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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1969
5/3/69
//He Was A Friend Of Mine
8:55
That's It For The Other One ->
21:15
Doin' That Rag
7:24
Me And My Uncle
3:18
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
40:52
SBD
Rating:
2.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.sbd.partial.miller.95138.sbeok.flac16
Source:
SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF
Lineage:
AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: droncit
43:49
SBD
Rating:
10.00 / 5 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124068.mtx.dusborne.droncit.flac16
Source:
This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
Taper Notes:
View Notes- For the sbd reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think sbd is actually a PA tape, not a soundboard as it appears to be mono. We modified it to align better with the l-r distribution on the audience tape. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly.
Taper: droncit
43:29
SBD
Rating:
10.00 / 2 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124067.PA.dusborne.droncit.flac16
Source:
SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification
Taper Notes:
View Notes- This reel was in droncit's collection for about 40 years. - For the reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think it is a PA tape, not a soundboard, as it appears to be mono. - We modified it to align better with the l-r distribution on the audience tape. - This version was developed as part of the syncing process for the matrix. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly. There is still noise evident.
Transferrer: Charlie Miller
44:11
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139576.pcm.miller.flac24
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 >Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: Charlie Miller
43:34
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139575.pcm.miller.flac16
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: [email protected]
43:10
Rating:
9.11 / 27 ratings
Transferrer:
[email protected]
SHNID:
gd69-05-03.aud.phunk1.73.sbeok.shnf
Source:
Audience: Sony Stereo mic
Lineage:
Sony Stereo mic (stage-lip) > Reel > PCM > DAT > Tascam DA-20 > Audio Magic Presto > Prodif Plus > Soundforge > CD Wave > SHN
Taper Notes:
View Notesall that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto>Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match gd69-05-03 is not a sbd. It was made with a stereo sony mic on the front of the stage in front of the keyboards... that is why you don't hear any vocals.