Bands
Featured
Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h68995
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h743101
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.4k459
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.8k350
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.9k1.2k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k352
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k368
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k245
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h907100
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.7k205
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k141
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k200
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k219
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k288
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k685
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2k270
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.5k477
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h87585
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k574
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.4k573
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.2k396
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k221
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.9k902
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k361
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h35743
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h352
7d1026
30d57334
2 shows
2 tapes
1969
Sources
Taper: Leon Komar
2:03:00
SBD
Rating:
6.40 / 7 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.sbd-patch.komar.miller.31939.sbeok.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: Morning Dew through Doin' That Rag patched from SBD>Cm>Cass>Dat>CD. AUD Recorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 14, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono.
Transferrer: Matrixing by Dan Haugh
43:22
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1969-04-15.mtx.dan.33952.sbefail.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Transferrer: Kevin Gills
29:45
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Kevin Gills
SHNID:
gd1969-04-15.sbd.oswley.9073.sbeok.shnf
Source:
Owsley's Master Sounboard Cassette > cass > DAT > CD
Source 4 of 8
29:35
SBD
Rating:
6.00 / 2 ratings
SHNID:
gd69-04-15.sbd.cotsman.6288.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Bear's MC > ? > CD > EAC > SHN
Taper: Leon Komar
2:01:25
Rating:
8.75 / 9 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.komar.miller.31523.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesRecorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 3, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- Flaw in d2t05 fixed on November 15, 2005
Taper: Leon Komar
2:01:27
Rating:
9.00 / 12 ratings
Taper:
Leon Komar
Transferrer:
Jeremy Garrett, Scott Allan and Charlie Miller
SHNID:
gd69-04-15.aud.miller.31435.sbeok.flacf
Source:
Audience: Aiwa hand-held Microphone
Lineage:
Aiwa hand-held microphone > Master Reel (Aiwa 5 inch reel-to-reel) > Alesis Masterlink 9600 > Hard Drive > CD > EAC > Samplitude Professional v7.02 > shntool > FLAC16
Taper Notes:
View Notes-- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- The Eleven cuts at the end.
Taper: See info file
43:22
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1969-04-15.dts.danhaugh.34269.flac
Source:
DTS-Audio-5.1 Mix
Lineage:
See info file
Taper: Leon Komar
2:01:35
Taper:
Leon Komar
Transferrer:
Bob Bihlmayer
SHNID:
gd69-04-15.aud.komar.31672.sbefail.flac16
Source:
portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON.
Lineage:
AUDMR->Alesis Masterlink 9600->HD->CD->EAC->SoundEdit 16->FLAC
Taper Notes:
View NotesTape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. the cuts at the beginnings of tracks omit only a few notes; the taper was pleasantly quick on the "Start" button. the cut in "Lovelight" appears minimal. the cut in "The Eleven" is substantial, with a segment from the third line of the "William Tell Bridge" (tracked with "The Eleven") to the transition to the second (11/8, key of "A") theme missing; as much as three to four minutes could be missing here. The end of "The Eleven" fades out; this fade was present on the source discs. the entire segments from d1t5-d1t7 and d2t1-the cut at 0:34 of "The Eleven" are contiguous, with no start/stops of the recorder. the edits to the "fixed" version are confined to removal of tape start/stop pops between tracks and/or at tape edits; no music or audience noise was removed.