RELISTENTOmoe.
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moe.
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Today In History
June 13th
6 shows
15 tapes
Years
2026
4.4k
PlaybackListensHours
48h23133
7d46766
30d4.4k667
31 shows
65 tapes
2025
226
PlaybackListensHours
48h284
7d11218
30d22636
59 shows
133 tapes
2024
115
PlaybackListensHours
48h00m
7d16m
30d11518
43 shows
70 tapes
2023
425
PlaybackListensHours
48h173
7d9715
30d42568
65 shows
145 tapes
2022
41
PlaybackListensHours
48h00m
7d00m
30d419
18 shows
33 tapes
2021
13
PlaybackListensHours
48h112
7d336m
30d133
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
114
PlaybackListensHours
48h00m
7d00m
30d11420
40 shows
76 tapes
2018
122
PlaybackListensHours
48h153
7d81
30d12222
53 shows
114 tapes
2017
220
PlaybackListensHours
48h650m
7d447
30d22034
32 shows
66 tapes
2016
137
PlaybackListensHours
48h244
7d584
30d13717
40 shows
105 tapes
2015
131
PlaybackListensHours
48h252m
7d285
30d13121
40 shows
115 tapes
2014
107
PlaybackListensHours
48h210m
7d740m
30d10715
76 shows
192 tapes
2013
109
PlaybackListensHours
48h00m
7d00m
30d10917
62 shows
179 tapes
2012
133
PlaybackListensHours
48h00m
7d82
30d13324
73 shows
210 tapes
2011
145
PlaybackListensHours
48h325
7d7011
30d14524
59 shows
167 tapes
2010
251
PlaybackListensHours
48h00m
7d589
30d25143
68 shows
203 tapes
2009
296
PlaybackListensHours
48h202
7d82
30d29649
61 shows
177 tapes
2008
121
PlaybackListensHours
48h81
7d6911
30d12121
62 shows
154 tapes
2007
107
PlaybackListensHours
48h00m
7d164
30d10721
77 shows
180 tapes
2006
270
PlaybackListensHours
48h274
7d11519
30d27044
73 shows
193 tapes
2005
233
PlaybackListensHours
48h228m
7d245
30d23346
78 shows
199 tapes
2004
288
PlaybackListensHours
48h61
7d487
30d28844
83 shows
199 tapes
2003
220
PlaybackListensHours
48h217m
7d397
30d22045
90 shows
206 tapes
2002
567
PlaybackListensHours
48h4111
7d8822
30d567133
67 shows
175 tapes
2001
259
PlaybackListensHours
48h72
7d277
30d25959
98 shows
184 tapes
2000
198
PlaybackListensHours
48h114m
7d8115
30d19839
70 shows
122 tapes
1999
225
PlaybackListensHours
48h246
7d488
30d22542
94 shows
170 tapes
1998
242
PlaybackListensHours
48h356
7d6411
30d24241
68 shows
120 tapes
1997
471
PlaybackListensHours
48h112
7d315
30d47167
138 shows
245 tapes
1996
199
PlaybackListensHours
48h263
7d223
30d19933
75 shows
126 tapes
1995
54
PlaybackListensHours
48h00m
7d00m
30d547
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d00m
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
28
PlaybackListensHours
48h00m
7d319m
30d283
4 shows
4 tapes
1996
6/2/96
Jam & announcements ->
2:05
CalifornIA (w/pennywhistle)
18:35
tuning/banter - plenty of balls for everyone, Emily Navarro's birthday
2:56
Time Again
5:59
Mexico
13:05
tuning/banter - we'd play something you know, but...
0:24
Meat
28:20
setbreak announce
0:58
Jam w/Al on drums (w/o Chris Mazur)
9:29
Happy Birthday singalong led by Mike's dad
3:17
Akimbo ^
15:15
Ugly American ^
6:42
32 Things
9:01
She Sends Me
15:06
banter - able to hear vocals?/tuning
3:24
Time Ed
16:04
tuning/banter - reroute the power
2:31
Recreational Chemistry (hillbilly version)
8:39
banter - pick a tune pick a version
2:15
Moth (reggae version)
11:28
banter/tuning
2:42
YOY (disco version)
7:13
banter - stop when you get it right
0:48
St. Augustine (metal version) &
4:17
banter - lots of dessert
0:21
FIN
View on archive.org
Sources
Taper: Scott Bernstein
3:10:54
SBD
Rating:
10.00 / 1 rating
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1996-06-02
Source:
Soundboard + Audience Matrix
Lineage:
Original master recording: SBD + 1 Oktava MC-012 microphone (the other one wasn't working) at the far side of the pool -> Mackie 1202 -> Denon DTR-80p (m) Transfer: DAT master playback on Sony R500->.flac file recorded on Sound Devices 722 digital input Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav.
Taper Notes:
View Notes^ = w/Mike's friend Josh ? on keyboards & = beginning is cut due to DAT tape filp Meat teases in California Dixie teases in Time Again Mastering notes I removed momentary hum and/or dropouts at S1T1(00:12-00:13, 00:23, 00:24, 00:56, 2:41, 6:50-51, other times) smoothed out bad volume fluctionations between 3 and 6 min in 1st track I copied from L>R and from R>L channel whenever there was some buzz in one of the channels but not the other. And there was one instance where there was a buzz in both channels for a second or 2 during which the music was unlistenable, so I removed it entirely. I used SoundForge 10.0's "Repair>Click And Crackle Removal" option which did a pretty good job with cleaning up individual instances of wind noise You can hear Wakeme, Mike Kelter -- the birthday boy, talking right into the mics at S1T1(00:31) about setting up his video camera I believe there was a power failure right at the moment of the "funny" in Mexico, as there was just blank space on my recording recording at that point. Recorded, mastered, and tracked by Scott Bernstein Taper notes: OK, here we go with BARN25.....wow, this show REALLY needs to be out there, and has been a REALLY long time coming. 1996 -- by any standards a banner year for moe. -- new tunes, new enthusiasm, lots of new fans and venue growth....but smack dab in the middle of this year, the band plays Michael "Wakeme" Kelter's birthday pool party in Morganville, NJ?! I knew about it coming up but wasn't close enough to Wakeme to get invited myself, BUT Jesse Jarnow did get the invite, and since each invitee got to bring one guest, I was lucky enough to get the nod from Jesse. Not to mention that at least he knew it would get taped.... What a glorious day it was -- with the band at their loosest and best (but not TOO loose as it was an afternoon show and kids were in attendance), so the performance was not too alcohol-infused as to get sloppy, and they felt no pressure to play any songs in particular. The band hung out, ate pizza and cake with the rest of us, and Chris Mazur even brought his dog, who didn't always get along too well with the Kelter family dog, as you can hear on the recording. But one listen to what was going on in this show and you'll hear lots and lots of fireworks, beyond the clearly one-time-only "pick a song, pick a version" stuff at the end of the show... So this recording took me over 4 months of work to complete -- by far the longest it's taken me to get through the processing of any recording so far. Of course, not 4 months continuously, but 4 months of making some progress, getting frustrated, putting it away, and then coming back to it. There were so many things wrong with it, it's hard to detail them all. Let's start with me running a matrix -- but running it with a borrowed set of never-before-used Russian-made Oktava MC-012 microphones. At the time the vendor was pitching them as the Russian Neumann knockoffs (or maybe Schoeps knockoffs). Well, based on the fact that you still have probably never heard of this microphone brand (with good reason!), the prinicple of "let the buyer beware" prevails again. Needless to say, I ran about 30 feet of RCA cable from the soundboard, hooked up the mics, and was getting horrible buzzing and eventually one channel with an audience mic and one channel without, which after a few minutes, I realized was because only one of the mics was working! Add to that the fact that a few times throughout the show I had loose RCA cables which needed to be secured (or contributed buzzing to the recording) AND the fact that I didn't have any windscreens for these mics, you'll start to see the problems mounting. Anyway, I have done my best to mostly eliminate wind noise (except for a few bursts I couldn't get rid of), get rid of all of the buzzing (as most of the time it only occurred in one channel or the other, and the stereo image is neglegable on this recording), and attempt to compensate for the many many volume level fluctuations as I was trying to get all of the issues worked out. I think you'll find that most of the problems are all in the C-I-A and that the problems are fewer and farther between in the first set and the 2nd set is clean except for the occasional wind noise that I did my best to remove. There is a video floating around of most of this show, and I'm going to do my best to get it converted to a DVD to share... A rundown of my previous BARN archival releases (all can be found on archive.org except as noted): BARN1 - Col Bruce Hampton and the Code Talkers at Bret & Joyce's wedding 9/17/05 BARN2 - Col Bruce Hampton and the Aquarium Rescue Unit (w/guest Warren Haynes for all of set 2) Wetlands 11/20/93 BARN3 - moe. Wetlands 7/8/95 BARN4 - Dan Bern Bottom Line 7/31/98 (late show) BARN5 - moe. Birch Hill 10/31/96 BARN6 - moe. Maxwells 1/20/96 BARN7 - Dan Bern Central Park Summerstage 9/19/97 BARN8 - Dan Bern, Bottom Line 8/1/98 BARN9 - moe. Bayou 4/5/97 BARN10 - moe. Irving Plaza 4/4/97 BARN11 - moe. AKA 9/7/95 BARN12 - Yolk AKA 9/7/95 BARN13 - Robert Walter/Johnny Vidacovich/James Singleton/Donald Harrison Preservation Hall 4/30/08 BARN14 - Phish Las Vegas, NV 10/31/98 (on bt.etree.org) BARN15 - Phish Great Went @ Loring AFB, Limestone, ME 8/16/97 (on bt.etree.org) - by request BARN16 - Phish Great Went @ Loring AFB, Limestone, ME 8/17/97 (on bt.etree.org), includes orchestra set - by request BARN17 - Phish Red Rocks Amphitheater, Morrison, CO, 8/4/96 (on bt.etree.org) - by request BARN18 - Phish Red Rocks Amphitheater, Morrison, CO, 8/6/96 (on bt.etree.org) - by request BARN19 - Phish Red Rocks Amphitheater, Morrison, CO, 8/7/96 (on bt.etree.org) - by request BARN20 - Phish Red Rocks Amphitheater, Morrison, CO, 8/5/96 (on bt.etree.org) - by request BARN21 - God Street Wine, Irving Plaza, NYC 6/24/93 BARN22 - Leftover Salmon, Wetlands, NYC 10/1/94 BARN23 - Anders Osborne, Manny's Carwash, NYC 11/5/1997 BARN24 - Anders Osborne, Manny's Carwash, NYC 11/6/1997 BARN25 - moe. Pool Party, Morganville, NJ 6/2/1996