RELISTENTOmoe.
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moe.
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Today In History
June 6th
4 shows
10 tapes
Years
2026
4.9k
PlaybackListensHours
48h22234
7d738113
30d4.9k747
31 shows
63 tapes
2025
188
PlaybackListensHours
48h285
7d558
30d18828
59 shows
133 tapes
2024
133
PlaybackListensHours
48h00m
7d407
30d13321
43 shows
70 tapes
2023
341
PlaybackListensHours
48h61
7d223m
30d34156
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d449m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d8114
30d11520
40 shows
76 tapes
2018
119
PlaybackListensHours
48h00m
7d223
30d11921
53 shows
114 tapes
2017
184
PlaybackListensHours
48h81
7d6011
30d18428
32 shows
66 tapes
2016
214
PlaybackListensHours
48h213
7d254
30d21433
40 shows
105 tapes
2015
101
PlaybackListensHours
48h653m
7d7010
30d10115
40 shows
115 tapes
2014
90
PlaybackListensHours
48h102
7d234
30d9013
76 shows
192 tapes
2013
110
PlaybackListensHours
48h00m
7d407
30d11017
62 shows
179 tapes
2012
128
PlaybackListensHours
48h00m
7d122
30d12823
73 shows
210 tapes
2011
72
PlaybackListensHours
48h115m
7d102
30d7212
59 shows
167 tapes
2010
174
PlaybackListensHours
48h5511
7d10818
30d17430
68 shows
203 tapes
2009
272
PlaybackListensHours
48h132
7d6412
30d27246
61 shows
177 tapes
2008
75
PlaybackListensHours
48h00m
7d102
30d7514
62 shows
154 tapes
2007
192
PlaybackListensHours
48h143
7d112
30d19230
77 shows
180 tapes
2006
158
PlaybackListensHours
48h102
7d356
30d15825
73 shows
193 tapes
2005
241
PlaybackListensHours
48h113
7d215
30d24146
78 shows
199 tapes
2004
280
PlaybackListensHours
48h204
7d477
30d28043
83 shows
199 tapes
2003
255
PlaybackListensHours
48h234
7d499
30d25551
90 shows
206 tapes
2002
541
PlaybackListensHours
48h226
7d14835
30d541130
67 shows
175 tapes
2001
286
PlaybackListensHours
48h102
7d215
30d28663
98 shows
184 tapes
2000
183
PlaybackListensHours
48h458m
7d112
30d18339
70 shows
122 tapes
1999
300
PlaybackListensHours
48h101
7d336
30d30057
94 shows
170 tapes
1998
245
PlaybackListensHours
48h536m
7d467
30d24541
68 shows
120 tapes
1997
448
PlaybackListensHours
48h304
7d8012
30d44865
138 shows
245 tapes
1996
192
PlaybackListensHours
48h00m
7d6410
30d19233
75 shows
126 tapes
1995
89
PlaybackListensHours
48h00m
7d293
30d8911
40 shows
46 tapes
1994
48
PlaybackListensHours
48h172
7d00m
30d484
8 shows
9 tapes
1993
1 show
1 tape
1992
25
PlaybackListensHours
48h00m
7d00m
30d253
4 shows
4 tapes
1996
6/2/96
Jam & announcements ->
2:05
CalifornIA (w/pennywhistle)
18:35
tuning/banter - plenty of balls for everyone, Emily Navarro's birthday
2:56
Time Again
5:59
Mexico
13:05
tuning/banter - we'd play something you know, but...
0:24
Meat
28:20
setbreak announce
0:58
Jam w/Al on drums (w/o Chris Mazur)
9:29
Happy Birthday singalong led by Mike's dad
3:17
Akimbo ^
15:15
Ugly American ^
6:42
32 Things
9:01
She Sends Me
15:06
banter - able to hear vocals?/tuning
3:24
Time Ed
16:04
tuning/banter - reroute the power
2:31
Recreational Chemistry (hillbilly version)
8:39
banter - pick a tune pick a version
2:15
Moth (reggae version)
11:28
banter/tuning
2:42
YOY (disco version)
7:13
banter - stop when you get it right
0:48
St. Augustine (metal version) &
4:17
banter - lots of dessert
0:21
FIN
View on archive.org
Sources
Taper: Scott Bernstein
3:10:54
SBD
Rating:
10.00 / 1 rating
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1996-06-02
Source:
Soundboard + Audience Matrix
Lineage:
Original master recording: SBD + 1 Oktava MC-012 microphone (the other one wasn't working) at the far side of the pool -> Mackie 1202 -> Denon DTR-80p (m) Transfer: DAT master playback on Sony R500->.flac file recorded on Sound Devices 722 digital input Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav.
Taper Notes:
View Notes^ = w/Mike's friend Josh ? on keyboards & = beginning is cut due to DAT tape filp Meat teases in California Dixie teases in Time Again Mastering notes I removed momentary hum and/or dropouts at S1T1(00:12-00:13, 00:23, 00:24, 00:56, 2:41, 6:50-51, other times) smoothed out bad volume fluctionations between 3 and 6 min in 1st track I copied from L>R and from R>L channel whenever there was some buzz in one of the channels but not the other. And there was one instance where there was a buzz in both channels for a second or 2 during which the music was unlistenable, so I removed it entirely. I used SoundForge 10.0's "Repair>Click And Crackle Removal" option which did a pretty good job with cleaning up individual instances of wind noise You can hear Wakeme, Mike Kelter -- the birthday boy, talking right into the mics at S1T1(00:31) about setting up his video camera I believe there was a power failure right at the moment of the "funny" in Mexico, as there was just blank space on my recording recording at that point. Recorded, mastered, and tracked by Scott Bernstein Taper notes: OK, here we go with BARN25.....wow, this show REALLY needs to be out there, and has been a REALLY long time coming. 1996 -- by any standards a banner year for moe. -- new tunes, new enthusiasm, lots of new fans and venue growth....but smack dab in the middle of this year, the band plays Michael "Wakeme" Kelter's birthday pool party in Morganville, NJ?! I knew about it coming up but wasn't close enough to Wakeme to get invited myself, BUT Jesse Jarnow did get the invite, and since each invitee got to bring one guest, I was lucky enough to get the nod from Jesse. Not to mention that at least he knew it would get taped.... What a glorious day it was -- with the band at their loosest and best (but not TOO loose as it was an afternoon show and kids were in attendance), so the performance was not too alcohol-infused as to get sloppy, and they felt no pressure to play any songs in particular. The band hung out, ate pizza and cake with the rest of us, and Chris Mazur even brought his dog, who didn't always get along too well with the Kelter family dog, as you can hear on the recording. But one listen to what was going on in this show and you'll hear lots and lots of fireworks, beyond the clearly one-time-only "pick a song, pick a version" stuff at the end of the show... So this recording took me over 4 months of work to complete -- by far the longest it's taken me to get through the processing of any recording so far. Of course, not 4 months continuously, but 4 months of making some progress, getting frustrated, putting it away, and then coming back to it. There were so many things wrong with it, it's hard to detail them all. Let's start with me running a matrix -- but running it with a borrowed set of never-before-used Russian-made Oktava MC-012 microphones. At the time the vendor was pitching them as the Russian Neumann knockoffs (or maybe Schoeps knockoffs). Well, based on the fact that you still have probably never heard of this microphone brand (with good reason!), the prinicple of "let the buyer beware" prevails again. Needless to say, I ran about 30 feet of RCA cable from the soundboard, hooked up the mics, and was getting horrible buzzing and eventually one channel with an audience mic and one channel without, which after a few minutes, I realized was because only one of the mics was working! Add to that the fact that a few times throughout the show I had loose RCA cables which needed to be secured (or contributed buzzing to the recording) AND the fact that I didn't have any windscreens for these mics, you'll start to see the problems mounting. Anyway, I have done my best to mostly eliminate wind noise (except for a few bursts I couldn't get rid of), get rid of all of the buzzing (as most of the time it only occurred in one channel or the other, and the stereo image is neglegable on this recording), and attempt to compensate for the many many volume level fluctuations as I was trying to get all of the issues worked out. I think you'll find that most of the problems are all in the C-I-A and that the problems are fewer and farther between in the first set and the 2nd set is clean except for the occasional wind noise that I did my best to remove. There is a video floating around of most of this show, and I'm going to do my best to get it converted to a DVD to share... A rundown of my previous BARN archival releases (all can be found on archive.org except as noted): BARN1 - Col Bruce Hampton and the Code Talkers at Bret & Joyce's wedding 9/17/05 BARN2 - Col Bruce Hampton and the Aquarium Rescue Unit (w/guest Warren Haynes for all of set 2) Wetlands 11/20/93 BARN3 - moe. Wetlands 7/8/95 BARN4 - Dan Bern Bottom Line 7/31/98 (late show) BARN5 - moe. Birch Hill 10/31/96 BARN6 - moe. Maxwells 1/20/96 BARN7 - Dan Bern Central Park Summerstage 9/19/97 BARN8 - Dan Bern, Bottom Line 8/1/98 BARN9 - moe. Bayou 4/5/97 BARN10 - moe. Irving Plaza 4/4/97 BARN11 - moe. AKA 9/7/95 BARN12 - Yolk AKA 9/7/95 BARN13 - Robert Walter/Johnny Vidacovich/James Singleton/Donald Harrison Preservation Hall 4/30/08 BARN14 - Phish Las Vegas, NV 10/31/98 (on bt.etree.org) BARN15 - Phish Great Went @ Loring AFB, Limestone, ME 8/16/97 (on bt.etree.org) - by request BARN16 - Phish Great Went @ Loring AFB, Limestone, ME 8/17/97 (on bt.etree.org), includes orchestra set - by request BARN17 - Phish Red Rocks Amphitheater, Morrison, CO, 8/4/96 (on bt.etree.org) - by request BARN18 - Phish Red Rocks Amphitheater, Morrison, CO, 8/6/96 (on bt.etree.org) - by request BARN19 - Phish Red Rocks Amphitheater, Morrison, CO, 8/7/96 (on bt.etree.org) - by request BARN20 - Phish Red Rocks Amphitheater, Morrison, CO, 8/5/96 (on bt.etree.org) - by request BARN21 - God Street Wine, Irving Plaza, NYC 6/24/93 BARN22 - Leftover Salmon, Wetlands, NYC 10/1/94 BARN23 - Anders Osborne, Manny's Carwash, NYC 11/5/1997 BARN24 - Anders Osborne, Manny's Carwash, NYC 11/6/1997 BARN25 - moe. Pool Party, Morganville, NJ 6/2/1996