RELISTENTOmoe.
Re
Bands
Featured
Bands
moe.
RecentTopVenues
Today In History
June 7th
5 shows
12 tapes
Years
2026
4.8k
PlaybackListensHours
48h26239
7d65399
30d4.8k740
31 shows
63 tapes
2025
202
PlaybackListensHours
48h234
7d7211
30d20230
59 shows
133 tapes
2024
128
PlaybackListensHours
48h00m
7d387
30d12820
43 shows
70 tapes
2023
343
PlaybackListensHours
48h61
7d41
30d34356
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d449m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d6411
30d11520
40 shows
76 tapes
2018
119
PlaybackListensHours
48h14m
7d223
30d11921
53 shows
114 tapes
2017
173
PlaybackListensHours
48h162
7d489
30d17326
32 shows
66 tapes
2016
204
PlaybackListensHours
48h00m
7d254
30d20431
40 shows
105 tapes
2015
101
PlaybackListensHours
48h41
7d537
30d10115
40 shows
115 tapes
2014
100
PlaybackListensHours
48h00m
7d152
30d10015
76 shows
192 tapes
2013
110
PlaybackListensHours
48h00m
7d397
30d11017
62 shows
179 tapes
2012
128
PlaybackListensHours
48h111
7d122
30d12823
73 shows
210 tapes
2011
72
PlaybackListensHours
48h82
7d112
30d7212
59 shows
167 tapes
2010
223
PlaybackListensHours
48h316
7d15228
30d22340
68 shows
203 tapes
2009
271
PlaybackListensHours
48h365
7d6311
30d27146
61 shows
177 tapes
2008
71
PlaybackListensHours
48h81
7d660m
30d7113
62 shows
154 tapes
2007
176
PlaybackListensHours
48h92
7d225
30d17630
77 shows
180 tapes
2006
158
PlaybackListensHours
48h132
7d346
30d15825
73 shows
193 tapes
2005
235
PlaybackListensHours
48h102
7d297
30d23545
78 shows
199 tapes
2004
279
PlaybackListensHours
48h244
7d386
30d27943
83 shows
199 tapes
2003
240
PlaybackListensHours
48h153
7d6511
30d24048
90 shows
206 tapes
2002
545
PlaybackListensHours
48h216
7d12628
30d545130
67 shows
175 tapes
2001
274
PlaybackListensHours
48h173
7d225
30d27461
98 shows
184 tapes
2000
181
PlaybackListensHours
48h1247m
7d92
30d18139
70 shows
122 tapes
1999
255
PlaybackListensHours
48h356
7d427
30d25548
94 shows
170 tapes
1998
209
PlaybackListensHours
48h194
7d416
30d20936
68 shows
120 tapes
1997
462
PlaybackListensHours
48h415
7d9514
30d46267
138 shows
245 tapes
1996
192
PlaybackListensHours
48h00m
7d6410
30d19233
75 shows
126 tapes
1995
89
PlaybackListensHours
48h172
7d293
30d8911
40 shows
46 tapes
1994
56
PlaybackListensHours
48h182
7d172
30d565
8 shows
9 tapes
1993
1 show
1 tape
1992
25
PlaybackListensHours
48h00m
7d00m
30d253
4 shows
4 tapes
1996
6/2/96
Jam & announcements ->
2:05
CalifornIA (w/pennywhistle)
18:35
tuning/banter - plenty of balls for everyone, Emily Navarro's birthday
2:56
Time Again
5:59
Mexico
13:05
tuning/banter - we'd play something you know, but...
0:24
Meat
28:20
setbreak announce
0:58
Jam w/Al on drums (w/o Chris Mazur)
9:29
Happy Birthday singalong led by Mike's dad
3:17
Akimbo ^
15:15
Ugly American ^
6:42
32 Things
9:01
She Sends Me
15:06
banter - able to hear vocals?/tuning
3:24
Time Ed
16:04
tuning/banter - reroute the power
2:31
Recreational Chemistry (hillbilly version)
8:39
banter - pick a tune pick a version
2:15
Moth (reggae version)
11:28
banter/tuning
2:42
YOY (disco version)
7:13
banter - stop when you get it right
0:48
St. Augustine (metal version) &
4:17
banter - lots of dessert
0:21
FIN
View on archive.org
Sources
Taper: Scott Bernstein
3:10:54
SBD
Rating:
10.00 / 1 rating
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1996-06-02
Source:
Soundboard + Audience Matrix
Lineage:
Original master recording: SBD + 1 Oktava MC-012 microphone (the other one wasn't working) at the far side of the pool -> Mackie 1202 -> Denon DTR-80p (m) Transfer: DAT master playback on Sony R500->.flac file recorded on Sound Devices 722 digital input Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav.
Taper Notes:
View Notes^ = w/Mike's friend Josh ? on keyboards & = beginning is cut due to DAT tape filp Meat teases in California Dixie teases in Time Again Mastering notes I removed momentary hum and/or dropouts at S1T1(00:12-00:13, 00:23, 00:24, 00:56, 2:41, 6:50-51, other times) smoothed out bad volume fluctionations between 3 and 6 min in 1st track I copied from L>R and from R>L channel whenever there was some buzz in one of the channels but not the other. And there was one instance where there was a buzz in both channels for a second or 2 during which the music was unlistenable, so I removed it entirely. I used SoundForge 10.0's "Repair>Click And Crackle Removal" option which did a pretty good job with cleaning up individual instances of wind noise You can hear Wakeme, Mike Kelter -- the birthday boy, talking right into the mics at S1T1(00:31) about setting up his video camera I believe there was a power failure right at the moment of the "funny" in Mexico, as there was just blank space on my recording recording at that point. Recorded, mastered, and tracked by Scott Bernstein Taper notes: OK, here we go with BARN25.....wow, this show REALLY needs to be out there, and has been a REALLY long time coming. 1996 -- by any standards a banner year for moe. -- new tunes, new enthusiasm, lots of new fans and venue growth....but smack dab in the middle of this year, the band plays Michael "Wakeme" Kelter's birthday pool party in Morganville, NJ?! I knew about it coming up but wasn't close enough to Wakeme to get invited myself, BUT Jesse Jarnow did get the invite, and since each invitee got to bring one guest, I was lucky enough to get the nod from Jesse. Not to mention that at least he knew it would get taped.... What a glorious day it was -- with the band at their loosest and best (but not TOO loose as it was an afternoon show and kids were in attendance), so the performance was not too alcohol-infused as to get sloppy, and they felt no pressure to play any songs in particular. The band hung out, ate pizza and cake with the rest of us, and Chris Mazur even brought his dog, who didn't always get along too well with the Kelter family dog, as you can hear on the recording. But one listen to what was going on in this show and you'll hear lots and lots of fireworks, beyond the clearly one-time-only "pick a song, pick a version" stuff at the end of the show... So this recording took me over 4 months of work to complete -- by far the longest it's taken me to get through the processing of any recording so far. Of course, not 4 months continuously, but 4 months of making some progress, getting frustrated, putting it away, and then coming back to it. There were so many things wrong with it, it's hard to detail them all. Let's start with me running a matrix -- but running it with a borrowed set of never-before-used Russian-made Oktava MC-012 microphones. At the time the vendor was pitching them as the Russian Neumann knockoffs (or maybe Schoeps knockoffs). Well, based on the fact that you still have probably never heard of this microphone brand (with good reason!), the prinicple of "let the buyer beware" prevails again. Needless to say, I ran about 30 feet of RCA cable from the soundboard, hooked up the mics, and was getting horrible buzzing and eventually one channel with an audience mic and one channel without, which after a few minutes, I realized was because only one of the mics was working! Add to that the fact that a few times throughout the show I had loose RCA cables which needed to be secured (or contributed buzzing to the recording) AND the fact that I didn't have any windscreens for these mics, you'll start to see the problems mounting. Anyway, I have done my best to mostly eliminate wind noise (except for a few bursts I couldn't get rid of), get rid of all of the buzzing (as most of the time it only occurred in one channel or the other, and the stereo image is neglegable on this recording), and attempt to compensate for the many many volume level fluctuations as I was trying to get all of the issues worked out. I think you'll find that most of the problems are all in the C-I-A and that the problems are fewer and farther between in the first set and the 2nd set is clean except for the occasional wind noise that I did my best to remove. There is a video floating around of most of this show, and I'm going to do my best to get it converted to a DVD to share... A rundown of my previous BARN archival releases (all can be found on archive.org except as noted): BARN1 - Col Bruce Hampton and the Code Talkers at Bret & Joyce's wedding 9/17/05 BARN2 - Col Bruce Hampton and the Aquarium Rescue Unit (w/guest Warren Haynes for all of set 2) Wetlands 11/20/93 BARN3 - moe. Wetlands 7/8/95 BARN4 - Dan Bern Bottom Line 7/31/98 (late show) BARN5 - moe. Birch Hill 10/31/96 BARN6 - moe. Maxwells 1/20/96 BARN7 - Dan Bern Central Park Summerstage 9/19/97 BARN8 - Dan Bern, Bottom Line 8/1/98 BARN9 - moe. Bayou 4/5/97 BARN10 - moe. Irving Plaza 4/4/97 BARN11 - moe. AKA 9/7/95 BARN12 - Yolk AKA 9/7/95 BARN13 - Robert Walter/Johnny Vidacovich/James Singleton/Donald Harrison Preservation Hall 4/30/08 BARN14 - Phish Las Vegas, NV 10/31/98 (on bt.etree.org) BARN15 - Phish Great Went @ Loring AFB, Limestone, ME 8/16/97 (on bt.etree.org) - by request BARN16 - Phish Great Went @ Loring AFB, Limestone, ME 8/17/97 (on bt.etree.org), includes orchestra set - by request BARN17 - Phish Red Rocks Amphitheater, Morrison, CO, 8/4/96 (on bt.etree.org) - by request BARN18 - Phish Red Rocks Amphitheater, Morrison, CO, 8/6/96 (on bt.etree.org) - by request BARN19 - Phish Red Rocks Amphitheater, Morrison, CO, 8/7/96 (on bt.etree.org) - by request BARN20 - Phish Red Rocks Amphitheater, Morrison, CO, 8/5/96 (on bt.etree.org) - by request BARN21 - God Street Wine, Irving Plaza, NYC 6/24/93 BARN22 - Leftover Salmon, Wetlands, NYC 10/1/94 BARN23 - Anders Osborne, Manny's Carwash, NYC 11/5/1997 BARN24 - Anders Osborne, Manny's Carwash, NYC 11/6/1997 BARN25 - moe. Pool Party, Morganville, NJ 6/2/1996