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Today In History
June 13th
5 shows
5 tapes
Years
2026
47.6k
PlaybackListensHours
48h2.2k379
7d5.5k971
30d47.6k8.5k
13 shows
13 tapes
2025
17.3k
PlaybackListensHours
48h1.2k211
7d3k529
30d17.3k3.1k
42 shows
42 tapes
2024
6.3k
PlaybackListensHours
48h32062
7d1.1k193
30d6.3k1.2k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h25843
7d750119
30d4.2k695
45 shows
45 tapes
2022
8.1k
PlaybackListensHours
48h14624
7d656108
30d8.1k1.3k
47 shows
48 tapes
2021
4.1k
PlaybackListensHours
48h16730
7d805141
30d4.1k742
35 shows
35 tapes
2020
352
PlaybackListensHours
48h132
7d8812
30d35248
4 shows
4 tapes
2019
3.6k
PlaybackListensHours
48h830115
7d1k154
30d3.6k526
39 shows
39 tapes
2018
4.1k
PlaybackListensHours
48h12019
7d56785
30d4.1k619
39 shows
39 tapes
2017
2.8k
PlaybackListensHours
48h16032
7d47992
30d2.8k469
28 shows
28 tapes
2016
2.3k
PlaybackListensHours
48h9213
7d53769
30d2.3k308
45 shows
45 tapes
2015
2k
PlaybackListensHours
48h15823
7d38357
30d2k309
31 shows
31 tapes
2014
1.8k
PlaybackListensHours
48h10716
7d33048
30d1.8k245
41 shows
41 tapes
2013
1.5k
PlaybackListensHours
48h6811
7d30548
30d1.5k239
41 shows
41 tapes
2012
4.4k
PlaybackListensHours
48h32141
7d2.5k327
30d4.4k585
37 shows
37 tapes
2011
9.6k
PlaybackListensHours
48h852110
7d1.7k225
30d9.6k1.4k
41 shows
41 tapes
2010
2.7k
PlaybackListensHours
48h59386
7d70798
30d2.7k357
50 shows
50 tapes
2009
6k
PlaybackListensHours
48h46367
7d1.8k258
30d6k842
51 shows
51 tapes
2004
1.8k
PlaybackListensHours
48h7413
7d26254
30d1.8k348
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h28454
7d766141
30d5.2k991
45 shows
45 tapes
2002
278
PlaybackListensHours
48h81
7d699
30d27841
3 shows
3 tapes
2000
16.3k
PlaybackListensHours
48h1.1k178
7d2.9k530
30d16.3k2.8k
56 shows
56 tapes
1999
17.3k
PlaybackListensHours
48h930176
7d2.6k488
30d17.3k3.2k
64 shows
64 tapes
1998
20.9k
PlaybackListensHours
48h1.3k209
7d3.4k572
30d20.9k3.5k
70 shows
70 tapes
1997
22.1k
PlaybackListensHours
48h1.7k296
7d3.9k705
30d22.1k4k
81 shows
81 tapes
1996
9.2k
PlaybackListensHours
48h55278
7d1.7k232
30d9.2k1.3k
71 shows
71 tapes
1995
13.8k
PlaybackListensHours
48h804129
7d4.1k580
30d13.8k2k
82 shows
82 tapes
1994
28.5k
PlaybackListensHours
48h3k402
7d5k651
30d28.5k3.6k
124 shows
124 tapes
1993
12.4k
PlaybackListensHours
48h80499
7d1.8k223
30d12.4k1.5k
109 shows
109 tapes
1992
7.7k
PlaybackListensHours
48h30433
7d1k119
30d7.7k880
109 shows
109 tapes
1991
5.7k
PlaybackListensHours
48h40141
7d73579
30d5.7k606
117 shows
119 tapes
1990
5k
PlaybackListensHours
48h19922
7d89198
30d5k567
100 shows
101 tapes
1989
2.1k
PlaybackListensHours
48h517
7d39650
30d2.1k271
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h28737
7d36745
30d2.6k339
44 shows
44 tapes
1987
691
PlaybackListensHours
48h232
7d15118
30d69187
18 shows
18 tapes
1986
366
PlaybackListensHours
48h262
7d495
30d36639
7 shows
7 tapes
1985
247
PlaybackListensHours
48h759m
7d356
30d24737
7 shows
7 tapes
1984
126
PlaybackListensHours
48h213
7d438m
30d12618
2 shows
2 tapes
1983
66
PlaybackListensHours
48h433m
7d81
30d6610
1 show
1 tape
1990
Sources
Source 1 of 1
2:22:43
Dot Net:
7.91 / 50 ratings
SHNID:
727
Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/20/90 TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/7/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set One: 01. tuning/crowd 02. The Landlady 03. AC/DC Bag 04. Bouncin' 05. The Asse Festival 06. Squirming Coil 07. My Sweet One 08. Divided Sky 09. Magilla 10. Oh // Kee Pah > 11. Suzy Greenberg 12. Possum DISC TWO Set Two: 01. Funky Bitch 02. Stash 03. Uncle Penn 04. Tube 05. Lawn Boy // 06. Tweezer > 07. Buried Alive > 08. Tweezer > 09. McGrupp > 10. HYHU > Love You > HYHU 11. Run Like An Antelope Encore: 12. Lizards Notes The first Tweezer Reprise? The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by shakedown