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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1969
11/8/69
Easy Wind
8:44
Good Lovin?
9:04
Dark Star >
14:42
The Other One >
12:00
Dark Star >
1:05
Uncle John's Jam >
2:33
Dark Star
3:23
Saint Stephen >
7:00
The Eleven >
14:33
Caution >
17:42
Main Ten Jam>
3:12
Caution >
8:26
Feedback >
8:33
And We Bid You Goodnight
3:30
Tuning
2:54
FIN
View on archive.org
Sources
Transferrer: Jim Wise
1:57:21
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Jim Wise
SHNID:
gd1969-11-08.sbd.wise.17433.shnf
Source:
MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD
Taper Notes:
View NotesThis is the same seed as http://db.etree.org/shninfo_detail.php?shnid=82, with md5s d1c & d2c, with the tracks renamed to etree yy-mm-dd convention in the correct order. Saint Stephen and AWBYGN were incorrectly labelled as d2t07 & d2t01, respectively. These have had their names swapped to obtain the correct tracking. ======================= Jim Wise's essay About 11/8/69 It wasn't too long after I met Dick in person when he let me in on what he really was into for a 2-track pick from 1969. When he started coming east for Dicks Picks parties several years ago he found comfortable accommodations at my home. I had already an internet & telephone correspondence with this fascinating man for 2 years prior but had never met him in person, & luckily for me, Dick & I had several long time mutual taper friends who vouched for me, so the ice was broken in advance. I credit my wife Dani for rounding him up. He could have fun with her (and vice versa) & we could bullshit about tapes all night long. I had 11/8 in my collection in several different forms for years, but never really sat down with it the way Dick showed me how to. Dick was like Santa Claus & whenever he would show up (once he called with little advance warning & said he was only one hour away, so get ready for him) he literally had a bag full of tapes, both cassette & dats. He good naturedley would love to see me squirm in anticipation & enjoyed teasing me, 'cause he knew that I was a tape addict, much like himself. On a visit 2 years ago he sat me down in my living room, we smoked a fatty, & he pulled out his dat of 11/8 & said "sit down, shut up, & listen". As the opening notes of "Dark Star" rang out I watched him curl up, close his eyes, & immerse himself in the sound. The last words he uttered for the next hour & one half were" Its quiet now, but it gets LOUD" This is when 11/8 really made it's impression on me, & so did the infamous clicks! This was Dick's dilemma; he loved this set so much, but knew that there were tech flaws on the master. He also had enough experience with his teammates John Cutler & Jeffrey Norman, to realize that this would be extremely difficult to persuade them to do the work in order for its official release as a DP. He was also afraid that it would be rejected as a pick, like so many other shows he wanted in the past were. It was only a few months prior that I had started experimenting with a PC based hard disk recording & editing system, so we grabbed his dat & downloaded a sample to look at the wav file as it appears on screen. We farted around for a bit & I found some clicks visually & zoomed in & simply re drew the glitch with something called the "pencil tool". This smoothed out the wav & that single click disappeared both visually & on more importantly, on playback, auditory. When Dick's business was concluded on the East Coast, he left his dat with me the play with. His aim was to give John Cutler a reasonable tape to listen too, in order to introduce him (JC) to the performance. What Dick had left with me specifically was a dat clone from his personal cassette copy of Bears 7inch-?-track 7/5-ips master reel. The redrawing of the glitches was unbelievably tedious, but relatively easy during the quiet passages, so I spent several days working & sent him back a dat of the first few minutes of "Dark Star". He called me back in a whirlwind of enthusiasm & a week later the Dat clones direct from the masters arrived at my PO box. Now I really went to work & believe me when I tell you this was truly a labor of love. Upon inspection this is what I found; the clicking was present on the right channel of the entire show to 11/7, & the entire show of 11/8, that is up until the reel flip in the "Other One", when it mysteriously vanishes! I uploaded the 94-minute Dark Star & ensuing jam onto hard disk. There is a brief segment before Dark Star begins where you can really capture what's known as a "noise print". This was basically just pure clicks without any music, or other noise in the background, & would be needed if it I could determine that a noise reduction run would be effective. The 3 facts that saved this recording are; #
Transferrer: Jim Wise
1:57:21
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Jim Wise
SHNID:
gd69-11-08.sbd.wise.82.sbeok.shnf
Source:
Soundboard
Lineage:
MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD
Taper Notes:
View NotesMR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD; extensively cleaned up (see info file); via Primal Dead Latvala Tribute Tree (<a href="http://www.users.uswest.net/~zeejay/110869/index.html" rel="ugc nofollow">more info</a>); d2t8 apparently bonus track of tuning (with slide whistle) from 11/7/69 (thanks to Barry Lasky for clue); note not the entire show, just the "Picks"; flaws not on master, first copy (a): d1t04ÃÂ Dropout @ 11:01; d1t06ÃÂ Dropout @ 00:27; d1t07ÃÂ Dropout @ 00:09, another bump 1:37; d2t02ÃÂ Dropout/Slight Hesitation @ 05:34 (sounds similar to a track ID error); flawed source went to abgd as well as etree; flawless source (b) obtained by M. Parrillo, up by 11/30 though not at all sites; caution- new version had some track name/ordering mixups- see <a href="http://www.etree.org/Sources/gdead/gd691108new-tracking.txt" rel="ugc nofollow">guide</a>; note a third source (c) may be up too, no dropouts; <a href="http://www.pasewark.com/gd" rel="ugc nofollow">covers</a>; <b>note this show is now released as Dick's Picks 16- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it!</a></b>
Taper: Marty Weinberg
15:06
Rating:
7.50 / 9 ratings
Taper:
Marty Weinberg
Transferrer:
Jack Warner
SHNID:
gd69-11-08.weinberg.warner.26331.sbeok.flacf
Source:
Audience: AKG 190E
Lineage:
AKG190E > Uher 400L MR; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking > SHN
Taper Notes:
View Notes<b>flac16</b>; AKG190E> Uher 400L, Recorded by Marty Weinberg; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; EAC > FLAC by Jack Warner