Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h53572
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.7k279
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k357
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k508
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k406
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k382
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k177
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.2k997
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k125
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k217
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k666
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k191
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k203
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k234
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.2k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k256
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k275
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.4k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k515
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k721
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k386
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k206
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k226
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k216
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h56871
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14120
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33025
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1969
Sources
Taper: Leon Komar
2:03:00
SBD
Rating:
6.40 / 7 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.sbd-patch.komar.miller.31939.sbeok.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: Morning Dew through Doin' That Rag patched from SBD>Cm>Cass>Dat>CD. AUD Recorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 14, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono.
Transferrer: Matrixing by Dan Haugh
43:22
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1969-04-15.mtx.dan.33952.sbefail.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Transferrer: Kevin Gills
29:45
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Kevin Gills
SHNID:
gd1969-04-15.sbd.oswley.9073.sbeok.shnf
Source:
Owsley's Master Sounboard Cassette > cass > DAT > CD
Source 4 of 8
29:35
SBD
Rating:
6.00 / 2 ratings
SHNID:
gd69-04-15.sbd.cotsman.6288.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Bear's MC > ? > CD > EAC > SHN
Taper: Leon Komar
2:01:25
Rating:
8.75 / 9 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.komar.miller.31523.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesRecorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 3, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- Flaw in d2t05 fixed on November 15, 2005
Taper: Leon Komar
2:01:27
Rating:
9.00 / 12 ratings
Taper:
Leon Komar
Transferrer:
Jeremy Garrett, Scott Allan and Charlie Miller
SHNID:
gd69-04-15.aud.miller.31435.sbeok.flacf
Source:
Audience: Aiwa hand-held Microphone
Lineage:
Aiwa hand-held microphone > Master Reel (Aiwa 5 inch reel-to-reel) > Alesis Masterlink 9600 > Hard Drive > CD > EAC > Samplitude Professional v7.02 > shntool > FLAC16
Taper Notes:
View Notes-- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- The Eleven cuts at the end.
Taper: See info file
43:22
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1969-04-15.dts.danhaugh.34269.flac
Source:
DTS-Audio-5.1 Mix
Lineage:
See info file
Taper: Leon Komar
2:01:35
Taper:
Leon Komar
Transferrer:
Bob Bihlmayer
SHNID:
gd69-04-15.aud.komar.31672.sbefail.flac16
Source:
portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON.
Lineage:
AUDMR->Alesis Masterlink 9600->HD->CD->EAC->SoundEdit 16->FLAC
Taper Notes:
View NotesTape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. the cuts at the beginnings of tracks omit only a few notes; the taper was pleasantly quick on the "Start" button. the cut in "Lovelight" appears minimal. the cut in "The Eleven" is substantial, with a segment from the third line of the "William Tell Bridge" (tracked with "The Eleven") to the transition to the second (11/8, key of "A") theme missing; as much as three to four minutes could be missing here. The end of "The Eleven" fades out; this fade was present on the source discs. the entire segments from d1t5-d1t7 and d2t1-the cut at 0:34 of "The Eleven" are contiguous, with no start/stops of the recorder. the edits to the "fixed" version are confined to removal of tape start/stop pops between tracks and/or at tape edits; no music or audience noise was removed.