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Phish
Today In History
June 7th
5 shows
5 tapes
Years
2026
58.1k
PlaybackListensHours
48h2.5k443
7d5.4k987
30d58.1k10.4k
13 shows
13 tapes
2025
16.4k
PlaybackListensHours
48h1.2k199
7d2.4k438
30d16.4k3k
42 shows
42 tapes
2024
5.9k
PlaybackListensHours
48h50289
7d1.1k209
30d5.9k1.1k
39 shows
39 tapes
2023
4.2k
PlaybackListensHours
48h37265
7d723124
30d4.2k683
45 shows
45 tapes
2022
7.6k
PlaybackListensHours
48h29248
7d3.1k487
30d7.6k1.2k
47 shows
48 tapes
2021
3.6k
PlaybackListensHours
48h25452
7d673116
30d3.6k654
35 shows
35 tapes
2020
310
PlaybackListensHours
48h845m
7d415
30d31043
4 shows
4 tapes
2019
3k
PlaybackListensHours
48h25334
7d57183
30d3k429
39 shows
39 tapes
2018
4.2k
PlaybackListensHours
48h14021
7d41866
30d4.2k647
39 shows
39 tapes
2017
2.4k
PlaybackListensHours
48h19635
7d45277
30d2.4k403
28 shows
28 tapes
2016
2.1k
PlaybackListensHours
48h17224
7d38955
30d2.1k273
45 shows
45 tapes
2015
1.7k
PlaybackListensHours
48h18527
7d29545
30d1.7k273
31 shows
31 tapes
2014
1.6k
PlaybackListensHours
48h18426
7d25937
30d1.6k224
41 shows
41 tapes
2013
1.4k
PlaybackListensHours
48h10617
7d20530
30d1.4k223
41 shows
41 tapes
2012
2.1k
PlaybackListensHours
48h67089
7d58480
30d2.1k290
37 shows
37 tapes
2011
8.1k
PlaybackListensHours
48h49171
7d2.9k426
30d8.1k1.2k
41 shows
41 tapes
2010
2.4k
PlaybackListensHours
48h18226
7d36749
30d2.4k320
50 shows
50 tapes
2009
4k
PlaybackListensHours
48h1k141
7d1.8k242
30d4k562
51 shows
51 tapes
2004
1.7k
PlaybackListensHours
48h10920
7d19442
30d1.7k342
20 shows
20 tapes
2003
5.2k
PlaybackListensHours
48h33067
7d914170
30d5.2k986
45 shows
45 tapes
2002
300
PlaybackListensHours
48h254
7d335
30d30044
3 shows
3 tapes
2000
14.5k
PlaybackListensHours
48h598109
7d1.6k278
30d14.5k2.4k
56 shows
56 tapes
1999
16.8k
PlaybackListensHours
48h1.2k211
7d2.7k493
30d16.8k3.1k
64 shows
64 tapes
1998
20k
PlaybackListensHours
48h1.4k228
7d3.1k515
30d20k3.3k
70 shows
70 tapes
1997
20.4k
PlaybackListensHours
48h1.9k302
7d3.2k576
30d20.4k3.7k
81 shows
81 tapes
1996
8.3k
PlaybackListensHours
48h1.4k198
7d1.1k165
30d8.3k1.2k
71 shows
71 tapes
1995
11.3k
PlaybackListensHours
48h891128
7d2k291
30d11.3k1.7k
82 shows
82 tapes
1994
28.2k
PlaybackListensHours
48h1.1k134
7d2.3k287
30d28.2k3.5k
124 shows
124 tapes
1993
12.9k
PlaybackListensHours
48h868102
7d1.6k197
30d12.9k1.5k
109 shows
109 tapes
1992
8.7k
PlaybackListensHours
48h40148
7d80092
30d8.7k990
109 shows
109 tapes
1991
6.6k
PlaybackListensHours
48h41442
7d80583
30d6.6k710
117 shows
119 tapes
1990
4.8k
PlaybackListensHours
48h28931
7d958109
30d4.8k555
100 shows
101 tapes
1989
1.9k
PlaybackListensHours
48h405
7d9012
30d1.9k250
66 shows
66 tapes
1988
2.6k
PlaybackListensHours
48h11313
7d22228
30d2.6k336
44 shows
44 tapes
1987
776
PlaybackListensHours
48h101
7d709
30d77694
18 shows
18 tapes
1986
410
PlaybackListensHours
48h101
7d789
30d41043
7 shows
7 tapes
1985
260
PlaybackListensHours
48h203
7d497
30d26038
7 shows
7 tapes
1984
153
PlaybackListensHours
48h214m
7d81
30d15321
2 shows
2 tapes
1983
74
PlaybackListensHours
48h81
7d652m
30d7411
1 show
1 tape
1990
Sources
Source 1 of 1
2:22:43
SHNID:
727
Taper Notes:
View NotesPhish Somerville Theater Somerville, MA 9/20/90 TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - [email protected] on 10/7/2003 All edits and mastering were peformed on Doomtooth by [email protected] on 11/01/03. DISC ONE Set One: 01. tuning/crowd 02. The Landlady 03. AC/DC Bag 04. Bouncin' 05. The Asse Festival 06. Squirming Coil 07. My Sweet One 08. Divided Sky 09. Magilla 10. Oh // Kee Pah > 11. Suzy Greenberg 12. Possum DISC TWO Set Two: 01. Funky Bitch 02. Stash 03. Uncle Penn 04. Tube 05. Lawn Boy // 06. Tweezer > 07. Buried Alive > 08. Tweezer > 09. McGrupp > 10. HYHU > Love You > HYHU 11. Run Like An Antelope Encore: 12. Lizards Notes The first Tweezer Reprise? The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by shakedown