Beat It On Down The Line | 1969-04-15 | Grateful Dead

View NotesPatch Info:
Morning Dew through Doin' That Rag patched from SBD>Cm>Cass>Dat>CD.

AUD Recorded by Leon Komar
Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005)
Audio discs supplied by Scott Allan

Remastered by Charlie Miller
[email protected]
November 14, 2005

Notes:
-- Automatic Volume Control (compressor/limiter?) switch ON. 
-- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono.

Transferrer: Matrixing by Dan Haugh

43:22

SBD

Rating:

8.00 / 2 ratings

Transferrer:

Matrixing by Dan Haugh

SHNID:

gd1969-04-15.mtx.dan.33952.sbefail.flac16

Source:

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

Transferrer: Kevin Gills

gd1969-04-15.sbd.oswley.9073.sbeok.shnf

Source:

Owsley's Master Sounboard Cassette > cass > DAT > CD

Source 4 of 8

gd69-04-15.sbd.cotsman.6288.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > Bear's MC > ? > CD > EAC > SHN

Taper: Leon Komar

gd1969-04-15.aud.komar.miller.31523.flac16

Source:

Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD

Lineage:

CD -> EAC -> Samplitude Professional v7.02 -> FLAC

Taper Notes:

View NotesRecorded by Leon Komar
Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005)
Audio discs supplied by Scott Allan

Remastered by Charlie Miller
[email protected]
November 3, 2005

Notes:
-- Automatic Volume Control (compressor/limiter?) switch ON. 
-- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono.
-- Flaw in d2t05 fixed on November 15, 2005

Taper: Leon Komar

Jeremy Garrett, Scott Allan and Charlie Miller

SHNID:

gd69-04-15.aud.miller.31435.sbeok.flacf

Source:

Audience: Aiwa hand-held Microphone

Lineage:

Aiwa hand-held microphone > Master Reel (Aiwa 5 inch reel-to-reel) > Alesis Masterlink 9600 > Hard Drive > CD > EAC > Samplitude Professional v7.02 > shntool > FLAC16

Taper Notes:

View Notes-- Automatic Volume Control (compressor/limiter?) switch ON. 
-- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. 
-- The Eleven cuts at the end.

Taper: See info file

gd1969-04-15.dts.danhaugh.34269.flac

Taper: Leon Komar

gd69-04-15.aud.komar.31672.sbefail.flac16

Source:

portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON.

Lineage:

AUDMR->Alesis Masterlink 9600->HD->CD->EAC->SoundEdit 16->FLAC

Taper Notes:

View NotesTape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono.
Real-time transfer, no edits; EQ flat; no boosts/filters applied. 

source discs and equipment information provided by Iver McLeod.


the cuts at the beginnings of tracks omit only a few notes; the taper was
 pleasantly quick on the "Start" button.  the cut in "Lovelight" appears 
minimal.  the cut in "The Eleven" is substantial, with a segment from the 
third line of the "William Tell Bridge" (tracked with "The Eleven") to the 
transition to the second (11/8, key of "A") theme missing; as much as three 
to four minutes could be missing here. The end of "The Eleven" fades out; 
this fade was present on the source discs.  the entire segments from d1t5-d1t7 and d2t1-the cut at 0:34 of "The Eleven" are contiguous, with no start/stops of the recorder.

the edits to the "fixed" version are confined to removal of tape start/stop pops between tracks and/or at tape edits; no music or audience noise was removed.