise of Dan Healy I received from him a while back in trying to attain a perfectly clean signal going to digital. I had one of my reel machines modded for a direct tape head output going into a custom Bottlehead tape tube pre specifically built for reel transfers (w 2. diff. EQ setting for tape speed) so basically you have a perfectly clean tape signal going into the tube pre going into 24/96 digital."
Transferrer: Matt Smith
2:00:10
SBD
Rating:
9.00 / 10 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.sbd.smith.patched.99154.sbeok.flac16
Source:
SBD > Reel
Lineage:
(see notes)
Taper Notes:
View NotesTransfer info.: AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH) --- SBD MR > DAT (source for disc 1 through the first part of Dark Star) --- MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight) --- SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2) notes: Huge thanks go to Matt Smith for these wonderful sources and his masterful transfer and patch work!!! The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee. Huge thanks guys!!! * as Matt puts it, "the first part of Dark Star is MR>D>CD, then it goes into the AUD which is MAR>?>R@3 @ ips., and then into the MR>A77>A77@ 71/2 ips>CD. The term A77 in the lineage denotes a Revox A77 reel to reel deck. There is also a patch in Lovelight at the end with the AUD. This is a perfect example how a reel transfer despite its lineage can blow away a MR>D>CD source. The reel version is so much richer than the circulating version."
Taper: John Chester and Alan Mande
48:27
SBD
Rating:
10.00 / 5 ratings
Taper:
John Chester and Alan Mande
SHNID:
gd1970-02-11.late-partial.sbd.chester-mande.33335.sbefail.shnf
Source:
SBD>RR>RR>DAT
Lineage:
DAT>HD-P2>Sound Forge 6.0>CD Wave>mkwAct>.shn
Taper Notes:
View Notes(tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.) * with Duane Allman, Gregg Allman, Mick Fleetwood, Butch Trucks, Danny Kirwin, Peter Green # with above guests and Berry Oakley
Transferrer: Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
1:06:35
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
SHNID:
gd1970-02-11.partial.sbd.greenberg-evans.28402.sbeok.flac16
Source:
Soundboard (except patches as noted)
Lineage:
MSR> DAT> CDR> EAC> FLAC
Transferrer: EAC and FLAC encoding by Jack Warner
2:01:06
SBD
Rating:
9.38 / 13 ratings
Transferrer:
EAC and FLAC encoding by Jack Warner
SHNID:
gd1970-02-11.sbd.warner.patched.28292.sbeok.flac16
Source:
Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)
Transferrer: Darrin Sacks
1:56:53
SBD
Rating:
9.61 / 76 ratings
Transferrer:
Darrin Sacks
SHNID:
gd70-02-11.early-late.sbd.sacks.90.sbefail.shnf
Source:
Soundboard
Lineage:
MSR > DAT > CDR > EAC > SHN
Taper Notes:
View NotesNoted Flaws: Dark Star has abrupt splice/cut at approx. 6:57. Lovelight has a splice at 30:16
Transferrer: Matt Smith
1:35:05
Rating:
8.67 / 9 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.late-set2.aud.smith.99152.sbeok.flac16
Lineage:
MAR > ? > R @ 3 @ ips. > AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH)
Taper: Chuck Reynolds
1:19:46
Rating:
8.67 / 3 ratings
Taper:
Chuck Reynolds
Transferrer:
Bill Gadsden
SHNID:
gd1970-02-11.partial-late.aud.reynolds.gadsden.99052.flac16
Source:
Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3