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Today In History
June 6th
3 shows
3 tapes
Years
2026
67.7k
PlaybackListensHours
48h2.5k451
7d7k1.3k
30d67.7k12k
13 shows
13 tapes
2025
17k
PlaybackListensHours
48h1.3k234
7d2.8k498
30d17k3.1k
42 shows
42 tapes
2024
6k
PlaybackListensHours
48h595113
7d1.3k234
30d6k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h32557
7d858145
30d4.2k690
45 shows
45 tapes
2022
6.8k
PlaybackListensHours
48h1.7k267
7d3.4k529
30d6.8k1.1k
47 shows
48 tapes
2021
3.7k
PlaybackListensHours
48h28951
7d760134
30d3.7k666
35 shows
35 tapes
2020
326
PlaybackListensHours
48h314
7d11215
30d32645
4 shows
4 tapes
2019
3.2k
PlaybackListensHours
48h20229
7d687103
30d3.2k453
39 shows
39 tapes
2018
4.3k
PlaybackListensHours
48h19732
7d43167
30d4.3k654
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h17426
7d661113
30d2.4k413
28 shows
28 tapes
2016
2.2k
PlaybackListensHours
48h23632
7d37453
30d2.2k289
45 shows
45 tapes
2015
1.8k
PlaybackListensHours
48h14322
7d39361
30d1.8k291
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h12918
7d32045
30d1.6k225
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h13721
7d21132
30d1.5k232
41 shows
41 tapes
2012
2k
PlaybackListensHours
48h27639
7d56575
30d2k273
37 shows
37 tapes
2011
7.3k
PlaybackListensHours
48h1.7k242
7d3.2k470
30d7.3k1.1k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h19226
7d36749
30d2.5k323
50 shows
50 tapes
2009
3.9k
PlaybackListensHours
48h71697
7d1.8k254
30d3.9k550
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h9223
7d27453
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h46385
7d1k184
30d5.2k992
45 shows
45 tapes
2002
326
PlaybackListensHours
48h172
7d314
30d32648
3 shows
3 tapes
2000
14.6k
PlaybackListensHours
48h878156
7d1.7k300
30d14.6k2.4k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1.3k233
7d3.2k601
30d17.3k3.2k
64 shows
64 tapes
1998
20k
PlaybackListensHours
48h1.6k256
7d3.9k634
30d20k3.3k
70 shows
70 tapes
1997
21.1k
PlaybackListensHours
48h1.5k274
7d4k724
30d21.1k3.8k
81 shows
81 tapes
1996
8.6k
PlaybackListensHours
48h59087
7d1.1k167
30d8.6k1.3k
71 shows
71 tapes
1995
11.5k
PlaybackListensHours
48h975142
7d2.7k386
30d11.5k1.7k
82 shows
82 tapes
1994
29.2k
PlaybackListensHours
48h1.1k134
7d3.1k396
30d29.2k3.6k
124 shows
124 tapes
1993
14.3k
PlaybackListensHours
48h68084
7d2.1k249
30d14.3k1.7k
109 shows
109 tapes
1992
9.7k
PlaybackListensHours
48h36346
7d1k112
30d9.7k1.1k
109 shows
109 tapes
1991
6.8k
PlaybackListensHours
48h42042
7d90596
30d6.8k725
117 shows
119 tapes
1990
4.7k
PlaybackListensHours
48h53553
7d1k125
30d4.7k543
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h547
7d13718
30d2.1k266
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h8611
7d32939
30d2.7k346
44 shows
44 tapes
1987
773
PlaybackListensHours
48h202
7d9211
30d77394
18 shows
18 tapes
1986
398
PlaybackListensHours
48h506
7d587
30d39842
7 shows
7 tapes
1985
263
PlaybackListensHours
48h314
7d405
30d26338
7 shows
7 tapes
1984
184
PlaybackListensHours
48h749m
7d203
30d18426
2 shows
2 tapes
1983
78
PlaybackListensHours
48h19m
7d112
30d7811
1 show
1 tape
1990
Sources
Source 1 of 1
2:22:43
Dot Net:
7.91 / 50 ratings
SHNID:
727
Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/20/90 TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/7/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set One: 01. tuning/crowd 02. The Landlady 03. AC/DC Bag 04. Bouncin' 05. The Asse Festival 06. Squirming Coil 07. My Sweet One 08. Divided Sky 09. Magilla 10. Oh // Kee Pah > 11. Suzy Greenberg 12. Possum DISC TWO Set Two: 01. Funky Bitch 02. Stash 03. Uncle Penn 04. Tube 05. Lawn Boy // 06. Tweezer > 07. Buried Alive > 08. Tweezer > 09. McGrupp > 10. HYHU > Love You > HYHU 11. Run Like An Antelope Encore: 12. Lizards Notes The first Tweezer Reprise? The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by shakedown