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Leftover Salmon
Today In History
June 6th
1 show
1 tape
Years
2026
698
PlaybackListensHours
48h252
7d647
30d69871
10 shows
18 tapes
2025
309
PlaybackListensHours
48h00m
7d333
30d30931
44 shows
64 tapes
2024
100
PlaybackListensHours
48h13m
7d420m
30d10010
43 shows
65 tapes
2023
11
PlaybackListensHours
48h13m
7d543m
30d111
25 shows
35 tapes
2022
21
PlaybackListensHours
48h00m
7d420m
30d212
18 shows
25 tapes
2021
86
PlaybackListensHours
48h14m
7d850m
30d8610
20 shows
31 tapes
2020
1
PlaybackListensHours
48h00m
7d112m
30d112m
7 shows
9 tapes
2019
32
PlaybackListensHours
48h730m
7d312m
30d323
32 shows
42 tapes
2018
27
PlaybackListensHours
48h113m
7d332m
30d273
44 shows
58 tapes
2017
29
PlaybackListensHours
48h00m
7d00m
30d292
35 shows
52 tapes
2016
22
PlaybackListensHours
48h00m
7d212
30d222
26 shows
42 tapes
2015
19
PlaybackListensHours
48h00m
7d00m
30d192
33 shows
53 tapes
2014
42
PlaybackListensHours
48h122
7d233
30d425
29 shows
52 tapes
2013
4
PlaybackListensHours
48h00m
7d00m
30d421m
40 shows
63 tapes
2012
42
PlaybackListensHours
48h00m
7d00m
30d424
39 shows
69 tapes
2011
101
PlaybackListensHours
48h00m
7d182
30d10112
19 shows
33 tapes
2010
3
PlaybackListensHours
48h11m
7d00m
30d313m
6 shows
7 tapes
2009
1 show
1 tape
2008
12
PlaybackListensHours
48h00m
7d434m
30d122
3 shows
4 tapes
2007
5 shows
6 tapes
2004
113
PlaybackListensHours
48h00m
7d334
30d11312
30 shows
38 tapes
2003
27
PlaybackListensHours
48h315m
7d152
30d273
36 shows
52 tapes
2002
84
PlaybackListensHours
48h959m
7d182
30d849
48 shows
56 tapes
2001
111
PlaybackListensHours
48h17m
7d202
30d11111
44 shows
48 tapes
2000
388
PlaybackListensHours
48h262
7d141
30d38833
53 shows
61 tapes
1999
369
PlaybackListensHours
48h11211
7d323
30d36932
40 shows
46 tapes
1998
258
PlaybackListensHours
48h414
7d757
30d25824
79 shows
90 tapes
1997
245
PlaybackListensHours
48h192
7d434
30d24521
64 shows
80 tapes
1996
236
PlaybackListensHours
48h00m
7d217m
30d23617
39 shows
43 tapes
1995
328
PlaybackListensHours
48h484
7d474
30d32826
35 shows
41 tapes
1994
132
PlaybackListensHours
48h314m
7d564
30d13211
18 shows
19 tapes
1993
79
PlaybackListensHours
48h15m
7d343
30d797
7 shows
7 tapes
1992
2
PlaybackListensHours
48h00m
7d25m
30d25m
1 show
1 tape
1991
2 shows
2 tapes
1995
Sources
Taper: Scott Bernstein
2:31:49
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
los1995-02-04.ecm959.sbd
Source:
Audience DAT + SBD DAT
Taper Notes:
View Notes* = w/"L.A. Woman" (The Doors) tease I scrubbed about 35 loud nearby yells, whistles, and claps from the audience portion of this recording (1st 49 minutes of the show) Acoustic Forum opened -- I don't believe that I taped them Recorded, transferred (4/1/2012), tracked (9/26/2019), and mastered (12/18-21/2019), and posted (12/21/2019) by Scott Bernstein Taper notes: By request, for BARN202 I'm dipping back into my Leftover Salmon early days (last represented in my BARN series as release #22, posted on March 6, 2010 -- 9 years back) -- this is my recording of the 3rd time I saw them (2nd time I taped them) at good old Wetlands. This is a band REALLY on the upswing -- hungry, but feeling good, completely at the top of their game and with their original lineup before tragedy and other forces conspired to various lineup changes. This show was an absolute blast -- showcasing every facet of their performing repertoire at the time -- the Polyethnic Cajun Slamgrass in full effect...with bluegrass, Cajun, reggae, a capella, blues, polka, rock, and everything inbetween. This is also a marathon performance at 38 songs and just over 2 1/2 hours. I recorded this show with my old Sony ECM-959 stereo microphone (2 1/2 years before I bought my Neumann TLM170s) on my trusty old Denon DTR-80p DAT deck (6 AA batteries); but for whatever reason, the DAT tape was unplayable beyond the 49th minute of the recording. Thank goodness I did manage to get a dub of the soundboard source for the show (though I can't recall who I got it from) soon afterwards. So the first part of this recording is my audience recording (EQ'd a bit to sweeten up the sound of a cheaper, but still solid microphone), and the rest is a straight soundboard source (both normalized to match each-others' volume). While the soundboard recording is nice and crisp, you'll quickly see why I prefer the sound of audience recordings from good-sounding rooms (when you're in a good location) -- while the soundboard definitely has the edge in terms of clarity of vocals, cymbals, and some other instruments, the amount of bass guitar in the recording is greatly reduced, and you lose the live sound of the crowd reacting to the music. (On the other hand, I don't generally have to scrub annoying claps, yells, whistles, etc. from a soundboard source.) I saw and taped them at least a dozen times during the 1993-2008 period represented by my DAT recordings, so you'll surely hear more Leftover Salmon archival recordings from me in the future... Enjoy! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>