Bands
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Leftover Salmon
Today In History
June 11th
1 show
1 tape
Years
2026
548
PlaybackListensHours
48h515
7d869
30d54856
11 shows
18 tapes
2025
187
PlaybackListensHours
48h534m
7d293
30d18718
44 shows
64 tapes
2024
95
PlaybackListensHours
48h00m
7d13m
30d9510
43 shows
65 tapes
2023
20
PlaybackListensHours
48h527m
7d938m
30d202
25 shows
35 tapes
2022
20
PlaybackListensHours
48h00m
7d00m
30d202
18 shows
25 tapes
2021
73
PlaybackListensHours
48h00m
7d523m
30d739
20 shows
31 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d112m
7 shows
9 tapes
2019
25
PlaybackListensHours
48h537m
7d742m
30d252
32 shows
42 tapes
2018
55
PlaybackListensHours
48h00m
7d324
30d557
44 shows
58 tapes
2017
17
PlaybackListensHours
48h00m
7d00m
30d172
35 shows
52 tapes
2016
26
PlaybackListensHours
48h00m
7d426m
30d262
26 shows
42 tapes
2015
23
PlaybackListensHours
48h00m
7d101
30d233
33 shows
53 tapes
2014
49
PlaybackListensHours
48h00m
7d71
30d496
29 shows
52 tapes
2013
4
PlaybackListensHours
48h00m
7d00m
30d421m
40 shows
63 tapes
2012
30
PlaybackListensHours
48h00m
7d110m
30d303
39 shows
69 tapes
2011
47
PlaybackListensHours
48h00m
7d543m
30d476
19 shows
33 tapes
2010
4
PlaybackListensHours
48h00m
7d11m
30d415m
6 shows
7 tapes
2009
1 show
1 tape
2008
12
PlaybackListensHours
48h00m
7d00m
30d122
3 shows
4 tapes
2007
5 shows
6 tapes
2004
93
PlaybackListensHours
48h318m
7d162
30d9311
30 shows
38 tapes
2003
43
PlaybackListensHours
48h00m
7d161
30d434
36 shows
52 tapes
2002
98
PlaybackListensHours
48h00m
7d142
30d9810
48 shows
56 tapes
2001
96
PlaybackListensHours
48h152
7d121
30d969
44 shows
48 tapes
2000
455
PlaybackListensHours
48h00m
7d847
30d45538
53 shows
61 tapes
1999
392
PlaybackListensHours
48h15m
7d13913
30d39235
40 shows
46 tapes
1998
339
PlaybackListensHours
48h00m
7d948
30d33930
79 shows
90 tapes
1997
212
PlaybackListensHours
48h00m
7d555
30d21219
64 shows
80 tapes
1996
228
PlaybackListensHours
48h00m
7d18m
30d22817
39 shows
43 tapes
1995
327
PlaybackListensHours
48h1107
7d1159
30d32726
35 shows
41 tapes
1994
130
PlaybackListensHours
48h1057m
7d314m
30d13011
18 shows
19 tapes
1993
98
PlaybackListensHours
48h626m
7d212
30d989
7 shows
7 tapes
1992
2
PlaybackListensHours
48h00m
7d00m
30d25m
1 show
1 tape
1991
2 shows
2 tapes
1995
Sources
Taper: Scott Bernstein
2:31:49
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
los1995-02-04.ecm959.sbd
Source:
Audience DAT + SBD DAT
Taper Notes:
View Notes* = w/"L.A. Woman" (The Doors) tease I scrubbed about 35 loud nearby yells, whistles, and claps from the audience portion of this recording (1st 49 minutes of the show) Acoustic Forum opened -- I don't believe that I taped them Recorded, transferred (4/1/2012), tracked (9/26/2019), and mastered (12/18-21/2019), and posted (12/21/2019) by Scott Bernstein Taper notes: By request, for BARN202 I'm dipping back into my Leftover Salmon early days (last represented in my BARN series as release #22, posted on March 6, 2010 -- 9 years back) -- this is my recording of the 3rd time I saw them (2nd time I taped them) at good old Wetlands. This is a band REALLY on the upswing -- hungry, but feeling good, completely at the top of their game and with their original lineup before tragedy and other forces conspired to various lineup changes. This show was an absolute blast -- showcasing every facet of their performing repertoire at the time -- the Polyethnic Cajun Slamgrass in full effect...with bluegrass, Cajun, reggae, a capella, blues, polka, rock, and everything inbetween. This is also a marathon performance at 38 songs and just over 2 1/2 hours. I recorded this show with my old Sony ECM-959 stereo microphone (2 1/2 years before I bought my Neumann TLM170s) on my trusty old Denon DTR-80p DAT deck (6 AA batteries); but for whatever reason, the DAT tape was unplayable beyond the 49th minute of the recording. Thank goodness I did manage to get a dub of the soundboard source for the show (though I can't recall who I got it from) soon afterwards. So the first part of this recording is my audience recording (EQ'd a bit to sweeten up the sound of a cheaper, but still solid microphone), and the rest is a straight soundboard source (both normalized to match each-others' volume). While the soundboard recording is nice and crisp, you'll quickly see why I prefer the sound of audience recordings from good-sounding rooms (when you're in a good location) -- while the soundboard definitely has the edge in terms of clarity of vocals, cymbals, and some other instruments, the amount of bass guitar in the recording is greatly reduced, and you lose the live sound of the crowd reacting to the music. (On the other hand, I don't generally have to scrub annoying claps, yells, whistles, etc. from a soundboard source.) I saw and taped them at least a dozen times during the 1993-2008 period represented by my DAT recordings, so you'll surely hear more Leftover Salmon archival recordings from me in the future... Enjoy! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>