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Leftover Salmon
Today In History
June 12th
0 shows
0 tapes
Years
2026
518
PlaybackListensHours
48h555
7d13613
30d51853
11 shows
18 tapes
2025
198
PlaybackListensHours
48h263
7d434
30d19819
44 shows
64 tapes
2024
95
PlaybackListensHours
48h00m
7d00m
30d9510
43 shows
65 tapes
2023
20
PlaybackListensHours
48h00m
7d835m
30d202
25 shows
35 tapes
2022
20
PlaybackListensHours
48h00m
7d00m
30d202
18 shows
25 tapes
2021
51
PlaybackListensHours
48h00m
7d27m
30d516
20 shows
31 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d112m
7 shows
9 tapes
2019
43
PlaybackListensHours
48h132
7d213
30d435
32 shows
42 tapes
2018
55
PlaybackListensHours
48h00m
7d324
30d557
44 shows
58 tapes
2017
17
PlaybackListensHours
48h00m
7d00m
30d172
35 shows
52 tapes
2016
44
PlaybackListensHours
48h182
7d182
30d444
26 shows
42 tapes
2015
23
PlaybackListensHours
48h00m
7d101
30d233
33 shows
53 tapes
2014
49
PlaybackListensHours
48h00m
7d00m
30d496
29 shows
52 tapes
2013
8
PlaybackListensHours
48h417m
7d417m
30d838m
40 shows
63 tapes
2012
5
PlaybackListensHours
48h316m
7d426m
30d534m
39 shows
69 tapes
2011
79
PlaybackListensHours
48h404
7d435
30d799
19 shows
33 tapes
2010
4
PlaybackListensHours
48h00m
7d00m
30d415m
6 shows
7 tapes
2009
1 show
1 tape
2008
8
PlaybackListensHours
48h00m
7d00m
30d81
3 shows
4 tapes
2007
5 shows
6 tapes
2004
96
PlaybackListensHours
48h00m
7d192
30d9611
30 shows
38 tapes
2003
32
PlaybackListensHours
48h00m
7d131
30d323
36 shows
52 tapes
2002
98
PlaybackListensHours
48h00m
7d00m
30d9810
48 shows
56 tapes
2001
101
PlaybackListensHours
48h00m
7d162
30d10110
44 shows
48 tapes
2000
376
PlaybackListensHours
48h00m
7d696
30d37631
53 shows
61 tapes
1999
386
PlaybackListensHours
48h1054m
7d222
30d38634
40 shows
46 tapes
1998
339
PlaybackListensHours
48h252
7d383
30d33930
79 shows
90 tapes
1997
212
PlaybackListensHours
48h00m
7d363
30d21219
64 shows
80 tapes
1996
228
PlaybackListensHours
48h00m
7d18m
30d22817
39 shows
43 tapes
1995
418
PlaybackListensHours
48h171
7d18713
30d41831
35 shows
41 tapes
1994
140
PlaybackListensHours
48h1017
7d1057m
30d14012
18 shows
19 tapes
1993
113
PlaybackListensHours
48h1153m
7d383
30d11310
7 shows
7 tapes
1992
2
PlaybackListensHours
48h00m
7d00m
30d25m
1 show
1 tape
1991
2 shows
2 tapes
1995
Sources
Taper: Scott Bernstein
2:31:49
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
los1995-02-04.ecm959.sbd
Source:
Audience DAT + SBD DAT
Taper Notes:
View Notes* = w/"L.A. Woman" (The Doors) tease I scrubbed about 35 loud nearby yells, whistles, and claps from the audience portion of this recording (1st 49 minutes of the show) Acoustic Forum opened -- I don't believe that I taped them Recorded, transferred (4/1/2012), tracked (9/26/2019), and mastered (12/18-21/2019), and posted (12/21/2019) by Scott Bernstein Taper notes: By request, for BARN202 I'm dipping back into my Leftover Salmon early days (last represented in my BARN series as release #22, posted on March 6, 2010 -- 9 years back) -- this is my recording of the 3rd time I saw them (2nd time I taped them) at good old Wetlands. This is a band REALLY on the upswing -- hungry, but feeling good, completely at the top of their game and with their original lineup before tragedy and other forces conspired to various lineup changes. This show was an absolute blast -- showcasing every facet of their performing repertoire at the time -- the Polyethnic Cajun Slamgrass in full effect...with bluegrass, Cajun, reggae, a capella, blues, polka, rock, and everything inbetween. This is also a marathon performance at 38 songs and just over 2 1/2 hours. I recorded this show with my old Sony ECM-959 stereo microphone (2 1/2 years before I bought my Neumann TLM170s) on my trusty old Denon DTR-80p DAT deck (6 AA batteries); but for whatever reason, the DAT tape was unplayable beyond the 49th minute of the recording. Thank goodness I did manage to get a dub of the soundboard source for the show (though I can't recall who I got it from) soon afterwards. So the first part of this recording is my audience recording (EQ'd a bit to sweeten up the sound of a cheaper, but still solid microphone), and the rest is a straight soundboard source (both normalized to match each-others' volume). While the soundboard recording is nice and crisp, you'll quickly see why I prefer the sound of audience recordings from good-sounding rooms (when you're in a good location) -- while the soundboard definitely has the edge in terms of clarity of vocals, cymbals, and some other instruments, the amount of bass guitar in the recording is greatly reduced, and you lose the live sound of the crowd reacting to the music. (On the other hand, I don't generally have to scrub annoying claps, yells, whistles, etc. from a soundboard source.) I saw and taped them at least a dozen times during the 1993-2008 period represented by my DAT recordings, so you'll surely hear more Leftover Salmon archival recordings from me in the future... Enjoy! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>