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Phish
Today In History
June 11th
5 shows
5 tapes
Years
2026
49.4k
PlaybackListensHours
48h2k352
7d5.8k1k
30d49.4k8.8k
13 shows
13 tapes
2025
17.1k
PlaybackListensHours
48h1.3k236
7d2.9k511
30d17.1k3.1k
42 shows
42 tapes
2024
6.4k
PlaybackListensHours
48h30460
7d1.2k220
30d6.4k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h24038
7d810130
30d4.2k696
45 shows
45 tapes
2022
8k
PlaybackListensHours
48h25342
7d739121
30d8k1.3k
47 shows
48 tapes
2021
4k
PlaybackListensHours
48h35658
7d772138
30d4k726
35 shows
35 tapes
2020
352
PlaybackListensHours
48h82
7d9213
30d35248
4 shows
4 tapes
2019
3.3k
PlaybackListensHours
48h55283
7d730105
30d3.3k475
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h17326
7d54782
30d4.2k636
39 shows
39 tapes
2017
2.7k
PlaybackListensHours
48h18736
7d552102
30d2.7k464
28 shows
28 tapes
2016
2.4k
PlaybackListensHours
48h24630
7d58977
30d2.4k315
45 shows
45 tapes
2015
1.9k
PlaybackListensHours
48h17426
7d42262
30d1.9k307
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h14821
7d38354
30d1.8k242
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h14823
7d22936
30d1.5k231
41 shows
41 tapes
2012
4.2k
PlaybackListensHours
48h80297
7d2.3k308
30d4.2k556
37 shows
37 tapes
2011
9.3k
PlaybackListensHours
48h799107
7d1.5k207
30d9.3k1.3k
41 shows
41 tapes
2010
2.5k
PlaybackListensHours
48h44561
7d49568
30d2.5k331
50 shows
50 tapes
2009
5.9k
PlaybackListensHours
48h48566
7d2.1k297
30d5.9k822
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h5213
7d28458
30d1.8k349
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h27249
7d736138
30d5.2k999
45 shows
45 tapes
2002
262
PlaybackListensHours
48h416
7d335
30d26238
3 shows
3 tapes
2000
16.1k
PlaybackListensHours
48h1.3k229
7d2.6k483
30d16.1k2.7k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h1k188
7d2.8k503
30d17.3k3.2k
64 shows
64 tapes
1998
21.2k
PlaybackListensHours
48h1.3k208
7d3.7k611
30d21.2k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.7k297
7d4.3k743
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h51170
7d2.3k324
30d9.2k1.3k
71 shows
71 tapes
1995
13.7k
PlaybackListensHours
48h1.6k235
7d3.8k546
30d13.7k2k
82 shows
82 tapes
1994
27.6k
PlaybackListensHours
48h3.2k432
7d3.5k423
30d27.6k3.4k
124 shows
124 tapes
1993
12.5k
PlaybackListensHours
48h78293
7d2k235
30d12.5k1.5k
109 shows
109 tapes
1992
8.3k
PlaybackListensHours
48h41049
7d950113
30d8.3k940
109 shows
109 tapes
1991
5.9k
PlaybackListensHours
48h29832
7d79285
30d5.9k625
117 shows
119 tapes
1990
5.1k
PlaybackListensHours
48h17220
7d938102
30d5.1k578
100 shows
101 tapes
1989
2k
PlaybackListensHours
48h20526
7d30339
30d2k262
66 shows
66 tapes
1988
2.7k
PlaybackListensHours
48h12116
7d39248
30d2.7k355
44 shows
44 tapes
1987
584
PlaybackListensHours
48h13216
7d324
30d58473
18 shows
18 tapes
1986
359
PlaybackListensHours
48h151
7d465
30d35938
7 shows
7 tapes
1985
249
PlaybackListensHours
48h115m
7d376
30d24937
7 shows
7 tapes
1984
130
PlaybackListensHours
48h00m
7d81
30d13018
2 shows
2 tapes
1983
75
PlaybackListensHours
48h18m
7d132
30d7511
1 show
1 tape
1990
Sources
Source 1 of 1
2:22:43
Dot Net:
7.91 / 50 ratings
SHNID:
727
Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/20/90 TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/7/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set One: 01. tuning/crowd 02. The Landlady 03. AC/DC Bag 04. Bouncin' 05. The Asse Festival 06. Squirming Coil 07. My Sweet One 08. Divided Sky 09. Magilla 10. Oh // Kee Pah > 11. Suzy Greenberg 12. Possum DISC TWO Set Two: 01. Funky Bitch 02. Stash 03. Uncle Penn 04. Tube 05. Lawn Boy // 06. Tweezer > 07. Buried Alive > 08. Tweezer > 09. McGrupp > 10. HYHU > Love You > HYHU 11. Run Like An Antelope Encore: 12. Lizards Notes The first Tweezer Reprise? The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by shakedown