RELISTENTOmoe.
Re
Bands
Featured
Bands
moe.
RecentTopVenues
Today In History
June 14th
6 shows
10 tapes
Years
2026
4.3k
PlaybackListensHours
48h24135
7d49570
30d4.3k642
31 shows
65 tapes
2025
247
PlaybackListensHours
48h275
7d6710
30d24739
59 shows
133 tapes
2024
113
PlaybackListensHours
48h11m
7d16m
30d11317
43 shows
70 tapes
2023
429
PlaybackListensHours
48h00m
7d10517
30d42969
65 shows
145 tapes
2022
41
PlaybackListensHours
48h12m
7d00m
30d419
18 shows
33 tapes
2021
21
PlaybackListensHours
48h112
7d112
30d214
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
114
PlaybackListensHours
48h71
7d00m
30d11420
40 shows
76 tapes
2018
118
PlaybackListensHours
48h153
7d534m
30d11821
53 shows
114 tapes
2017
226
PlaybackListensHours
48h00m
7d386
30d22635
32 shows
66 tapes
2016
148
PlaybackListensHours
48h162
7d404
30d14819
40 shows
105 tapes
2015
132
PlaybackListensHours
48h112
7d245
30d13222
40 shows
115 tapes
2014
107
PlaybackListensHours
48h336
7d740m
30d10715
76 shows
192 tapes
2013
107
PlaybackListensHours
48h00m
7d00m
30d10717
62 shows
179 tapes
2012
133
PlaybackListensHours
48h113m
7d00m
30d13324
73 shows
210 tapes
2011
155
PlaybackListensHours
48h447m
7d8013
30d15526
59 shows
167 tapes
2010
249
PlaybackListensHours
48h123m
7d275
30d24942
68 shows
203 tapes
2009
298
PlaybackListensHours
48h233
7d183
30d29849
61 shows
177 tapes
2008
124
PlaybackListensHours
48h102
7d6911
30d12421
62 shows
154 tapes
2007
94
PlaybackListensHours
48h218m
7d62
30d9419
77 shows
180 tapes
2006
262
PlaybackListensHours
48h112
7d7713
30d26244
73 shows
193 tapes
2005
213
PlaybackListensHours
48h319m
7d255
30d21341
78 shows
199 tapes
2004
274
PlaybackListensHours
48h112
7d224
30d27442
83 shows
199 tapes
2003
191
PlaybackListensHours
48h00m
7d213
30d19139
90 shows
206 tapes
2002
582
PlaybackListensHours
48h299
7d8221
30d582137
67 shows
175 tapes
2001
241
PlaybackListensHours
48h00m
7d287
30d24154
98 shows
184 tapes
2000
199
PlaybackListensHours
48h114m
7d7014
30d19940
70 shows
122 tapes
1999
222
PlaybackListensHours
48h00m
7d5411
30d22242
94 shows
170 tapes
1998
261
PlaybackListensHours
48h375
7d5710
30d26144
68 shows
120 tapes
1997
460
PlaybackListensHours
48h193
7d315
30d46066
138 shows
245 tapes
1996
199
PlaybackListensHours
48h293
7d223
30d19933
75 shows
126 tapes
1995
47
PlaybackListensHours
48h00m
7d00m
30d476
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d00m
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
28
PlaybackListensHours
48h00m
7d319m
30d283
4 shows
4 tapes
1996
6/2/96
Jam & announcements ->
2:05
CalifornIA (w/pennywhistle)
18:35
tuning/banter - plenty of balls for everyone, Emily Navarro's birthday
2:56
Time Again
5:59
Mexico
13:05
tuning/banter - we'd play something you know, but...
0:24
Meat
28:20
setbreak announce
0:58
Jam w/Al on drums (w/o Chris Mazur)
9:29
Happy Birthday singalong led by Mike's dad
3:17
Akimbo ^
15:15
Ugly American ^
6:42
32 Things
9:01
She Sends Me
15:06
banter - able to hear vocals?/tuning
3:24
Time Ed
16:04
tuning/banter - reroute the power
2:31
Recreational Chemistry (hillbilly version)
8:39
banter - pick a tune pick a version
2:15
Moth (reggae version)
11:28
banter/tuning
2:42
YOY (disco version)
7:13
banter - stop when you get it right
0:48
St. Augustine (metal version) &
4:17
banter - lots of dessert
0:21
FIN
View on archive.org
Sources
Taper: Scott Bernstein
3:10:54
SBD
Rating:
10.00 / 1 rating
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe1996-06-02
Source:
Soundboard + Audience Matrix
Lineage:
Original master recording: SBD + 1 Oktava MC-012 microphone (the other one wasn't working) at the far side of the pool -> Mackie 1202 -> Denon DTR-80p (m) Transfer: DAT master playback on Sony R500->.flac file recorded on Sound Devices 722 digital input Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav.
Taper Notes:
View Notes^ = w/Mike's friend Josh ? on keyboards & = beginning is cut due to DAT tape filp Meat teases in California Dixie teases in Time Again Mastering notes I removed momentary hum and/or dropouts at S1T1(00:12-00:13, 00:23, 00:24, 00:56, 2:41, 6:50-51, other times) smoothed out bad volume fluctionations between 3 and 6 min in 1st track I copied from L>R and from R>L channel whenever there was some buzz in one of the channels but not the other. And there was one instance where there was a buzz in both channels for a second or 2 during which the music was unlistenable, so I removed it entirely. I used SoundForge 10.0's "Repair>Click And Crackle Removal" option which did a pretty good job with cleaning up individual instances of wind noise You can hear Wakeme, Mike Kelter -- the birthday boy, talking right into the mics at S1T1(00:31) about setting up his video camera I believe there was a power failure right at the moment of the "funny" in Mexico, as there was just blank space on my recording recording at that point. Recorded, mastered, and tracked by Scott Bernstein Taper notes: OK, here we go with BARN25.....wow, this show REALLY needs to be out there, and has been a REALLY long time coming. 1996 -- by any standards a banner year for moe. -- new tunes, new enthusiasm, lots of new fans and venue growth....but smack dab in the middle of this year, the band plays Michael "Wakeme" Kelter's birthday pool party in Morganville, NJ?! I knew about it coming up but wasn't close enough to Wakeme to get invited myself, BUT Jesse Jarnow did get the invite, and since each invitee got to bring one guest, I was lucky enough to get the nod from Jesse. Not to mention that at least he knew it would get taped.... What a glorious day it was -- with the band at their loosest and best (but not TOO loose as it was an afternoon show and kids were in attendance), so the performance was not too alcohol-infused as to get sloppy, and they felt no pressure to play any songs in particular. The band hung out, ate pizza and cake with the rest of us, and Chris Mazur even brought his dog, who didn't always get along too well with the Kelter family dog, as you can hear on the recording. But one listen to what was going on in this show and you'll hear lots and lots of fireworks, beyond the clearly one-time-only "pick a song, pick a version" stuff at the end of the show... So this recording took me over 4 months of work to complete -- by far the longest it's taken me to get through the processing of any recording so far. Of course, not 4 months continuously, but 4 months of making some progress, getting frustrated, putting it away, and then coming back to it. There were so many things wrong with it, it's hard to detail them all. Let's start with me running a matrix -- but running it with a borrowed set of never-before-used Russian-made Oktava MC-012 microphones. At the time the vendor was pitching them as the Russian Neumann knockoffs (or maybe Schoeps knockoffs). Well, based on the fact that you still have probably never heard of this microphone brand (with good reason!), the prinicple of "let the buyer beware" prevails again. Needless to say, I ran about 30 feet of RCA cable from the soundboard, hooked up the mics, and was getting horrible buzzing and eventually one channel with an audience mic and one channel without, which after a few minutes, I realized was because only one of the mics was working! Add to that the fact that a few times throughout the show I had loose RCA cables which needed to be secured (or contributed buzzing to the recording) AND the fact that I didn't have any windscreens for these mics, you'll start to see the problems mounting. Anyway, I have done my best to mostly eliminate wind noise (except for a few bursts I couldn't get rid of), get rid of all of the buzzing (as most of the time it only occurred in one channel or the other, and the stereo image is neglegable on this recording), and attempt to compensate for the many many volume level fluctuations as I was trying to get all of the issues worked out. I think you'll find that most of the problems are all in the C-I-A and that the problems are fewer and farther between in the first set and the 2nd set is clean except for the occasional wind noise that I did my best to remove. There is a video floating around of most of this show, and I'm going to do my best to get it converted to a DVD to share... A rundown of my previous BARN archival releases (all can be found on archive.org except as noted): BARN1 - Col Bruce Hampton and the Code Talkers at Bret & Joyce's wedding 9/17/05 BARN2 - Col Bruce Hampton and the Aquarium Rescue Unit (w/guest Warren Haynes for all of set 2) Wetlands 11/20/93 BARN3 - moe. Wetlands 7/8/95 BARN4 - Dan Bern Bottom Line 7/31/98 (late show) BARN5 - moe. Birch Hill 10/31/96 BARN6 - moe. Maxwells 1/20/96 BARN7 - Dan Bern Central Park Summerstage 9/19/97 BARN8 - Dan Bern, Bottom Line 8/1/98 BARN9 - moe. Bayou 4/5/97 BARN10 - moe. Irving Plaza 4/4/97 BARN11 - moe. AKA 9/7/95 BARN12 - Yolk AKA 9/7/95 BARN13 - Robert Walter/Johnny Vidacovich/James Singleton/Donald Harrison Preservation Hall 4/30/08 BARN14 - Phish Las Vegas, NV 10/31/98 (on bt.etree.org) BARN15 - Phish Great Went @ Loring AFB, Limestone, ME 8/16/97 (on bt.etree.org) - by request BARN16 - Phish Great Went @ Loring AFB, Limestone, ME 8/17/97 (on bt.etree.org), includes orchestra set - by request BARN17 - Phish Red Rocks Amphitheater, Morrison, CO, 8/4/96 (on bt.etree.org) - by request BARN18 - Phish Red Rocks Amphitheater, Morrison, CO, 8/6/96 (on bt.etree.org) - by request BARN19 - Phish Red Rocks Amphitheater, Morrison, CO, 8/7/96 (on bt.etree.org) - by request BARN20 - Phish Red Rocks Amphitheater, Morrison, CO, 8/5/96 (on bt.etree.org) - by request BARN21 - God Street Wine, Irving Plaza, NYC 6/24/93 BARN22 - Leftover Salmon, Wetlands, NYC 10/1/94 BARN23 - Anders Osborne, Manny's Carwash, NYC 11/5/1997 BARN24 - Anders Osborne, Manny's Carwash, NYC 11/6/1997 BARN25 - moe. Pool Party, Morganville, NJ 6/2/1996