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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h812114
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h53977
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.8k641
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k343
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7.3k976
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k353
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.8k352
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84093
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k211
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k149
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k177
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k214
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.1k568
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k166
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.4k317
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13.6k1.9k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.9k530
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h71164
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k537
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k603
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.4k425
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k958
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k397
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39447
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10115
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31123
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1970
Sources
Taper: Matt Smith
48:04
SBD
Rating:
9.33 / 3 ratings
Taper:
Matt Smith
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.part.s2.127482.sbd.menke.lee.smith.flac24
Source:
SBD MR Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77(Pat Lee)@7.5 ips
Lineage:
Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View Notesnotes: For those who wanted a 24 bit version of the earlier transfer, this is the portion not patched by 16 bit, retransferred by Matt.
Taper: Pat Lee and Don Wolfe
2:00:37
SBD
Rating:
9.33 / 3 ratings
Taper:
Pat Lee and Don Wolfe
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.126251.sbd.wolfe-lee-smith.flac16
Source:
SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Taper Notes:
View NotesThis is a complete remaster by Matt using his new set-up - "This was done using a different transfer chain. This method was per the advise of Dan Healy I received from him a while back in trying to attain a perfectly clean signal going to digital. I had one of my reel machines modded for a direct tape head output going into a custom Bottlehead tape tube pre specifically built for reel transfers (w 2. diff. EQ setting for tape speed) so basically you have a perfectly clean tape signal going into the tube pre going into 24/96 digital."
Transferrer: Matt Smith
2:00:10
SBD
Rating:
9.00 / 10 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.sbd.smith.patched.99154.sbeok.flac16
Source:
SBD > Reel
Lineage:
(see notes)
Taper Notes:
View NotesTransfer info.: AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH) --- SBD MR > DAT (source for disc 1 through the first part of Dark Star) --- MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight) --- SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2) notes: Huge thanks go to Matt Smith for these wonderful sources and his masterful transfer and patch work!!! The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee. Huge thanks guys!!! * as Matt puts it, "the first part of Dark Star is MR>D>CD, then it goes into the AUD which is MAR>?>R@3 @ ips., and then into the MR>A77>A77@ 71/2 ips>CD. The term A77 in the lineage denotes a Revox A77 reel to reel deck. There is also a patch in Lovelight at the end with the AUD. This is a perfect example how a reel transfer despite its lineage can blow away a MR>D>CD source. The reel version is so much richer than the circulating version."
Taper: John Chester and Alan Mande
48:27
SBD
Rating:
10.00 / 5 ratings
Taper:
John Chester and Alan Mande
SHNID:
gd1970-02-11.late-partial.sbd.chester-mande.33335.sbefail.shnf
Source:
SBD>RR>RR>DAT
Lineage:
DAT>HD-P2>Sound Forge 6.0>CD Wave>mkwAct>.shn
Taper Notes:
View Notes(tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.) * with Duane Allman, Gregg Allman, Mick Fleetwood, Butch Trucks, Danny Kirwin, Peter Green # with above guests and Berry Oakley
Transferrer: Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
1:06:35
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Patched & remastered by Dave Greenberg, DAE and FLAC encoding by Marc Evans
SHNID:
gd1970-02-11.partial.sbd.greenberg-evans.28402.sbeok.flac16
Source:
Soundboard (except patches as noted)
Lineage:
MSR> DAT> CDR> EAC> FLAC
Transferrer: EAC and FLAC encoding by Jack Warner
2:01:06
SBD
Rating:
9.38 / 13 ratings
Transferrer:
EAC and FLAC encoding by Jack Warner
SHNID:
gd1970-02-11.sbd.warner.patched.28292.sbeok.flac16
Source:
Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)
Transferrer: Darrin Sacks
1:56:53
SBD
Rating:
9.61 / 76 ratings
Transferrer:
Darrin Sacks
SHNID:
gd70-02-11.early-late.sbd.sacks.90.sbefail.shnf
Source:
Soundboard
Lineage:
MSR > DAT > CDR > EAC > SHN
Taper Notes:
View NotesNoted Flaws: Dark Star has abrupt splice/cut at approx. 6:57. Lovelight has a splice at 30:16
Transferrer: Matt Smith
1:35:05
Rating:
8.67 / 9 ratings
Transferrer:
Matt Smith
SHNID:
gd1970-02-11.late-set2.aud.smith.99152.sbeok.flac16
Lineage:
MAR > ? > R @ 3 @ ips. > AKAI GX 625 > Apogee Mini Me(24/96) >Apogee MiniDac(monitoring/mastering) > Wavelab 5.0(dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH)
Taper: Chuck Reynolds
1:19:46
Rating:
8.67 / 3 ratings
Taper:
Chuck Reynolds
Transferrer:
Bill Gadsden
SHNID:
gd1970-02-11.partial-late.aud.reynolds.gadsden.99052.flac16
Source:
Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3